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DTSTART;TZID=America/Los_Angeles:20250514T093000
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LAST-MODIFIED:20250425T150829Z
UID:10000216-1747215000-1747224000@www.bcdc.ca.gov
SUMMARY:May 14\, 2025 Enforcement Committee Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/may-14-2025-enforcement-committee-meeting/
CATEGORIES:Enforcement Committee
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DTSTART;TZID=America/Los_Angeles:20250512T170000
DTEND;TZID=America/Los_Angeles:20250512T183000
DTSTAMP:20260626T022438
CREATED:20241217T183200Z
LAST-MODIFIED:20250625T180007Z
UID:10000255-1747069200-1747074600@www.bcdc.ca.gov
SUMMARY:May 12\, 2025 Design Review Board Meeting
DESCRIPTION:This Bay Conservation and Development Commission (BCDC) Design Review Board meeting will be conducted in a hybrid format in accordance with Gov. Code 11123.5. To maximize public safety while maintaining transparency and public access\, members of the public can choose to participate either virtually via Zoom\, by phone\, or in person at the location listed below. Physical attendance at the site listed below requires that all individuals adhere to the site’s health guidelines including\, if required\, wearing masks\, health screening\, and social distancing. \nMetro Center375 Beale Street\, Yerba Buena RoomSan Francisco\, 415-352-3600 \nIf you have issues joining the meeting using the link\, please enter the Meeting ID and Password listed below into the ZOOM app to join the meeting. \nJoin the meeting via ZOOM \nhttps://bcdc-ca-gov.zoom.us/j/87161336217?pwd=hMjJEZ5fypYyuCuuazltKhHMurePy9.1 \nSee information on public participation \nTeleconference numbers1 (866) 590-5055 Toll-free1 (816) 423 4282 US TollConference Code 374334 \nPasscode641630 \nIf you call in by telephone: \nPress *6 to unmute or mute yourselfPress *9 to raise your hand or lower your hand to speak  \n				\n				\n				\n				\n				Agenda\n				\nCall to Order and Meeting Procedure Review\nApproval of Draft Review Summary for the March 10\, 2025 DRB Meeting\nBCDC Staff Updates\nPublic Comment for items not on the agenda\nBerkeley Waterfront and Ferry Pier\, City of Berkeley\, Alameda County; BriefingThe Design Review Board will hold a pre-application briefing of the Berkeley Waterfront and Ferry Pier project\, a proposed electric ferry service located at the Berkeley Marina\, in the City of Berkeley\, Alameda County. The project proposes demolition of the closed fishing pier and the construction of a new 1\,080-foot-long public pier with pedestrian access and a ferry terminal\, connected to a 400-foot-long breakwater. The proposal also includes improvements to the surrounding Berkeley Waterfront\, including a public plaza\, improved site circulation\, a Bay Trail extension\, parking lot renovations\, and new landscaping. (Alyssa Plese) [415/352-3626; alyssa.plese@bcdc.ca.gov]Exhibits\nAdjournment\n\n			\n				\n				\n				\n				\n				Recording & Transcript\n				\n \n\nTranscript\n\nYerba Buena SX80: Recording in the conference. \nYerba Buena SX80: Okay. \nYerba Buena SX80: thank you for joining us tonight for the Bcdc Design Review Board meeting. I’d like to remind the Board members to please speak directly into the microphone in front of you and have it on only when you want to speak. And please ensure that your video on your laptop is always on\, but your audio is disabled. \nYerba Buena SX80: Good evening\, everyone. My name is Jacinta Mccann. I’m the chair of the Bcdc’s Design Review Board\, and I’m located here at the Metro Center in San Francisco. \nYerba Buena SX80: Our 1st order of business is to call the Roll Board members. Can you unmute yourselves to respond\, and then mute yourselves again after responding. Staff\, please call the roll chair. Mccann. Present vice chair\, string\, present board\, member Pataglio\, present Board\, Member Hall. \nYerba Buena SX80: present Bcdc. Staff attending this meeting tonight are myself\, Ashley Tomerlin. Alyssa\, please\, and Catherine Pan. \nYerba Buena SX80: Okay\, thanks\, Ashley. We have a quorum presence. So we’re duly constituted to conduct business. \nYerba Buena SX80: I’ll start by sharing some instructions on how we can best participate in this meeting\, so that it runs as smoothly as possible \nYerba Buena SX80: for everyone online. And in the meeting room\, and it’s great to see a whole lot of people in the meeting room so welcome. Please make sure you have your microphones or phones muted to avoid background noise for board members. If you have a webcam\, please make sure that it’s on\, so everyone can see you for members of the public. If you would like to speak during a public comment period\, you will need to do so in one of 3 ways. First\, st if you’re here with us in person. We will ask you to form a line near the podium. If you wish to make a public comment. \nYerba Buena SX80: Speaker\, cards are available at the door\, and you will be asked to come up to the podium one at a time. \nYerba Buena SX80: After all individuals who are present make their comments. We shall then call on those participants who are attending remotely \nYerba Buena SX80: the second way\, if you’re attending on the Zoom Platform\, please raise your virtual hand in zoom\, please click the hand at the bottom of the screen and the hand should turn blue when it’s raised. \nYerba Buena SX80: Finally\, if you’re joining our meeting via phone\, you must press. Star 9 on your keypad\, to raise or lower your hand\, or to make a comment and star 6 to mute or unmute your phone. \nYerba Buena SX80: We will call on individuals who’ve raised their hands in the order that they are raised. \nYerba Buena SX80: Please keep your comments respectful and focused. We are here to listen to everyone who wishes to address us\, but everyone has the responsibility to act in a civil manner. \nYerba Buena SX80: We will not tolerate hate\, speech threats made directly or indirectly\, and or abusive language. \nYerba Buena SX80: We will mute anyone who fails to follow these guidelines\, or who exceeds the established time limits without permission \nYerba Buena SX80: for public comments. If you are attending online. Please note that we will only hear your voice. Your video will not be enabled. \nYerba Buena SX80: If you’re attending the meeting on the Zoom Platform. We recommend using the gallery view which is an option in view settings in order to see all the panelists audio\, for in person panelists is recorded through the rooms audio system and is not synced to the individual panelists. Videos. \nYerba Buena SX80: If you would like to add your contact information to the interested parties\, list to be notified of future meetings \nYerba Buena SX80: concerning the project we’re going to hear tonight. \nYerba Buena SX80: Please call or email Ashley Tomlin\, whose contact information is on the screen or is found on the Bcdc’s website. \nYerba Buena SX80: Now\, board members\, we’ve been furnished draft meeting summaries for our March 10\, th 2025 meeting. Just want to check if there are comments or corrections to the board minutes\, or to the meeting summary\, I should say\, from March 10\, th and just a reminder. The March 10th \nYerba Buena SX80: Board meeting Summary was the Brooklyn Basin Channel Park\, Second Review meetings\, although it was the new design for the Park. \nYerba Buena SX80: 1st time we’d seen that\, so did anyone have any comments on the on the meeting notes. \nYerba Buena SX80: Okay\, Bob\, any comments on the \nYerba Buena SX80: I wasn’t. I wasn’t at the meeting\, so I don’t have any comments. \nYerba Buena SX80: Gary\, any comments. \nYerba Buena SX80: Yeah\, I I wrote in a little note\, Ashley. I think. It was really about \nYerba Buena SX80: 2 items things you’ve heard before that I’ve commented on. And I understand they’re sort of outside our purview. So I’m really clear on that. And the 1st one was about condominiums. On\, you know\, sites that are probably a risk more at risk of sea level rise than most than many other sites. So when you see a site that has\, you know\, specific issues. And when \nYerba Buena SX80: you know\, townhouses is going to be an important component of that project\, it always kind of raises eyebrows above among the group. But you know\, we don’t really can’t really do anything about it. And that was a real driver of the Brooklyn Basin project. I think they want to do all these great waterfront improvements\, and the only way they can get it done is by advancing these townhouses. So \nYerba Buena SX80: kind of interesting\, because when I 1st joined the board. It’s been more than 10 years\, I mean\, it was much more \nYerba Buena SX80: architecture\, urban design focused\, you know\, than it is right now. So we see a lot of our projects. There’s a landscape architect that is presenting the project and talking about the waterfront\, the pathways\, the furnishings\, and all that\, but the issues of urban design and planning and architecture are not really front and center\, like they used to be\, and I know we can’t do anything about it legally\, but it just seems like there’s no one in a better position than we are to see the issue. So you know\, I just wanted to \nYerba Buena SX80: put that on the record and see where we go from here on that on that issue. And the second was is that \nYerba Buena SX80: the site that was adjacent to Brooklyn Basin. \nYerba Buena SX80: had a grade change issue. That was\, you know\, quite extreme that there was development right up to the property line\, which caused a very awkward transition between the 2 properties\, and so we were in a position of approving the Brooklyn Basin\, knowing that somewhere down the road there’s going to be a very awkward circumstance\, and we didn’t get a very satisfactory reply on that\, and I think that the proponent could \nYerba Buena SX80: logically say\, This is it’s not our problem. It’s over the property line. But you know\, our goal is to coordinate those things. So I guess that was kind of a question\, and maybe just put it out there for comment. Is that really the end of the story on \nYerba Buena SX80: those 2 parcels which I won’t get into the details\, but it was a probably one of the more awkward adjacencies that I’ve seen since being on the board. \nYerba Buena SX80: There’s a big grade change and no property left to transition the grade change. Yeah. And I think\, Gary\, just to speak to the second issue. \nYerba Buena SX80: we did discuss the interface between the townhomes and that property line. \nYerba Buena SX80: And I think we did point out the awkward nature of that. \nYerba Buena SX80: it! I don’t think it’s captured\, perhaps as strongly in the notes as as it could be\, so \nYerba Buena SX80: you know\, I think it might be worth \nYerba Buena SX80: amending the notes. I don’t know if you’ve got any language you would like to add for that. \nYerba Buena SX80: Well\, I I think all we can really do is note that it’s an awkward adjacency\, and that if the adjacent property. If there’s really\, if that train has left the station\, then it should be accommodated on the Brooklyn Basin side in some way. You know that the side plan should be rearranged to to have a \nYerba Buena SX80: a transition? Great transition. \nYerba Buena SX80: Ashley\, do you think you can amend the notes to incorporate that. Yes\, great\, I think\, on the 1st point. \nYerba Buena SX80: Gary\, you know you have been leading the \nYerba Buena SX80: charge\, if you like\, on on this issue for some years now. And and you know this is not \nYerba Buena SX80: the core purview of our land use is not the core purview of our of our Design Review board. However\, \nYerba Buena SX80: you know\, we do have the possibility\, if we would like to to \nYerba Buena SX80: have a briefing\, maybe potentially\, to the Commission on this issue to help them \nYerba Buena SX80: be appraised of the concern\, even though it is not a policy area that Bcdc has jurisdiction over. So I think that’s something that we can talk further about\, not in this meeting\, but continue to think about ways to keep that question of. \nYerba Buena SX80: you know\, is it responsible to build housing in these vulnerable areas. \nYerba Buena SX80: Given what we know about sea level rise and and the nature of insurance and the vulnerabilities potentially of the homeowners who would buy into these projects. \nYerba Buena SX80: But I would be interested in that discussion\, even though I wasn’t at the last meeting. But I would be interested in that. Yeah\, yeah\, I mean\, it’s it’s it’s really\, I think\, the critical \nYerba Buena SX80: question there is. You know\, how? How can our Advisory Board help \nYerba Buena SX80: raise this concern\, even though it is not a policy \nYerba Buena SX80: core. It’s not a policy area that Bcdc has primary jurisdiction over. It’s\, you know\, the cities and \nYerba Buena SX80: the State to some degree. So let’s continue that dialogue outside this meeting. \nYerba Buena SX80: Is that okay? Gary\, yes\, sounds good. Okay. And you know that key issue\, as you know\, is that if a if a developer is doing biotech or life science\, and it’s got a 30 year lifespan that’s very different than a homeowner who wants to own this for 50 to 100 years or more\, and they don’t have homeowners. Associations don’t have the ability to take on the mitigations that maybe a developer would. \nYerba Buena SX80: Okay. So I I thank you for that feedback. I think\, with the \nYerba Buena SX80: amendment that we just discussed. I’d appreciate a motion and a second. It was really only you and me there\, so would you like to? Yes\, I will make a motion\, and I’ll second\, and we’ll unanimously adopt these notes\, so let’s move ahead. \nYerba Buena SX80: But look before we do\, I I \nYerba Buena SX80: I’ve said it before\, but the quality of these meeting notes is really high. It is the it’s\, you know\, over the last 12 years since I’ve been on the board. This is\, really these excellent notes and capture \nYerba Buena SX80: what we cover at the meeting really? Well and concisely so. Thank you for the hard work on that. \nYerba Buena SX80: Okay\, stop updates. \nYerba Buena SX80: Thank you. Chair Mccann. First\, st I’d like to thank everyone who attended our Mission Bay public access walking tour in April. \nYerba Buena SX80: I enjoyed the observations and discussion on lessons learned from the 3 projects the Chair and I have been conspiring to see if we can set up another site\, visit maybe to the Northern waterfront later this year. So stay tuned. Our next project review meeting is scheduled for June 9\, th and will be the follow up review of the Brooklyn Basin Channel Park Project \nYerba Buena SX80: for the minutes that you or the meeting summary that you just reviewed. And it does look like it will be a busy summer for the Drb. With reviews tentatively scheduled for July 14\, th August 11th and September 8\, th \nYerba Buena SX80: the Berkeley Water Transportation Pier Ferry project will come back for review \nYerba Buena SX80: as well as tentatively Alameda Shipways\, and possibly the Richmond Marina Point project returning. \nYerba Buena SX80: That\, concludes the Bcdc staff update. I’ll pause here to answer any questions from the board. \nYerba Buena SX80: I don’t have any questions. Anyone else. \nYerba Buena SX80: Okay\, good. Thanks for that. Update\, Ashley. \nYerba Buena SX80: We’ll move to public comment for items that are not on tonight’s agenda. So \nYerba Buena SX80: there’ll be public comment for the items on the agenda coming up. But \nYerba Buena SX80: if anyone in in the room would like to or online would like to make a public comment about something that is not on the agenda. Please go ahead and raise hands or \nYerba Buena SX80: stand up. \nYerba Buena SX80: Okay\, hearing nothing\, we will move on from that. So \nYerba Buena SX80: we will start now with the project that we’ll be hearing about tonight. \nYerba Buena SX80: It’s a briefing on the Berkeley waterfront and Ferry Pier project\, and for those who are online and in the room. This is\, I think\, A. A. \nYerba Buena SX80: It’s quite exciting actually to be able to listen to a project before it has been advanced into detailed design. We often see projects when they’re very close to construction. And \nYerba Buena SX80: and it’s challenging. When you see a project that’s that far down the design process to weigh in and and suggest enhancements. So very glad that you’ve come to see us tonight. \nYerba Buena SX80: We’re going to have. We’ll follow the this order now on the project. So the Bcdc. Staff will make a overview present presentation. We’ll have board clarifying questions to Staff. We’ll then have the project team\, presentation and board clarifying questions to the project team. \nYerba Buena SX80: Then we’ll have public comment\, and then the Board will provide some advice for information to include with the project review \nYerba Buena SX80: so as a reminder to the board as well\, because we’re more often in a different mindset. Tonight’s item is an informational item. \nYerba Buena SX80: And so as we listen to the presentations\, the staff have requested that we think about the key questions or the information to include when the project returns to the Drb. Later this summer for a project review. So keep that in mind. And with that the Bcdc. Permit analyst Alyssa is going to introduce the project. So I’ll hand to you\, Alyssa\, to do that. Thank you. \nYerba Buena SX80: Thank you. Chair Mccann\, and good evening Board members. \nYerba Buena SX80: I don’t actually have a presentation for you tonight. Given the nature of the briefing. We’re gonna leave that to the project applicants. \nYerba Buena SX80: but I’d just like to briefly introduce the pure ferry project which is proposed at the Berkeley waterfront in the city of Berkeley\, Alameda County. \nYerba Buena SX80: the project would create a new 0. Emissions\, electric ferry service between Berkeley\, San Francisco\, and larkspur and construct a new public pier and ferry terminal to replace the existing fishing pier. \nYerba Buena SX80: as well as implement a range of waterfront and transportation improvements to the area. \nYerba Buena SX80: So the purpose of this briefing is\, as I said\, to introduce the project concept and the broader Berkeley Waterfront context in advance of the project’s 1st formal review. \nYerba Buena SX80: and during this presentation we request that the Board members consider the types of information\, design elements\, or contextual materials that would facilitate your thorough and constructive review in the future. \nYerba Buena SX80: Staff also welcomes input on how to structure future presentations\, to clearly communicate information and support meaningful feedback. \nYerba Buena SX80: But I would like to know before we begin that the Bcd DC. Jurisdiction mapping that’s presented in the project is not correctly represented. And so we ask that you please disregard \nYerba Buena SX80: the jurisdiction boundaries illustrated throughout the presentation just because of some historic bay fill \nYerba Buena SX80: issues. And now I’ll introduce the project team to tell you more about the proposal presenting today. We have Liza Mcnulty from the city of Berkeley and Liz Allen from Wra consulting. \nYerba Buena SX80: Okay\, so just a clarification on that. So to disregard when you ask us to disregard the Bcdc jurisdiction lines. \nYerba Buena SX80: Can you tell me or tell us where they are? Actually yeah. And we’ll see you’ll see on the. It will be more clear when we look at the \nYerba Buena SX80: the present. The maps themselves. Okay. So somebody shown accurately on an exhibit somewhere in the presentation. What was that? It is shown accurately on one of the exhibits? \nYerba Buena SX80: No\, no\, okay. But maybe someone could just describe it. I can point that out explicitly. When we get there. Okay\, it’ll become clear when you see the match. So thank you very much. Okay\, excellent. \nYerba Buena SX80: Any other questions before we proceed. Thank you. \nYerba Buena SX80: Thank you. \nYerba Buena SX80: My name is Liza Mcnulty. I am the capital improvement program manager with the city of Berkeley Parks recreation and Waterfront department\, and I am the project manager for the Berkeley Water Transportation Pier and Ferry Project. We’re really\, really excited to be here and present to you today. So\, as has been mentioned. This is a briefing. \nYerba Buena SX80: And so that’s really reflective of where we are on the project. We’ve essentially just finished updating our conceptual design and are starting our 30% detailed design. So the level of exhibits and renderings that you’ll see today are probably not what you’re used to seeing\, because we’re not there yet\, but we thought\, given the scope of this project\, that it was really important to get \nYerba Buena SX80: in front of you as soon as possible\, not only to get your high level feedback today\, but also to give us feedback for how to organize this project for future more detailed presentations. So our goal today is to orient you to the Berkeley waterfront all of our existing infrastructure and facilities there\, and give you an overview of the project components \nYerba Buena SX80: as well as a brief history of the area. \nYerba Buena SX80: So\, as I mentioned\, I’m Liza with the city of Berkeley. My colleague Roger is here as well. Our critical partners on this project are Weda\, the water Emergency transportation authority\, and we have some folks from Weda joining us on the Zoom call \nYerba Buena SX80: Rincon is our environmental consultants. We have a few folks from Rincon here\, and they are the lead for our Ceqa. And Nepa process and documents\, as well as our biological resources. Wra working under Rincon is our permitting lead\, and Liz Allen\, who is a senior permitting specialist with Wra\, will be helping with the presentation today. \nYerba Buena SX80: Our design lead is Coe. I did not try to put all of Koey’s dozen sub consultants on here. They range from landscape architects to naval architects and everything in between. \nYerba Buena SX80: and then we have Kittleson transportation engineers. Kittleson is actually the 1st of all of these consultants that the city brought onto the team\, because we know that one of the pillars of success\, for this project is developing parking and transportation demand management strategies. And we’ll talk a little bit more about that tonight. \nYerba Buena SX80: Okay\, so just to orient ourselves. With where we are in the world. Obviously\, we’re all familiar with the San Francisco Bay\, and you can see the city of Berkeley waterfront with that star on the slide there. It’s the westernmost limit of the city of Berkeley that extends into the bay. \nYerba Buena SX80: Oh\, sorry. \nYerba Buena SX80: Okay? So this is now zooming into the southern half of the Berkeley waterfront. And let’s start with that question about the Bcdc jurisdictional mapping here. So what’s shown on this slide that blue light blue shading is the sort of typical 100 foot offset. \nYerba Buena SX80: In reality the exact timing and history of fill in this area is quite complex. And so the city is actively working with Bcdc staff to finalize this jurisdictional limit\, and specifically in the vicinity of the Southern Peninsula. We expect that line to change and fill in much of that peninsula. I don’t believe there’s any other changes expected \nYerba Buena SX80: elsewhere on the map. That’s the primary one that we’re working with Bcdc. Staff and historical imagery to figure out exact dates of when various fill events occurred. \nYerba Buena SX80: What I want to point out on this slide. We’ll come back to this slide and dig into some of the existing facilities here\, but the project area outlined in yellow\, you see\, extends off of the slide to the left and the right\, and so I just want to touch on that very quickly. On the bottom \nYerba Buena SX80: corner of the slide you see the zoomed out area that shows that that full extent. What’s happening off the left end of the slide or the western limit. \nYerba Buena SX80: Oh. \nYerba Buena SX80: I’ll keep talking while you work on this \nYerba Buena SX80: off of that left hand side. The western limit is continuation of dredging\, and that is essentially dredging a channel to allow for operation of the Weda vessel. And what’s happening on the right side as we move off the slide and go up easterly along University Avenue is continuation of trenching work for underground utilities. And so\, for the most part\, on this presentation\, we’ll be focused on this scale. But I wanted to touch on what’s happening outside of this image. \nYerba Buena SX80: So speaking of complicated history\, the story of the Berkeley Pier begins almost a hundred years ago. \nYerba Buena SX80: when the pier was originally constructed by the Golden Gate Ferry Company to provide vehicular ferry service to San Francisco\, so cars would drive out to the end of the pier\, drive onto a ferry\, which would then take them over to San Francisco. This is how the pier operated for about 10 years. In 1937 the Bay bridge opened\, and the need to shuttle cars via Ferry to San Francisco no longer existed. \nYerba Buena SX80: In the early 19 sixties. The 1st 3\,000 feet of the Berkeley Pier was restored and reopened to public access. And that’s the Berkeley Pier that we all think of today. When we think of the Berkeley Pier. \nYerba Buena SX80: it existed as just public access for pedestrians\, joggers fishing for about 50 years\, until in 2015 the pier was closed\, due to structural deterioration at that point at 90 years old. \nYerba Buena SX80: In 2019 the city of Berkeley and Wida entered into a memorandum of understanding to study the feasibility of replacing the now closed Berkeley Pier with a new pier structure that could provide not only restored recreation access\, but also a terminal for a new ferry service connecting Berkeley to downtown San Francisco. \nYerba Buena SX80: This has always been envisioned\, and continues to be envisioned as an electric only ferry terminal. \nYerba Buena SX80: After about 2 years of feasibility\, study\, including a public process\, the preferred alternative was presented to the city of Berkeley City Council and the Wida Board in 2021 \nYerba Buena SX80: in 2023 the city received funding to complete the design and environmental phase of this project. That funding came from a combination of Actc\, California State Coastal conservancy and an allocation from Wida\, of Rm. 3 funds. \nYerba Buena SX80: And that’s essentially where we are today. \nYerba Buena SX80: So the city just recently\, in mid April\, released the notice of preparation for the environmental impact report\, so that scoping period is open. Now that notice of preparation is posted on the city’s website and goes into much more detail about the project purpose. But here tonight we wanted to focus on the 2 most fundamental aspects of Project purpose here. \nYerba Buena SX80: The 1st of those is to restore and enhance the recreational opportunities at the Berkeley waterfront. Now\, the most visible of those opportunities is the pier itself and the public access on the pier. But\, as you’ll see tonight\, there are multiple other recreation improvements that are part of this project. \nYerba Buena SX80: and then\, of course\, to provide that 0 emission\, all electric ferry service between Berkeley and San Francisco. \nYerba Buena SX80: Of course we can’t operate a ferry with without Wida. And so the partnership with Wida really is a fundamental aspect of the overall project. \nYerba Buena SX80: This is a good place to note that when the pier was 1st closed in 2015\, the city did seek out engineering estimates for what it would take to simply repair the pier. \nYerba Buena SX80: Those cost estimates ranged from 27 million to 72 million dollars\, and those cost estimates did not include any improvements to the pier\, for things like sea level rise or shoreline resiliency. \nYerba Buena SX80: as you can imagine\, a cost estimate in that range for a recreation only project that does not incorporate any sort of sea level rise is simply not feasible. \nYerba Buena SX80: Partnering with Wida allows this project to add that layer of transportation element to it which opens up transportation funding to support this project that ends up being a win-win where the city is able to make meaningful improvements\, to restore recreation access\, and Wida is able to add this link in their operations that has long been a goal of theirs. \nYerba Buena SX80: This service between Berkeley and San Francisco is part of Wida’s 2050 Service vision. It’s also included in other regional transportation plans\, such as the Metropolitan Transportation Commission Plan Bay Area 2050 and 2050 plus. \nYerba Buena SX80: I just want to note quickly. We refer to this as the Berkeley waterfront. But it’s important to note that\, in fact\, this entire area that we define as the Berkeley waterfront are public tidelands that are held in trust by the city of Berkeley. \nYerba Buena SX80: Okay\, so this is coming back to those exist that existing condition. And I’m gonna run through quickly some of the key \nYerba Buena SX80: infrastructure and amenities that exist at the Berkeley waterfront. \nYerba Buena SX80: Okay\, so for starters here we have skates on the bay. This is just north of the project area. This is an existing and operational restaurant. Of course we have the pier itself currently closed to the public \nYerba Buena SX80: moving south just on the southern tip of the Berkeley waterfront\, just south of the project area\, is 199 seawall. \nYerba Buena SX80: formerly known as his Lordships restaurant. This restaurant has been vacant and closed for several years now\, but the city is actively working on bringing on a new tenant \nYerba Buena SX80: just north of there we have the seawall parking lot. This is a multi-use parking lot that has been intermittently closed since 2020. It’s currently open during our highest use visit periods primarily\, summer weekends \nYerba Buena SX80: coming around the bend sort of in the center of this project area. Here is Shorebird Park. \nYerba Buena SX80: which includes the shoreboard Nature center shoreboard park hosts\, workshops and classes\, field trips and summer camps\, as well as having multiple barbecue areas that are reservable by the public \nYerba Buena SX80: continuing east easterly just adjacent to Shorebird Park. Here is adventure playground. This is my favorite playground in Berkeley. If you haven’t been\, I encourage you to visit. It’s a playground\, an interactive playground that is actively constructed by the kids while they’re there. It’s really unique in the entire Bay area. \nYerba Buena SX80: We do have a bit of a typo on our legend here. So number 8 here adjacent to adventure playground is Cal Sailing Club\, which is a nonprofit organization that offers sailing and windsurfing lessons and programs. \nYerba Buena SX80: Next to Cal sailing. Here\, again\, a bit of a typo on our presentation is Cal Adventures\, which is also known as Uc Aquatics Center. This is run by Uc. Berkeley\, and offers classes and programs for kayakers. Sailing\, paddle\, boarding\, and rentals. \nYerba Buena SX80: Just across the street is the Berkeley Marina Sportsman center\, which is essentially a bait and tackle shop\, offering fishing supplies and snacks\, and then\, right next to that is Hana Japan\, which is another existing operational restaurant. \nYerba Buena SX80: We\, of course\, have the Berkeley Marina\, and it’s worth mentioning the guardian sculpture here\, which is actually a sculpture that is protected by Berkeley municipal code. And so we’ll be working around that sculpture. \nYerba Buena SX80: And then\, finally\, we have\, of course\, our public roadways within the project area. So we have University Avenue which travels east\, west and connects the Berkeley waterfront to downtown Berkeley and Seawall Drive\, which travels north south along the water. In this vicinity \nYerba Buena SX80: this slide provides an overview of the public parking available at the Berkeley waterfront. The areas in shaded green here represent over 1\,600 parking stalls that are managed and regulated by the city of Berkeley for all of our waterfront users. The reason we included this slide is because what we’ve heard very consistently from our existing waterfront users is concerned for how this project will impact their access to parking \nYerba Buena SX80: Kittleson traffic engineers have authored a parking and transportation demand management study. The draft of that study is posted on our website\, as well as an addendum to that draft which was authored to answer specific questions and concerns. We heard from the public on the draft report. \nYerba Buena SX80: What that analysis does is. Look at each one of these parking lots in detail and uses multiple years of data to assess the existing usage and occupancy of these parking lots. The report identifies 2 specific parking lots in addition to seawall drive \nYerba Buena SX80: that are well suited for shared use for ferry riders because they have the existing capacity to accommodate that shared use without impacts to recreation access. \nYerba Buena SX80: What the report also does is present specific transportation demand management strategies to reduce the reliance on single cars for ferry riders. And you’ll see some of those transportation demand management strategies tonight\, as they relate to specific built infrastructure\, such as bicycle infrastructure. \nYerba Buena SX80: I’m not going to read this slide out loud\, but the goal here is to give you a high\, level overview of all of the planning efforts underway at the Berkeley waterfront. This is a very big and important project\, but it is by no means the only project underway at the Berkeley waterfront. \nYerba Buena SX80: The top items\, one through 5 are projects that have recently completed construction. The rest of the list is really sort of the entire kitchen sink. What I mean by that is that some of the projects on that list are under construction this summer. \nYerba Buena SX80: Other projects on that list have perhaps completed a planning phase\, but do not have any funding to complete the next phases of environmental design and construction. But we wanted to give an idea of the full breadth of work underway at the Marine\, at the Berkeley waterfront. To both maintain and improve our existing infrastructure. \nYerba Buena SX80: With that I’m going to hand it over to Liz to provide an overview of the proposed project. \nYerba Buena SX80: Thank you\, Liza. \nYerba Buena SX80: I get the fun part I get to actually tell you what we’re thinking about. \nYerba Buena SX80: So here we have a similar graphic that lists a number of things that are being contemplated for this project that I’ll now go through in order. \nYerba Buena SX80: So first\, st as we’ve discussed a key part of this project\, and a key part of the project purpose is to remove and replace the a section of the existing pier that is currently closed\, and install a new pier in breakwater that provides pedestrian access and recreational amenities. Returning these facilities to this area. \nYerba Buena SX80: This will also allow for installation of a new ferry. New ferry infrastructure with 0 emission\, electric Passenger ferry service \nYerba Buena SX80: in order to allow for ferry service to be operational here. The project will need to include a dredging episode\, as Liza explained at the top of this presentation\, that is why our project area extends so far out into San Francisco Bay. \nYerba Buena SX80: The \nYerba Buena SX80: initial designs indicate that this project will only need to do a single dredging episode as part of project implementation. We don’t expect this project to require significant\, consistent maintenance dredging \nYerba Buena SX80: on the public land side. The project includes a new public plaza right where the pier meets the land side\, right around around where Liza pointed out that statue which will be protected in place as she discussed. \nYerba Buena SX80: In addition\, the project includes a number of proposed improvements along University Avenue and Seawall Drive\, which I’ll get into in a moment. \nYerba Buena SX80: and the project involves implementation of a portion of a planned San Francisco Bay Trail Extension\, which we also will have a more detailed graphic on in a moment. \nYerba Buena SX80: Here we have a rendering of the proposed peer. \nYerba Buena SX80: The project proposes to remove and replace a portion of the existing pier with a new pier that provides both pedestrian access and ferry access. As you can see. \nYerba Buena SX80: the portion of the pier that extends perpendicular from the shoreline is in line with the existing pier alignment\, but what this project also adds is the breakwater which we call the sword design\, which also would provide additional public access\, and would serve to protect the ferries during landing. As this is one of the windiest areas in the Bay\, and protection is necessary to allow the ferries to be able to operate and land safely. \nYerba Buena SX80: A total of about 1\,500 feet of pedestrian access for walking\, jogging\, sightseeing\, wildlife\, viewing\, and fishing is proposed as part of this project\, and\, as we’ve stated many times\, this would be a fully electric ferry\, which is very exciting \nYerba Buena SX80: in terms of circulation. As I mentioned\, the project will involve implementing a portion of a proposed Bay trail extension. \nYerba Buena SX80: The red lines here show existing pathways that are not currently designated as San Francisco Bay Trail. Largely these are composed of existing sidewalks\, whereas the green it shows existing Bay trail extension. \nYerba Buena SX80: So I know it’s hard to see on this graphic. But the green here that’s by the sailing club that’s existing Bay trail extension. And then it continues\, there is existing pathway here in red\, but it’s not official bay trail. It’s a pretty degraded surface. What this project would provide is implementing a portion of this bay trail. Extension in this dotted line along Seawall drive up to the pier to connect these systems and improve that circulation. \nYerba Buena SX80: It would also provide additional return public access in the form of the pier and its breakwater\, as shown here. \nYerba Buena SX80: the project would also is proposing to include a raised cycle track along University Avenue that would go straight to the ferry to provide more efficient and safer cycling opportunities for potential commuters or visitors of the ferry service which in turn would also allow people to visit this area more easily without the need to bring a car. In addition. \nYerba Buena SX80: Actc is has existing and would include proposed stops that would allow users to take the bus from \nYerba Buena SX80: downtown Berkeley into the ferry for another option for A public transit connection to the ferry system. The inset map on the bottom right here shows that actc bus route. \nYerba Buena SX80: We’d next like to highlight as consistent with the project purpose that Liza went through earlier. The ways in which this project is consistent with Bcdca plan policies \nYerba Buena SX80: and just highlight. Some of the policies that are in the existing Bay Plan that we feel are supportive of this project. There are a number of policies in the Bay Plan that are supportive of multimodal connections and public transportation. We’re just highlighting some critical ones here. Specifically\, recreation policy number 9. We are aware that this project is within \nYerba Buena SX80: a waterfront park priority use area shown in green here. \nYerba Buena SX80: Which priority use areas\, as you probably know\, have some special requirements for them. \nYerba Buena SX80: however\, according to the recreation policy\, ferry terminals are allowed in waterfront park priority use areas and marinas\, fishing piers and launching lanes\, provided that the development and the operation of the ferry facilities do not interfere with current or future park and recreational users and navigational safety can be assured. \nYerba Buena SX80: In addition\, this policy states that terminal configuration and operation should not disrupt continuous shoreline access\, and that facilities provided for the park in Marina\, patrons\, such as parking should not be usurped by ferry patrons\, and that shared parking arrangements should be provided to minimize the amount of shoreline area needed for parking. \nYerba Buena SX80: And with that I’m going to pass it back to Liza. \nYerba Buena SX80: So I mentioned that the city conducted public outreach during the feasibility study from 2019 to 2021. \nYerba Buena SX80: When we started our current efforts\, one of the 1st things that Rincon looked at for us was environmental justice\, and how the project had thus far met or not met environmental justice outreach. \nYerba Buena SX80: beginning in 2025. Again\, with Rincon’s support\, we initiated a comprehensive public outreach effort to update the public and receive public feedback on this project with a focus on environmental justice and underrepresented communities. \nYerba Buena SX80: I believe the last of these presentations we just did on Friday. So I think we can now close that this phase. What I’m not going to list all of these out loud. But you’ll see here we have gone to almost 2 dozen of our community groups and community events to present this project. \nYerba Buena SX80: and what we’ve heard from the public is broad support for this project in particular\, for having a ferry service\, a 0 emission ferry service in West Berkeley an area that is underserved in particular\, for Cross Bay transportation needs. \nYerba Buena SX80: we have heard really consistently. The second bullet here concerns about the parking availability\, especially for our existing recreation users. And as we explore parking regulations such as paid parking concerns about how that could impact low impact residents. A lot of ideas from the public. People are really excited about the idea of having\, like pop up food \nYerba Buena SX80: vendors and pop up events in the new Plaza \nYerba Buena SX80: and a lot of excitement about bringing this public amenity back to the public with peer access. \nYerba Buena SX80: So\, as I mentioned\, we’re right here on the 1st half of 2025\, wrapping up our engineering technical studies and our conceptual design. We’ve just published our notice of preparation for an Eir\, and that public scoping period is open\, I believe\, until May 18.th \nYerba Buena SX80: And we’re turning now to developing our detailed design. \nYerba Buena SX80: If all goes as as planned\, we will have a bid ready set of plans with permits in hand by early 2027\, and be ready to start construction. \nYerba Buena SX80: And as noted here we do\, you know\, fully acknowledge this is a briefing. We will be back in front of this Design Review Board\, and are really excited to get your feedback today on ideas for how to organize our future presentations to best serve you. \nYerba Buena SX80: And that is it for our presentation. Thank you. \nYerba Buena SX80: Okay\, thank you very much. That was very clear and great job. So just we’ll have some clarification questions. Now\, I just want to kick off with a couple\, and we’ll keep going. Just a clarification as you move towards construction of the sources of funding confirmed for construction. Yet \nYerba Buena SX80: no\, we do not have construction funding in place\, yet. Do you have targets for where you \nYerba Buena SX80: are looking for construction. We do as you can imagine. The last several months have been a lot of change with expectations for future funding\, but we have been working with Wida to identify transportation\, related funds as well as \nYerba Buena SX80: as other funding sources for different elements of the project. So so we do fully anticipate that this project\, in the long run may be broken into phases for the construction depending on how that construction funding comes through. Right? Thank you. And just a question about \nYerba Buena SX80: I just wanna make sure I understood what you said about the new pier construction. Will you remove\, demolish all of the \nYerba Buena SX80: the current piles and then repile for the new pier. Or do you just replace the decking and upgrade it? Great question within the footprint of the new pier? We will be completely demolishing the old pier \nYerba Buena SX80: beyond the footprint of the new pier sections. Portions of the old pier will be removed as mitigation. Exactly how much of the old pier is removed remains to be determined. That will be something that we largely based on feedback from the regional water quality control board and the other environmental agencies. Okay\, thank you. \nYerba Buena SX80: And just a contextual question\, I know a lot of this work is still in process. But \nYerba Buena SX80: in terms of proposed Wida Ferry service. Can you just describe what the anticipated numbers of hours of service\, how many ferries stop there a day? Yep\, absolutely. So. Wida has published their planned service in their 2022 Berkeley business plan\, which is available on their website. What that plan envisions is service roughly every half an hour during the weekday \nYerba Buena SX80: peak. Commute hours. So that’s roughly\, I wanna say\, about 7 Am. To 9 Am. In the mornings and 4 Pm. To 6 Pm. And 7 Pm. In the evenings on the weekends they envision running the ferry service only hourly. They do include in their business plan the \nYerba Buena SX80: the the option for running occasional special event service\, such as for large games or concerts. \nYerba Buena SX80: and there is also consideration of future expansion to add service between Berkeley and Larkspur. They don’t go into a level of detail as far as how often that ferry service would run\, and it’s hard to tell from the illustration. But what is the capacity of an electric ferry that’s illustrated? Yeah\, that’s to be determined. Yeah\, we what we’re working on now is whether the \nYerba Buena SX80: ferry that they are. As I mentioned\, Wida is currently in contract to design and construct their 1st electric ferry. \nYerba Buena SX80: We don’t know for certain whether that particular ferry will serve this terminal\, or whether we will have a different ferry\, a different vessel serving this terminal. I mean just approximately\, I mean\, there’s the Treasure Island example. I believe it’s approximately 250 people is the capacity of the ferry. The business plan does include that. I just don’t recall it off the top of my head. That’s fine. I mean\, just trying to get a sense of whether it’s a \nYerba Buena SX80: you know\, a Treasure Island interim 50 person ferry. It’s more on the order of magnitude of 200. Yep. Got it? And just a broader contextual question. \nYerba Buena SX80: did the work done by your consultant? \nYerba Buena SX80: the traffic? Planning\, parking\, planning\, consultant? Have they? Have they established \nYerba Buena SX80: where the people are coming from? Who are going to use. \nYerba Buena SX80: The ferries are a way of getting some guidance on that\, so they have not established points of origin of ferry riders. What their analysis does do is\, it looks at the ridership projections which are in the Wida 2022 Berkeley business plan\, and then looks at mode split for how people will arrive \nYerba Buena SX80: based on those ridership numbers from Weda\, and they look at both. That mode split without any transportation demand management. And then with implementation of transportation demand management strategies. Okay. \nYerba Buena SX80: good. Thank you. Gary\, please go ahead. Clarifying questions. I don’t have any questions right now. Thank you. \nYerba Buena SX80: Kristen. Thank you so much for the presentation very informative. \nYerba Buena SX80: I have a sort of a big picture question \nYerba Buena SX80: about the waterfront specific plan and the status of that\, and the kind of uses that are being contemplated. And specifically\, it was my understanding that \nYerba Buena SX80: some of the parking lots were being looked at as opportunities for like housing or other uses is there? How does that fit into this work? Yeah\, great question just to clarify the waterfront specific plan does not include any housing elements\, because since this is public tide lands. Private housing would never be allowed by the trust agreement. Excuse me. \nYerba Buena SX80: The waterfront specific plan was published in draft. I believe the most recent draft update was in the fall of \nYerba Buena SX80: 2023. Since then City Council has directed staff to redirect the funding that existed to finalize the waterfront specific plan to instead expand the scope of the waterfront specific plan to look at Cesar Chavez Park. \nYerba Buena SX80: That work is happening now. But what that means is that there is no longer funding to finalize the waterfront specific plan\, including to do any of the environmental impact. So future scheduling or funding for finalization of the waterfront specific plan\, including sequel analysis\, for it is not identified at this time. \nYerba Buena SX80: Okay\, thank you for that. \nYerba Buena SX80: I also just had a few sort of questions about \nYerba Buena SX80: the ferry. Would this be? I know a number of the ferry terminals have parking for ferries overnight. Is that something that would happen here? Or is this just a stop? And they go park somewhere else\, just to stop and go ferries would not be birthing overnight in this location. Okay? And then \nYerba Buena SX80: just curious about the one time dredging. I don’t know the ins and outs of how the permit works with dredging\, but it seems \nYerba Buena SX80: I’m curious. Why\, you only think it would be one time\, and if you wouldn’t want \nYerba Buena SX80: to be able to do more dredging if it was important for ferry operations. Yeah. So Weda generally has been moving away from maintenance dredging. They don’t want to have to do maintenance dredging. It’s expensive\, as you can imagine. And so our goal with the initial dredge design is to conduct the dredging in such a way that they do not have future maintenance dredging. Now \nYerba Buena SX80: will we be successful? That remains to be seen. And so there is the chance that in the long term future additional maintenance stretching would be required. If that is the case\, that is something that Weda would approach as a separate project. It is not part of this project. \nYerba Buena SX80: and then \nYerba Buena SX80: in terms of the parking that maybe this is like way too detailed of a question. But \nYerba Buena SX80: do you have thoughts on how you would separate the ferry parking from the recreation parking like. Is there \nYerba Buena SX80: a a payment\, you know? Do you have to pay to park there now\, would you have to pay that park there in the future. How how do you sort of \nYerba Buena SX80: anticipate that those would be \nYerba Buena SX80: controlled or separated? Or\, if if at all\, maybe not\, that’s a great question. And and the short answer is\, we haven’t gotten there yet. So what our parking study has done is identified \nYerba Buena SX80: where specifically\, we have the capacity for this shared use. The next question\, of course\, is\, well\, how do we ensure that full day ferry commuters? Only park in those locations that we have determined\, and for that. We’re going to need an overhaul of our parking regulations at the waterfront we’ve presented to our public at our parks recreation and Waterfront Commission meeting a very preliminary range of \nYerba Buena SX80: alternatives to get high level public feedback on that. In general\, we’ve heard support for paid parking \nYerba Buena SX80: for ferry riders while also hearing a real priority to make sure that parking for recreation users remains free\, or at least very\, very low cost. But our next step in that is to continue to refine and iterate on those parking regulations\, and figure out not only what the regulations are\, but what that means from signage and layout of parking lots\, etc\, to make sure that we have very clear communication to all of our users \nYerba Buena SX80: where they can and cannot park \nYerba Buena SX80: and then I. It sounds like the \nYerba Buena SX80: waterfront. Specific plan is not moving forward. So \nYerba Buena SX80: is there any related redevelopment that we should be understanding that may happen in this area in the future. \nYerba Buena SX80: Sounds like not housing \nYerba Buena SX80: more kind of hotel and commercial uses. Or do you have a sense of that at all\, just so that we can have that in our minds as we’re sort of thinking about. Yeah\, it’s a great question. I think that within our project area that we showed in yellow. There are no other meaningful \nYerba Buena SX80: developments or redevelopments on the horizon. We are actively working on getting a new leaseholder into the 1 99 seawall restaurant building. So that certainly\, if we are successful\, you know\, bringing that restaurant back online is probably the most \nYerba Buena SX80: nearest term redevelopment type project that would happen otherwise. A lot of the efforts at the Berkeley waterfront really are to maintain and replace in kind our current infrastructure. \nYerba Buena SX80: Thank you. \nYerba Buena SX80: Okay\, thanks. Kristen. Bob\, clarifying questions. Yes\, I have a couple. So \nYerba Buena SX80: do you think the conceptual design is sufficient for environmental review? \nYerba Buena SX80: Often more recently\, in my experience\, I’m a design engineer retired\, but we often have to go beyond a conceptual design to what we would consider \nYerba Buena SX80: preliminary design. \nYerba Buena SX80: Yeah. So I think what we showed you today as the conceptual diner design is certainly not sufficient for for the environmental review. And so what what we’re working on is making sure that our environmental team has the level of detail that they need. So the 30% design development and the sequel document development are happening together to make sure I didn’t see that on your bar chart. Although I guess there was some overlap. But \nYerba Buena SX80: But I I think I made my point. So okay\, thank you. That’s good. \nYerba Buena SX80: will. Alternative locations for the ferry terminal terminal be considered in the Eir\, or has it been scoped yet. \nYerba Buena SX80: The full scope of what alternatives will be studied in the air has not been finalized. There’s no discussion on what those alternatives might be or \nYerba Buena SX80: not\, we haven’t settled on what those alternatives might be. That’s part of the scoping process is getting feedback from the public. \nYerba Buena SX80: Will the project go before the Engineering Criteria Review Board. I think that’s a question for it will. Okay\, yeah\, I’m an engineer. So I’m asking things that you know are different than \nYerba Buena SX80: the other kind of design \nYerba Buena SX80: So I just. I haven’t looked at the public comments. And how is it that with all the public access. I get the impression that there are some people that feel that they weren’t re reached\, or they\, you know\, and these people seem to be \nYerba Buena SX80: primarily swimmers\, or you know\, people that maybe aren’t organized as much as the bay trail\, or or whatever \nYerba Buena SX80: do you have any thoughts on that? \nYerba Buena SX80: I think the city has conducted a really extensive public outreach. Now I will say that in our our 2025 efforts we’ve really been focused on getting to some of our less represented users. So not our existing waterfront users\, but some of our communities who may not be as aware of the opportunities in the Berkeley waterfront. Yeah\, it might be a little bit of a cultural issue\, you know. I’m a surfer\, obviously not in the bay. \nYerba Buena SX80: but the windsurfers and swimmers and fishermen. They’re kind of like a different group or groups\, and so they don’t necessarily I didn’t see them in your list \nYerba Buena SX80: of people necessarily. So I think it’s something that you might. Wanna anyway\, I think that’s enough of that. Thank you. I made my point and I appreciate that you will reach out to others. \nYerba Buena SX80: I am also skeptical about dredging once\, and not having to dredge again\, especially given how short that is\, and I also have looking at the design. I I have a lot of questions as a \nYerba Buena SX80: as an engineer that’s worked on ferry facilities and the like. So I think. You probably do need a little more detailed analysis. It’s just my gut feeling not to criticize anyone. \nYerba Buena SX80: I think I had a bunch of other questions\, but I think oh\, I see. Oh. \nYerba Buena SX80: have you in this analysis that you’ve done so far? Have you studied the the wake production and wash\, prop\, wash\, or jet wash from these facilities\, either from the ferries and how they affect \nYerba Buena SX80: other surrounding features and activities. \nYerba Buena SX80: So our Coe\, our design engineers are currently looking at the the shoreline kind of wave action\, and how that is impacted by both the ferry operations and the breakwater itself. That report hasn’t there? It’s in work right now. We haven’t received a draft of that yet\, but that is something that they’re looking at. Yeah\, that’s great\, because that’s a big deal in a lot of places\, even though there is \nYerba Buena SX80: some conception that catamarans don’t produce waves and don’t have wake wash. But in fact. \nYerba Buena SX80: I think we’ve observed it\, even though they’re not as bad as the monoholes. The old Golden Gate Ferry monoholes\, but they they do have an effect which needs to be looked at\, I think carefully. \nYerba Buena SX80: Thanks. \nYerba Buena SX80: Thank you. Appreciate it. Thanks\, Bob. You know I just have one clarifying question which I meant to ask before the illustration just reminded me \nYerba Buena SX80: just to check. So public access on the new pier extends beyond the breakwater out a further 200 feet\, or something like that is that correct? Yes\, that’s correct. So there’s an extension of the pier beyond the breakwater that is purely for additional recreation\, right? And then it terminates at a point where there’ll be some demolition\, partial demolition to be determined of the correct. Okay. \nYerba Buena SX80: thanks for that good. \nYerba Buena SX80: Can I? Can I ask a question now\, now that I’ve had time to listen in a little bit. What is I just trying to get a sense of the magnitude of \nYerba Buena SX80: Berkeley Parks project versus the Weda project. Is there like a percentage? Or are you dividing them by scope areas or by by financial responsibility? Or and yeah\, it’s a great question\, and it’s largely Tbd\, so what the city and Weda established in our 1st memorandum of understanding is that we would essentially develop cost\, sharing agreements for the future phases as needed. \nYerba Buena SX80: This phase that we’re in now\, the city was able to obtain 100% of the funding. And so we didn’t need to get into the cost sharing for construction\, or we didn’t need to get into the cost\, sharing for design and environmental quite yet\, depending on where the construction funding comes from at a very high level. Conceptually the city and we have agreed to a cost sharing model where the \nYerba Buena SX80: Weda pays for those elements that are for the ferry. The city pays for those elements that are purely for recreation\, and that we come up with a cost sharing for those those facilities that are both. \nYerba Buena SX80: But any details related to that future cost sharing have yet to be determined\, and will really be influenced by where that funding is coming from\, and and how we need to separate it\, based on the limits of the funding. \nYerba Buena SX80: is there\, like an estimated total project costs at build out\, or any anything to kind of establish\, like\, how big is it? Yeah. And I should have had a slide for that. I apologize. If I’m I’m the the rough number is\, I believe\, about 86 million dollars for all of it. Now\, that’s from the feasibility study. And so we’re in the process right now of updating that based on the updated conceptual \nYerba Buena SX80: study. So the number will change based on the updated design. But that gives you the order of magnitude of what they estimated\, based on the feasibility study. \nYerba Buena SX80: Okay\, thank you. And do you do you think I mean\, it seems like the Wida part is probably much more. They have much more responsibility\, for all the marine construction is must be much more expensive than landscape improvements\, is there? Yeah. And the slide I have\, for that does break it out. And again I’m going to have to sort of \nYerba Buena SX80: do my best to remember. But if\, at a rough order of magnitude. I believe it was about 65 million was the pure. The ferry related infrastructure\, and 14 ish 1 million was the land side improvements. I will say that of that waterside improvement. Some of that is\, of course\, dual use. Right? It’s it’s both both for Weda and for public recreation. So that doesn’t necessarily equate to a 1 for one when it comes to cost sharing \nYerba Buena SX80: great. Thank you. Seems like a very fortuitous partnership. \nYerba Buena SX80: Okay\, well\, I think \nYerba Buena SX80: that that concludes the board\, clarifying questions. And before we move to public comment\, I meant to say this earlier\, but \nYerba Buena SX80: this really is a spectacular site. So \nYerba Buena SX80: we see a lot of very spectacular places around the bay. But this this is really quite special. So I’m glad you guys are giving it a lot of attention\, and I’m glad that the outreach process will continue. And on that vein let’s move to public comment \nYerba Buena SX80: and \nYerba Buena SX80: I’m just going to remind people of the Protocols again. So any member of the public attending the meeting in person. You can notify the Board Secretary if you want to make a comment. And I think there are some already there. And we’ve talked about the procedure for online making public comments\, raise virtual hand. Or if you’re joining by phone press. Star 9 to make a comment. \nYerba Buena SX80: okay. So Ashley\, I’m gonna hand to you\, I think\, just to summarize some of the feedback received already. If you could do that\, thank you. \nYerba Buena SX80: I’m actually would request that we have the comments in the room 1st and then online\, and then I’ll summarize because some of the names are the same\, and I’d rather the \nYerba Buena SX80: comments come from them. Then the individuals\, by summarizing their own comments. Excellent! Okay\, so if you could lead with public comment. \nYerba Buena SX80: Alright. 1st up is Jim Mcgrath. \nYerba Buena SX80: Good evening. My name is Jim Mcgrath. I’m the founder of a group called save the Berkeley Pier. I’ve been working on public access for 50 years or so \nYerba Buena SX80: Coastal Commission since 76. So \nYerba Buena SX80: I I’ve got a presentation. But I’m gonna start with Saturday. I was at a fundraiser at \nYerba Buena SX80: Sylvia Mclaughlin’s old house for save the Bay\, and it reminded me of how important \nYerba Buena SX80: Bcdc. And Bcdc. Design Review Board is in all of this. You are the protectors of the bay from unnecessary fill. \nYerba Buena SX80: So you have a responsibility to consider alternatives\, and you have the responsibility to make sure that does that design a public access works\, and we don’t lose it. \nYerba Buena SX80: And of course I’m worried about that. So this is a typical day in Berkeley\, Marina. You can see that there’s surf skis and the like. \nYerba Buena SX80: and it says\, Where’s the park we were promised now\, why\, why do I say that \nYerba Buena SX80: just to show that they’re not all water users? In fact\, only about 20% of the user people that actually go to the water. This is the Sunday Drum circle. I didn’t bring the Pakistani family\, and like \nYerba Buena SX80: so why am I worried about the park? Well\, this is the pre-fill photo\, and I was surprised by the city’s comments that they don’t know where it was because they got a permit from Bcdc. They know what the jurisdiction is. \nYerba Buena SX80: The bay was filled to create a permanent recreational area\, not a commuter term. \nYerba Buena SX80: no matter how you\, Gussey it up. It was created for this purpose. \nYerba Buena SX80: and that was supported by Sylvia Mclaughlin. \nYerba Buena SX80: What have they done with it? \nYerba Buena SX80: This is the closed parking of that recreational area. \nYerba Buena SX80: There’s a windsurfing access point directly ahead of that. \nYerba Buena SX80: They made it pretty hard to park and reach. \nYerba Buena SX80: This is the east dock used by swimmers wingers\, kiteboards\, these surf\, skis\, and the like \nYerba Buena SX80: closed\, and we just heard from the city that\, despite a recent passage and an increase in the parks tax of 3.5 million dollars\, of which the Council promised a 1.5 million dollars to the Marina. \nYerba Buena SX80: They don’t need funds to repair it this year. \nYerba Buena SX80: This is the marina\, which is the recreational area where kids are taught to sail. Kids are taught to kayak. \nYerba Buena SX80: but not these days. It hasn’t been maintained. \nYerba Buena SX80: This is the path. I made the mistake of trying to ride out to his lordships on the path next to the bay \nYerba Buena SX80: boy. That was a mistake. This is how the city of Berkeley doesn’t maintain it. \nYerba Buena SX80: So I’m gonna go back and invoke. \nYerba Buena SX80: Sylvia Mcglaughlin\, and I’m going to remind you that how we preserve \nYerba Buena SX80: resources is we create emotional value in. You can see the smile on Sylvia’s face. It was on my bucket list\, too. \nYerba Buena SX80: I had her in the bay. \nYerba Buena SX80: It’s nice to have your butt under the water to see what it looks like from that. Do I have a minute because I would like to correct some of the comments that the city made. If if I don’t have the time\, I’ll do it in writing \nYerba Buena SX80: it is at your discretion chair. If you want to give an additional minute\, we we’ve consumed 3 min. \nYerba Buena SX80: Yes\, how many comments have we got? \nYerba Buena SX80: We have \nYerba Buena SX80: sorry. I only ask\, because I want to be fair. And we have we 6 comments in the room? \nYerba Buena SX80: No one online has raised their hand. Yet. Can I ask the okay. \nYerba Buena SX80: please go ahead. Well\, the 1st thing let’s go to the cost. Since it was the last question. The cost estimate is 121 million dollars. For the total cost\, including ferries. That’s the 1920 21 cost estimate. It looks like the ferry cost is doubled. \nYerba Buena SX80: So there’s about maybe another 30 or 40. The city’s proportion of that under the agreement\, is somewhere between 25 and 35 million\, not 14 million \nYerba Buena SX80: as as far as equity. What I want you to know is that just last Friday the city \nYerba Buena SX80: proposed to start initiating\, charging for parking in the Marina\, including on those lands filled that Bcdc. Retains jurisdiction on. Now I worked for many years to try to get the bay trail and the improvements into the into the Marina. They diversified the kinds of users massively. As I said\, only about 20% of us have anything to do with getting to the water. \nYerba Buena SX80: If you start charging for parking. You are going to undiversify Berkeley\, Marina\, and to talk about equity while you’re planning to charge the poor. \nYerba Buena SX80: I find a little offensive. I’ll leave the rest of the comments for later. \nYerba Buena SX80: Thank you very much. Next Speaker \nYerba Buena SX80: Andrew Sullivan. You are up next\, followed by David Davidson. \nYerba Buena SX80: And do they have my documents. \nYerba Buena SX80: Okay? Great. \nYerba Buena SX80: 1st of all\, I’d just like to thank you all for dedicating yourselves to protecting the shoreline. It means a lot to us. \nYerba Buena SX80: I’m the current president of the San Francisco Board Sailing Association\, and we represent about 5\,000 voice board sailors around the Bay area. 250 of our board sailors identify the East Dock and the South Basin specifically as their launch point. That may seem like a small number\, but I want you to keep that number in mind when you’re looking at some of these documents in front of you. Those users launch 3 to 6 times a week \nYerba Buena SX80: from march through September. They’re super users of the bay\, and they use that dock that’s closed as their primary launch point. Okay\, I want to talk about a couple of things here with you. \nYerba Buena SX80: One is\, I want to put Berkeley into the regional access network of the East Bay because it exists as part of a fragile network of access between the kind of Richmond area all the way down through Oakland. Okay? And there’s a limited number of access points that we have to get to the water. \nYerba Buena SX80: I want to talk about the Albany Case study that’s being completely ignored when considering this this group and how there is latent demand out there that’s activated when you simply maintain facilities. And I want to talk about what happens when access is being pinched in these really critical urban areas. Okay\, now with with the parking area. You know\, I was just trying to figure out how many parking spaces do we have in the area. So I looked at Berkeley \nYerba Buena SX80: and the and the parking spaces that give us access to the South Basin. All right. Specifically\, I looked at Albany Beach. Everything there. I looked at Point Isabel and I looked at Marina Bay\, both parking lots of Marina Bay\, Vincent J. Barbara J. Vincent as well as Shamada. Okay of those spots. You have 1\, 63 of the 1 87\, right? I counted them on using Google Maps\, all right. And the shot from Google Maps is on a Monday\, a working Monday at 1030 Am. In February. \nYerba Buena SX80: Those are the Google map photos that I used using those photos\, the 187 spaces in the South Basin\, lot 163 are occupied in the photo. \nYerba Buena SX80: all right. Of the 85 at Albany\, 85 are occupied\, and 3 cars are waiting to park. That’s a common occurrence at Albany\, which I’ll return to. \nYerba Buena SX80: Of the 107 at Point Isabel 62 are occupied\, and of the 68 at Marina Bay 54 were occupied. That’s a Monday morning during the week. Okay\, that’s a really\, because everybody here in the recreational community knows this. We have trouble already accessing some of our sites. And that’s why we’re so worried about what’s happening in Berkeley. It’s not just Berkeley. It’s the regional \nYerba Buena SX80: role that we need you to maintain. Help us maintain to have access to the shoreline right? Not just anything. It’s parking near the shoreline that’s really critical. \nYerba Buena SX80: Just to give you context\, there are already 4\,000 104\,100 shoreline parking spaces dedicated to ferry commuters between Larkspur\, Vallejo\, Richmond\, and and Oakland. \nYerba Buena SX80: 2\,000 in larkspur\, 750 in Vallejo\, 362\, in Richmond and 1\,000 in Oakland. Those are on our shoreline. Okay\, that’s how we’re already prioritizing access to our shoreline. Your time is up. \nYerba Buena SX80: It’s 3 more minutes from allocated. That’s okay. I’ve got 2 more points I’d like to make. \nYerba Buena SX80: Please go ahead. Thank you. The case study of Albany is important because it has real implications for how we’re looking at parking in Berkeley\, right? I contacted Chris Barton\, of the East Bay Regional Park District\, who is a manager of the Bay Trail extension to the Albany Bowl. \nYerba Buena SX80: They tracked 187 daily users to the bulb prior to their renovation. All right\, all they did was formalize access to the beach via the Bay Trail extension that people were already traveling through the parking lot. They formalized it. They upgraded the Porta potties to create permanent structures there\, and they repaved a trail that was already existing on the southern neck of the bulb. \nYerba Buena SX80: They made some minor beach extensions\, but they actually fenced off most of the beach\, and they created a nicer pop out in one section. No new facilities to create new use at that spot you regularly see 250 people at the beach \nYerba Buena SX80: at the same time throughout the day. That’s why you see 85 of the 85 spots taken on a Monday morning. Right? So that beach improvement effort activated latent demand. And they’re not all swimmers and kiters running to the beach. This is what’s what’s happening. There’s a user group that isn’t here. And these are the people that just come to the shoreline to hang out with their family \nYerba Buena SX80: and be by the shoreline. It’s now impacting our ability to use it. We can’t get to the beach anymore. Swimmers don’t come to that beach because of the parking issue. I think Berkeley needs to look at what happens to the space when they actually open up the docks\, open up the pier\, create bay trails that people can walk on. You’ll see much more baseline usage there if you had a park that was properly maintained. So the parking studies that are happening \nYerba Buena SX80: are happening at an age year in the park status. So the Albany Case study\, I think\, should be in your minds when you’re thinking of what real use demand is in the area. Now\, one of the interesting groups out there that’s really hard to organize is the anglers. \nYerba Buena SX80: Right? Anglers are all over the place\, but they don’t have an official representation. Okay\, they’ve lost a couple of critical sites. The pier was a major site loss. The Bay trail extension to Albany Beach\, knocked off another part\, which is the road between Tom Bates\, sports Field\, and Albany Beach was a major fall over for them. They got knocked off that toll plaza got closed by the port authority recently. \nYerba Buena SX80: The result has been a dramatic increase in the number of board sailors being caught in fishing lines. \nYerba Buena SX80: In the past 6 months we had 4 over this weekend \nYerba Buena SX80: right? We had fishermen hanging out in his lordship’s cove\, which is one of our unofficial launches \nYerba Buena SX80: who wouldn’t move and they have a right to be there. The problem is these users now\, because we’re having access pinched from Albany and closure of other sites are moving into and competing territorially with other recreational users. So the anglers are a really good case. Study of the kinds of tensions that arise when we don’t look at the regional impacts of access to our shoreline. \nYerba Buena SX80: And I want to end this with my favorite. You’ll need to wrap up. My favorite quote from Ee. Cummings is always the more beautiful answer\, the more beautiful\, who asked the more beautiful question. And I think we need to ask more beautiful questions about what our shoreline is for than what we’re asking right now in Berkeley. Thank you very much. \nYerba Buena SX80: Madeline King\, followed by Robin Mangini. \nYerba Buena SX80: Thank you. \nYerba Buena SX80: Hello! I’m Madeline King. I’m I’m a member of the San Francisco Board Sailing Association\, and I am a recreational user at the waterfront\, and I just have a very short comment\, which is \nYerba Buena SX80: selfishly\, as a recreational user\, I’m 1 of the people you were speaking about that \nYerba Buena SX80: didn’t feel like I was polled about my feelings on the on the matter. And indeed\, that area is used by so many. \nYerba Buena SX80: as you say\, swimmers and wingers and Windsurfers and fishermen\, and etc. My one of my main concerns is the whole parking situation\, which is\, I know\, a lot of people’s concern. \nYerba Buena SX80: And \nYerba Buena SX80: people are able to park there now for free. And if that changes and there’s parking fees\, and people have less access than they did before\, that’s a concern. I’m also just curious about \nYerba Buena SX80: another large vessel moving regularly through the bay. That’s something that just\, you know. Just seeing your your map of the \nYerba Buena SX80: of the route. Just just having more large vessels moving regularly through the bay\, seems like of \nYerba Buena SX80: something that should be thought about\, which I’m sure it has been. But anyway\, those are just my my brief thoughts\, and thank you very much. \nYerba Buena SX80: Thank you very much. \nYerba Buena SX80: Hi. My name is Robin. Me and Jeannie. I’m 1 of the co-administrators of the queer swimming group called Queer Selfies Gay for the bay. We’re approximately 200 swimmers that swim in the East Bay\, and I’m here today to comment on the development project because the entry point at 1 99 seawall\, where his lordships currently is\, is a rocky train\, but is one of the 2 spots \nYerba Buena SX80: in the East Bay that our swimmers currently use to access regardless of the tide. We are also a group of a lot of floaters and people with people with disabilities. So we can’t access the water necessarily on piers\, and from what I saw from the picture\, it seems like the recreational use is going to be limited to a pier. So our big concern is accessing the water. \nYerba Buena SX80: regardless of the tide\, and\, as previously mentioned by the board sailors. It’s a really impacted area. So the idea of there being more concentration of more people\, more cars needing to park and limiting access really concerns us\, and we also were not consulted or included in the previous conversations around users. So we just want to make ourselves known. There’s also the Odyssey swimming group and the East Bay. Open water swimmers\, groups. We’re not the only ones\, and while there is some \nYerba Buena SX80: overlap\, we are a ragtag bunch. We’re not distant swimmers. We’re not competitive swimmers or people that have in the last 5 years developed this group in order to support our mental health and access the water. So this \nYerba Buena SX80: point at his lordships\, along with the enc boat ramp in Alameda\, are only one of 2 spots we can access\, regardless of the tide. So it’s a really crucial entry point for us. \nYerba Buena SX80: So we just want the Bcdc. To ask the city to conduct a more thorough and accurate analysis of parking waterfront access \nYerba Buena SX80: and commit to protecting the public amenities. Because\, as you’ve heard from my other \nYerba Buena SX80: public commenters\, it’s degraded to a point where we’re all really impacted into one area. \nYerba Buena SX80: Thank you. \nYerba Buena SX80: Thank you very much. \nYerba Buena SX80: Next speaker\, we do have online comments. So Julie Allen\, I’m going to unmute you. And you will have 3 min to speak. \nJulie Allen – swimmer: Thank you. Do you hear me now? \nYerba Buena SX80: Yes. \nJulie Allen – swimmer: All right. I’m Julie Allen. I’m a Berkeley resident and a Marina swimmer. As Robin mentioned the East Bay open water swim group uses the the Berkeley launch. We swim all over including at the Berkeley Marina\, and the \nJulie Allen – swimmer: lordship’s entry is\, as previously mentioned\, the spot where we can watch\, regardless of the tide. This is not true of the sailing basin. Anybody that’s gone down there at low tide understands that you cannot swim \nJulie Allen – swimmer: and I’ve been following this as as best I can. It’s been a little tricky. We we did manage to get a little bit of swimmer representation very\, very\, very late in this process. We’re really glad to be included. For my part\, I think I I would really like to see better parking analysis. The the parking analysis I’ve seen so far seems to exclude peak hours. \nJulie Allen – swimmer: As Andrew is saying\, the parking is very tight at at peak times. \nJulie Allen – swimmer: 1 point that I think\, also deserves a little bit of consideration is the. There are many lots in the marina. \nJulie Allen – swimmer: but many of them are not appropriate for all uses\, and so I I really hope that a lot of attention will be paid to assuring appropriate parking\, preserving\, appropriate parking\, and access for the the recreational users that that launch at that seawall space. \nJulie Allen – swimmer: I submitted some some of these comments already\, so you have them in writing\, too\, but I I thank you for letting me also talk. \nJulie Allen – swimmer: and that’s it. \nYerba Buena SX80: Thank you very much. I appreciate. Appreciate that. Input \nYerba Buena SX80: next speaker\, Erin dime\, I’m going to ask you to unmute. You’ll have 3 min to speak. \nYerba Buena SX80: Oh\, shit. \nErin Diehm: Hi! Board! Can you hear me? \nYerba Buena SX80: Yes. \nErin Diehm: Thank you for taking my comment. My name’s Erin Dean\, and I’m a resident of Berkeley\, and I care deeply about this location\, and I have to say. I’m actually very sad to see that we are discussing bringing in a ferry here\, because this is a place where people like to go to actually escape from Urban all the urban \nErin Diehm: busyness and have a place where it’s quiet. And you can really just enjoy nature. \nErin Diehm: Something that’s been a challenge is that the planning process\, the the waterfront specific plan\, has been bifurcated from the planning from the pier\, and I don’t. I\, as a community member. I simply do not understand that when we’re trying to come up with a vision for what should happen at the waterfront\, how is it that the pier. If the pier and this Wsp. Were not combined. \nErin Diehm: I’m very concerned about the economics of the area. We know that many of our transit organizations are actually struggling right now\, like Bart A/C. Transit and the Mta. And the ferry system is getting around at least a billion dollars of subsidies. I would like to see those kind of monies put into our ground transportation to get people out of their cars. \nErin Diehm: I’ve had real concerns about recreation that you’ve heard from some of the prior speakers\, and that it will bring it in the ferry will actually change the feel of the area. And a comment was made earlier about the potential of actually having parking fees which will actually \nErin Diehm: contribute to undiversifying the area. And the Kittleson parking study actually found that something like 25 to 30% of the visitors at the waterfront are actually low income. And I really worry about what will happen if parking fees are initiated there\, and parking is more restricted\, and I’m also concerned that it will interfere with the access of the windsurfers and swimmers and the wingers\, and all these people who just enjoy \nErin Diehm: access to the water. We know that his lordship\, parking lot\, has 250 spaces\, and right now I think it’s being considered to hand those over to the \nErin Diehm: to the pier. And also my last is around the environment. I care very deeply about the environment\, and I’m very concerned about what’s happening with climate change? I think you all probably have seen the state of the birds that just came out. The annual review that shows that all bird species are actually in decline except for one kind. So right now there are 10 terminals\, and the plan is to have 26\, or 27 terminals. \nErin Diehm: So I’m worried about ship strikes. \nErin Diehm: I’m worried about noise both above and below the water. I’m worried about increased turbidity that the fairy would add\, I’m concerned about light pollution which we know contributes to loss of insects and aquatic life. \nErin Diehm: And I am also concerned because in my experience I’m just a community member\, but that eirs only actually look at listed species. And so many of the species that could be impacted won’t even be considered in the environmental review. And we are on the Pacific flyway. So this is an extremely important location for biodiversity. And these kinds of developments can really just contribute to death by a thousand cuts. So essentially\, they’re creating a new highway on the water. \nErin Diehm: And I’m not. I have. I hear that I’m very concerned. And urge you to look at this very critically. \nYerba Buena SX80: Thank you. Your time is up. \nYerba Buena SX80: Thank you for that comment or comments. I should say \nYerba Buena SX80: we did receive further written submittals. I’ll read what has not already been stated. Tonight we did hear from other open water swimmers as well. There were observations that there’s been a decline in the maintenance of recreational assets\, and that these facilities are utilized by various groups\, including swimmers\, anglers\, and non-motorized recreation vessels. \nYerba Buena SX80: and then also observations that swimmers need a place to park\, a place to enter and exit the water\, and a water area relatively free of fast watercraft\, mentioning also a shower\, would be a nice amenity as well. \nYerba Buena SX80: and then from Lee Huo\, at the Mtc. Bay Trail. Their comment letter included recommendations to complete the Bay trail segment\, 4\,151 and improve segment 4\,154\, as identified in the Bay Trail Gap closure study. \nYerba Buena SX80: They requested that the Drb. Consider the width needed for the proposed Bay trail. Considering the level of demands that will be created by the proposed pier and ferry terminal as well as expected\, future levels of use in the area. They requested a 20 to 30 foot Wide Bay Trail corridor\, with additional trail width to be considered based on the need for greater capacity to accommodate the expected level of Use Bay Trail. \nYerba Buena SX80: They wanted to see the Bay trail extended to the former\, his lordship site requesting that the proposed Bay trail alignment be updated to be consistent with the adopted Bay trail alignment shown in the Bay Trail Gap map \nYerba Buena SX80: and then finally\, consider Bay trail amenities and consult with the Bay trail and active transportation team at Mtcabag to ensure consistency with the Bay trail goals and design needs \nYerba Buena SX80: and we have one more comment from somebody online. \nYerba Buena SX80: Randall Hagen\, I’m going to ask you to unmute. You’ll have 3 min to speak. \nRandahl Hagen: All right. Thank you. \nRandahl Hagen: Just echoing a lot of the comments regarding the board sailors and the swimmers access. The current access is actually great in Berkeley compared to what we have elsewhere\, especially the fake grass and the showers\, is a great amenity \nRandahl Hagen: with adjacent parking it creates a great place to gather\, and we feel a little more protected with our gear and our cars altogether \nRandahl Hagen: from vandalism\, crime\, and whatnot. We do walk barefoot across that parking lot. And to that currently non-functioning dock. \nRandahl Hagen: That dock is only really functional\, as other people said during low tide. And so you were forced to go over to the lordships. If it’s an afternoon low tide when the wind is up\, or if you want to swim. \nRandahl Hagen: I would pressure to formalize an access point with similar amenities\, or even better amenities over at Lordships. \nRandahl Hagen: because that would be a preferred access point\, I think\, for a lot of us. \nRandahl Hagen: What we want is somewhere where we can park Close. We carry gear that is unwieldy\, not easy to carry through parking lots. We’re barefoot. \nRandahl Hagen: We want it to be safe. We would like to have priority access to those amenities for the the activities we’re doing. \nRandahl Hagen: We would like to have deep water access\, and that would be at lordships. So just to echo everything \nRandahl Hagen: that has been said\, we’d love to have this opportunity to really enhance the amenities that are already there\, and protect what we have. Thank you. \nYerba Buena SX80: Thank you very much. \nYerba Buena SX80: No more hands raised. Okay. \nYerba Buena SX80: thank you\, Ashley. And I just want to say thank you to everyone who’s commented the in-person and online comments. \nYerba Buena SX80: I think this is one of \nYerba Buena SX80: the most important periods of our meetings\, because this is a chance where we really get to hear from stakeholders\, and particularly stakeholders who are interested enough to come and speak to their issues. So\, and you’ve provided a lot of detail which is incredibly helpful. \nYerba Buena SX80: So at this stage we will move to the next section of the agenda. \nYerba Buena SX80: and this is going to be a dialogue between the board \nYerba Buena SX80: and which everyone hears. But what we’ll be talking about is key information that we would want to have included for a project review\, and \nYerba Buena SX80: and we were asked by the city\, and we should keep this in mind\, as well\, you know\, as to \nYerba Buena SX80: the type of \nYerba Buena SX80: the type of content\, but also the approach to the materials that they’ll be preparing for us. You know\, what? \nYerba Buena SX80: What do we like to see? And examples of that \nYerba Buena SX80: are typically things like making sure that connection points to the Bay trail are clearly documented\, and we have sufficient context. So that would just be an example. \nYerba Buena SX80: So bored. \nYerba Buena SX80: I mean\, we’ve heard a lot of a lot of detail from the city and from the public comment on \nYerba Buena SX80: issues. Well\, 1st of all\, the proposed scope of the work\, but also issues and concerns and opportunities. \nYerba Buena SX80: And we usually look at our own policies and speak in relation to that. And of course\, I’m just gonna run down a few things and just set this up. And then let’s talk so clearly for us\, access is is a prime sort of central part of what we’re doing\, and that’s land and water access. And so I think we should talk about that\, and not from the standpoint of \nYerba Buena SX80: You know what the answers are\, but what we would want to see \nYerba Buena SX80: developed in relation to that. And I think a subset of that is clearly the relationship between access and and parking \nYerba Buena SX80: and transit and other modes. \nYerba Buena SX80: Then I think we\, you know\, if we just go down our own policies. Views are very critical. \nYerba Buena SX80: The \nYerba Buena SX80: environmental access\, particularly birds\, is something from a policy standpoint\, but also the broader biodiversity aspects. Safety is important \nYerba Buena SX80: the users and consideration of the users. \nYerba Buena SX80: The broader socioeconomic context\, which Staff usually put a lot of effort into that as well in working with the proponents. \nYerba Buena SX80: and then just related to safety. You know\, potential conflict points\, \nYerba Buena SX80: issues associated with. You know\, perhaps the current \nYerba Buena SX80: more decrepit condition of some of the parts of whether it’s the bay trail or access to the water. \nYerba Buena SX80: those sorts of issues. And then we usually talk about planting. If there’s new planting\, we don’t have details of anything like that yet. \nYerba Buena SX80: And there is a proposed plaza\, and we usually talk about signage and orientation. So these are just all of the things that we typically talk about and look for information in the in the packages. But I I just made a list. But \nYerba Buena SX80: I think maybe\, Kristen\, you might like to just sort of build on that from the standpoint of you know. What’s what you would see is critical to. \nYerba Buena SX80: you know\, to help the project proponents and to help all of the constituent stakeholders. As this really important project moves forward. \nYerba Buena SX80: Thank you. \nYerba Buena SX80: Well\, I just wanna echo. It’s really fantastic to see so many people who use the bay come out in support of their activities and hopefully\, to Bob’s earlier point. Maybe this is\, provide an opportunity for you all to kind of know each other and get organized and advocate for the things that you’re interested in. Hopefully\, you’re now plugged into this process. \nYerba Buena SX80: I there’s sort of 3 things that I’m thinking about with this. The 1st is \nYerba Buena SX80: just the ferry\, I think. \nYerba Buena SX80: an interesting question. I I sort of think of bringing a ferry because I in my mind I had the waterfront master plan still for this area in specific plan in my mind that there were going to be more development here\, and to me a ferry service is a major transit node. That kind of unlocks redevelopment opportunities\, and I think it would be interesting to know \nYerba Buena SX80: if the ferry service competes with Bart service\, or does it add another transit benefit like. \nYerba Buena SX80: how does the fairy factor into a regional story? \nYerba Buena SX80: Because I’m sort of surprised to hear from people who are worried about the environment\, but not in favor of ferries\, the 0 emissions ferry service. To me that seems like a you know\, 40% of our emissions come from transportation. \nYerba Buena SX80: And you know this is so close to the freeway where we can just see the cars pumping out gas. And so the opportunity regionally to add a 0 carbon emission connection is a is a major benefit\, potentially. And so I think understanding and maybe quantifying the benefit\, there would be helpful. \nYerba Buena SX80: I also think ferries very bike compatible as a mode. It’s very easy to just ride your bike on and put it. And so I think the idea of these bike connections\, but making sure that they feel really safe to get across the freeway. That’s an important factor\, I think. To look into. \nYerba Buena SX80: I also think. You know\, for this parking question. \nYerba Buena SX80: I think that I like to say design is sort of a tool against these 0 sum conversations. We can’t have that. These ideas compete with each other right? There’s like this analogy of 2 people are arguing over an orange\, and then it turns out one wants the peel for their cake\, and the other one wants the juice\, and everybody got the piece that they wanted. And as I’m listening to the public comment\, it sounds like a lot of the recreational activity is happening towards the southern end. \nYerba Buena SX80: And \nYerba Buena SX80: maybe there’s a way to think about the ferry parking happening in a different place\, such that you aren’t creating competition between these uses\, and I think something interesting for Kittleson to look at would be\, you know. \nYerba Buena SX80: I I’m hearing the concerns around paid parking\, limiting access. I also know that \nYerba Buena SX80: charging for parking is a way to organize \nYerba Buena SX80: access in a more equitable way. So\, for example\, if you have parking passes for\, let’s say\, the queer silkies. If you’re part of the queer silkies\, you get a parking pass\, or if you’re part of you know one of these groups. You get a parking pass which allows you to park there in in a certain zone\, and it’s directing people to park in that zone. And then if you’re a ferry user\, you get a parking pass which only works in this other area\, and maybe it costs a different amount. I do think introducing paid parking actually helps \nYerba Buena SX80: all interested parties get the levers that they’re interested in and sort of organize transportation behavior in a way that is more optimal for all parties. \nYerba Buena SX80: and I think an interesting study would also be\, you know\, parking plans. Often our tem plans are often looking at kind of peak demand times\, which is\, would be relevant to the ferry. But it sounds like there’s a lot of kind of atypical non-peak use here\, and just really doing a real study. To understand what those implications are would be really helpful. \nYerba Buena SX80: And then I think the last piece would be. \nYerba Buena SX80: you know\, looking at what are the zones that the kites? Where are they parking and doing their setup with their equipment? And then where are they? You know\, in the bay\, actually\, what areas are they using? What areas of the fisher folk using what areas of the swimmers using? What would the path of the ferry be? Actually just put these things all on paper together and understand \nYerba Buena SX80: what the conflicts might be. There might actually be less conflicts than anticipated. Or it might be it would help. \nYerba Buena SX80: maybe illuminate the ways of managing and minimizing those conflicts. \nYerba Buena SX80: But I just echo what Jacinta said this\, you know\, this seems like a really important opportunity. The presence of transportation here really unlocks more transit connectedness to this area. For folks who want to come enjoy this place. It unlocks more\, you know\, carbon free or low carbon. I don’t know if it’s I don’t know exactly how it’s 0 carbon. There’s offsets or something\, but low carbon transportation. \nYerba Buena SX80: you know\, that’s a those are very important regional priorities. So that’s my long\, rambling thoughts. \nYerba Buena SX80: If I could just build before we go to the others. Just on that point of\, you know\, a \nYerba Buena SX80: putting some effort into user mapping and lines of movement conflict points. Potentially\, you know\, tying it back to parking could be very helpful. \nYerba Buena SX80: I remember over the years in planning projects. You know\, we would sometimes do this\, you know. Exercise\, you know\, a day in the life of\, you know. But you could imagine\, with the different stakeholder groups to actually map. \nYerba Buena SX80: you know\, when are the swimmers there? And you know\, given. Obviously there are title implications\, for where the optimal points of entry are but you know what? What are the hours of the day\, you know\, fishing. You know. Just sort of really attempt to to map all of these key stakeholder groups. Obviously the sailing and windsurfing\, and all of that is is part of it. \nYerba Buena SX80: because it is a pretty complex area. And you know\, so over there today\, just walking around. And I was reminded of you know\, there are a lot of different user groups. And you’ve made a great effort at outreach\, particularly to understood unserved people. But yeah\, just sometimes diagramming these things start to help everybody understand what a what the real picture is\, you know. And you know\, why is it \nYerba Buena SX80: parking area at 80% capacity on a Monday morning in February. Who are those people there\, you know? Is it all swimmers\, or is it? \nYerba Buena SX80: Do they all go? You know\, if you looked at that same parking lot 2 h later in the middle of winter. Is that empty? Or\, you know\, are they cars that are there overnight? You know\, all of these questions are important\, I think\, to help help us understand the access picture. But I I also think that \nYerba Buena SX80: you know\, as as far as the \nYerba Buena SX80: information we like to see\, you know\, clarification of how people will be oriented. As you move into the design phase\, you know\, if you’re coming in\, you know\, are there lots that are \nYerba Buena SX80: predetermined for different activities that occur adjacent those lots? \nYerba Buena SX80: And how does the signage work. How does the access work? You know\, if there is paid parking\, or. \nYerba Buena SX80: you know\, access \nYerba Buena SX80: cards that guarantee different user groups\, different areas\, you know\, just sort of thinking that through just being able to articulate that strategy would be extremely helpful. \nYerba Buena SX80: I’ll just hold off on that. But\, Gary\, do you want to jump in with informational \nYerba Buena SX80: areas that or or materials that you would like to see in a design presentation. \nYerba Buena SX80: Sure\, maybe. Maybe. I don’t know exactly the materials\, but maybe the the topics more. So I I wanna say\, first\, st I that for the \nYerba Buena SX80: some people who are sort of anti ferry or concerned about the industrialization of the waterfront. I mean\, most people know. I think\, that Wida was started after the 89 earthquake right when the when the bridge was not functioning\, and you know it was a lifeline to the East Bay. So I think that is good context for the discussion about the about the ferry\, and whether it belongs there or not. \nYerba Buena SX80: and it is listening to all the comments I mean. It’s so informative\, and I seems like the key would be in terms of materials. Maybe it’s circulation of all types. You know how. Not just cars. But is there going to be any public transit that would be provided to serve this area better. How do bicycles arrive? \nYerba Buena SX80: You know there’s recreational bikers. And then there’s cyclists who are moving pretty quickly \nYerba Buena SX80: through. If we if you just looked at every type of possible circulation. \nYerba Buena SX80: and and overlaid them\, I think that would be super informative. \nYerba Buena SX80: And then\, obviously\, there’s a \nYerba Buena SX80: competition between\, you know\, more parking\, and\, you know concerns about open space and ecology. \nYerba Buena SX80: So I don’t have any answers for that. But it would be great to if you could figure out how to deal with the circulation in some manner other than cars\, and \nYerba Buena SX80: that kind of raises the issue of the pay parking\, which \nYerba Buena SX80: maybe that’s interesting. That \nYerba Buena SX80: you know\, paying for parking can help to to organize the parking. That’s an interesting concept. \nYerba Buena SX80: Seems like residents of Berkeley\, for example\, could have free parking. You know. I’m thinking about how in San Francisco. You know\, you can show your driver’s license at the Arboretum\, and you can enter for free. So you know\, there\, there might be some kind of program like that\, so that certain people are not\, you know\, affected\, you know. \nYerba Buena SX80: And then beyond that\, I think a phasing plan. You know to what extent you know to the extent that one could be put together to show you know how how the project would proceed\, and how each \nYerba Buena SX80: project could be \nYerba Buena SX80: brought to completion\, so that it can stand alone. Without the completion of the other phases\, because we know there’s gaps between phases and some phases\, you know\, never happened. \nYerba Buena SX80: I think that would be helpful. \nYerba Buena SX80: And then\, finally\, I wanted to address the issue of maintenance \nYerba Buena SX80: or I think that we we would like to address the issue of maintenance\, because \nYerba Buena SX80: it seems like it’s easier to find funding to\, to build things and to make new things. But it’s harder to find funding to maintain things\, and maybe that’s A comment. \nYerba Buena SX80: or it would be great to hear. You know \nYerba Buena SX80: city of Berkeley\, comment on your challenges for maintaining parks\, you know. I think it would be informative for everybody to hear that\, because I’m sure that you have challenges that not\, you know everyone is is aware of\, but I know it’s it’s \nYerba Buena SX80: It’s an issue everywhere. On every project we look at. You know that the you know how to ensure that the maintenance will continue over time\, and should there be an endowment or some kind of a fund\, you know\, to maintain these things once there’s a commitment to build them\, should the maintenance\, you know\, become part of the funding somehow. \nYerba Buena SX80: Those are my comments for now. Thanks. \nYerba Buena SX80: Hello! \nYerba Buena SX80: But \nYerba Buena SX80: thank you. So. Thanks for the presentation that was really useful. I’ve worked on a number of ferry projects and \nYerba Buena SX80: transportation ferry projects commuter ferry and \nYerba Buena SX80: yeah\, I you know. I think they definitely provide a great service. \nYerba Buena SX80: So I’m just gonna talk about\, I think\, answer the question as to what I think might be helpful for \nYerba Buena SX80: moving the design to a resolution that’s easier for the the Drb. And the Ecrb to re review. And this is\, you know\, more of an engineering perspective. \nYerba Buena SX80: I do recommend moving up more detailed analysis as part of the Eir to support the Eir \nYerba Buena SX80: I think clarifying access and recreational zones\, if you will\, similar to what \nYerba Buena SX80: Jacinta said about you know\, you know\, how do users use the site? Where\, how do they transit it. And when are they there? And things like that\, I think\, is really important\, temporal and spatial \nYerba Buena SX80: and \nYerba Buena SX80: I think wake and local traffic issues may be worth taking a look at\, and in particular\, what the operational \nYerba Buena SX80: constraints might be on the on the ferry. \nYerba Buena SX80: both due to environmental as well as traffic\, which includes recreational \nYerba Buena SX80: and I you know it’s I. I do think it would be worth considering the latent demand for \nYerba Buena SX80: this space. Although I recognize that SQL. Often looks at \nYerba Buena SX80: existing conditions which are frequently already degraded. \nYerba Buena SX80: So. But I think I think the city could probably consider through the public outreach. \nYerba Buena SX80: Consider this latent demand for parking and and access that we’ve heard about. \nYerba Buena SX80: So more specifically\, getting into the \nYerba Buena SX80: more detailed analysis on the engineering side. I think a marine analysis engineering criteria needed to inform the environmental \nYerba Buena SX80: process. I think you probably need to go to a preliminary design level \nYerba Buena SX80: to provide more confidence in the facilities\, their effectiveness and effects\, including. \nYerba Buena SX80: a comparison of alternatives\, although it’s not clear what those alternatives would be. But \nYerba Buena SX80: whatever they are\, some analysis of their \nYerba Buena SX80: function and impacts are probably worthwhile \nYerba Buena SX80: before deciding which alternative to to go forward with\, and in particular wave analysis\, including wave reflection and breakwater design \nYerba Buena SX80: obviously current. You know\, tidal currents and winds are important\, too. We mentioned \nYerba Buena SX80: our our skepticism about a 1 time dredging \nYerba Buena SX80: I know the sediment delivery to the bay has been reduced since the \nYerba Buena SX80: 18 fifties. Gold mine slug came through\, but I don’t think it’s that \nYerba Buena SX80: small. I think there’s still a lot of suspended sediment. So I’m a little surprised. \nYerba Buena SX80: I think ferry wake projections is something that needs to be addressed. I’ve seen this not addressed adequately\, and it becomes a problem in the public process with people that are sensitive to it. \nYerba Buena SX80: And that the waves that are generated by the ferries are not just\, you know\, local. \nYerba Buena SX80: They also depend on the pathway that the ferries take as they’re going as they’re planing\, and then they go from planing to displacement and from displacement to planing\, they throw a big wave or a series of bigger waves. So in the past. People have looked at ferry routes and \nYerba Buena SX80: actually have had to restrict path the the path of the ferries and also their speed \nYerba Buena SX80: to avoid throwing waves objectionable waves in certain areas. \nYerba Buena SX80: So that’s an issue with catamarans. But I I think it’s an important thing to that. The Wida should really \nYerba Buena SX80: take to heart. \nYerba Buena SX80: Frequency of operational conditions is something like you. Could I worked on the downtown ferry terminal here in San Francisco\, and there’s like we looked at all this stuff\, and I think there are other examples. But the question is\, how how often will the ferry be functional with different configurations due to things like high tides\, winds\, big waves\, currents\, all those things. So the operational \nYerba Buena SX80: criteria are important. And I think again\, conflicts with existing water dependent uses \nYerba Buena SX80: the last comment I would like to make\, which is \nYerba Buena SX80: You know\, it’s kind of personal to me that I think citizen well-being is important. \nYerba Buena SX80: and there is a demand for access into the water as well as near the water\, and I think\, which I think is arguably not recognized\, commensurate with its importance. \nYerba Buena SX80: So I’ll I’ll leave it at that. \nYerba Buena SX80: Thank you\, Bob. I’d just like to speak to 3 3 areas \nYerba Buena SX80: the 1st is the bay trail itself\, and in the presentation you accurately depicted that it’s in variable condition and the widths are variable. And so what we would like to see when you come back with you know the design \nYerba Buena SX80: advanced would be a clear diagram. \nYerba Buena SX80: showing you know what the width of the trail as proposed\, newly proposed\, and you know\, one of the public comments suggested\, you know\, between 20 and 30 feet. But I suggest\, if Staff could work with the city to determine that\, because the \nYerba Buena SX80: the real I mean the the trail at the moment is much narrower than that\, and I think some locations may prevent the trail being 18\, we would typically see 18 to 20 feet. So. And and I think if you could work through\, you know\, is it a shared use recreational bike pedestrian trail. You know how \nYerba Buena SX80: delineated that is. I noted that you’re going to have a which is great. A separated bike trail or bike path coming down University Avenue\, which is excellent\, but you know just a very clear thought through diagram on the bay trail improvements. \nYerba Buena SX80: The second area I want to comment on is the plaza you mentioned a plaza\, and you know there’s no design yet\, but you know we can all envisage\, you know\, some space there as the as the \nYerba Buena SX80: the new ferry pier meets the land\, and you know\, I \nYerba Buena SX80: plazas become complex points of interaction and cross movements\, and some\, I think\, there was mentioned of potentially programming. But it is an extremely windy area. So I would \nYerba Buena SX80: like to see when you come back with a some developed design\, how the wind would be handled. How open versus protected that space is how functional\, you know\, it can really be because\, \nYerba Buena SX80: but you know a plaza that no one can really stay in\, because it’s not. \nYerba Buena SX80: Maybe there’s not comfortable places to sit\, or \nYerba Buena SX80: you know\, there could be a variety of reasons. But but in this case\, I think the environmental wind factor is is very significant\, so you know\, like to see how that is being handled as well as it says. You know\, there’s a \nYerba Buena SX80: sign\, right? It’s a sign for the one of the restaurants. I think that is right at the entry to the Ferry Wolf. And so you know just how all of how the views you know\, to the the facility will be handled would be important. \nYerba Buena SX80: And then\, you know\, one thing that would help us a lot\, I think\, based on some of the comments we heard. You know. \nYerba Buena SX80: parking lot that’s not open. \nYerba Buena SX80: a access point to the water that isn’t functioning. \nYerba Buena SX80: It would be helpful to understand if there are some items that \nYerba Buena SX80: standard would go into a standard operational maintenance budget for the city where the city might be. \nYerba Buena SX80: Independently of this project going to be able to resolve some of these through maintenance. It would be helpful when you come back to be able to say. \nYerba Buena SX80: You know \nYerba Buena SX80: the city. The current city Ops budget\, you know\, is proposing to undertake these specific repairs. So we don’t have to. \nYerba Buena SX80: You know we don’t have to\, even if that’s to keep it going for a few years until the bigger project happens. That might be helpful for us to understand if there’s any capacity for the city to do that. \nYerba Buena SX80: Okay\, Kristen\, one more thing. Yeah. \nYerba Buena SX80: I know that the Bay area is a region that loves process. We love our process\, and sometimes it can make things so much better. And sometimes it also makes it very challenging to do things that seem like a very good idea\, like 0 emission transportation. And \nYerba Buena SX80: I. I don’t know what kind of activity Berkeley has in Sacramento. But there are some State legislations that are looking at streamlining Ceqa or removing Ceqa requirements entirely for electric trains. I don’t see why ferries couldn’t be added into that ferry projects. \nYerba Buena SX80: I would also say that\, you know\, projects like Mission Rock Pier 70 were able to get exemptions from State lands to be able to do housing. \nYerba Buena SX80: So I think some of these big regional issues\, like housing and carbon free transportation are so critical and imperative to the crisis crises that we have going on right now\, I think it would be maybe good to look at some of those opportunities to streamline some of these things to happen. \nYerba Buena SX80: and I would also say\, I don’t know if this is controversial or not\, but I would say to the extent that you could include any future dredging within the existing permit\, I \nYerba Buena SX80: would say we need to make sure it’s very easy to continue to operate. \nYerba Buena SX80: to start\, to operate and continue to operate 0 emissions. \nYerba Buena SX80: transit systems. And so if you think this might need future dredging\, and you’re not including that as part of the permit\, because you think it makes it more complicated. \nYerba Buena SX80: I would say\, do everything you can right now to set up a system that will work to Jacinda’s point about ongoing operations and maintenance. Do everything you can to make sure that this is a system that will work well in the beginning\, and will continue to work really well into the future. \nYerba Buena SX80: That’s my best advice. \nYerba Buena SX80: So I think that’s it for our feedback. \nYerba Buena SX80: we don’t want to make it sound like there is \nYerba Buena SX80: so much to do that we’ll never get there. But but certain key diagrams\, I think\, will help a lot\, and Staff can work with you on that. \nYerba Buena SX80: And \nYerba Buena SX80: I think just in summary\, I’m very grateful that everyone who spoke tonight took the time to do that. I think\, for the city. It’s very helpful to hear \nYerba Buena SX80: everyone express their concerns and interests and different groups to be able to \nYerba Buena SX80: be heard. And so I just encourage that process of interaction to keep going over the next few months as well\, because\, the more alignment there is\, you know\, when we see you next \nYerba Buena SX80: the more straightforward everything becomes. \nYerba Buena SX80: So thanks for the good work so far and thank you everyone for coming along tonight. Ashley. \nYerba Buena SX80: Let’s see\, there is a project team response. Is that correct? \nYerba Buena SX80: If you would like to provide any closing comments. You are welcome\, to \nYerba Buena SX80: sure. I’d like to provide some commentary on the dredging. \nYerba Buena SX80: we\, from the analysis that’s been done regarding sediment transportation. \nYerba Buena SX80: We do think eventually another dredging episode would be needed. We’re not saying never \nYerba Buena SX80: from a practical standpoint\, though\, the way that \nYerba Buena SX80: Bcdc and other regulatory agencies typically handle maintenance. Dredging is at most a 10 year time horizon \nYerba Buena SX80: and based on the analysis that’s been done. It’s not expected that additional maintenance dredging would be needed for more than 10 years\, therefore we do not expect to be able to include it in the project. There’s a distinction between maintenance dredging and one time dredging efforts. And that’s how the agencies tend to slice it. So that’s the practical reason for why we are not including additional dredging in this permitting effort. It’s not to say it won’t ever be needed. It’s that we kind of can’t \nYerba Buena SX80: thank you for that\, Liz. \nYerba Buena SX80: yeah\, I don’t think I have any other project specific comments to make. There’s a lot here for us to digest. I really appreciate your thoughtful review and consideration\, and we look forward to coming back with you with much greater detail in the future. Well\, thank you very much. We will look forward to seeing the project as it advances. It’s a very important project. So thank you. \nYerba Buena SX80: Okay. \nYerba Buena SX80: So I think with that we’ll adjourn the meeting. \nYerba Buena SX80: Would someone propose a motion? I’d like to make a motion to adjourn. \nYerba Buena SX80: Thank you. Gary. Second\, second\, Kristen. Okay\, all in favour. \nYerba Buena SX80: Hi\, okay. The meeting is closed. Thanks very much. Everyone.\n \n\n \n\nInput the main text content for your module here. \n\n\n\n\n\nState\n\nState:  \nCloseOpen \nChoose whether or not this toggle should start in an open or closed state. \n\n\n\n\n\nLink\n\nModule Link URL:  \n \nWhen clicked the module will link to this URL. \n\n\nModule Link Target:  \nIn The Same WindowIn The New Tab \nHere you can choose whether or not your link opens in a new window \n\n\n\n\n\nBackground\n\nBackground: \n\n\n\n\n				\n			\n\n\n\n				\n			\n\n\n\n				\n				\n				\n				\n			\n\n\n\n				\n				\n			\n\n\n\n\n\n\n\n\n\nBackground Color:  \n\n\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n			\n		\n\n\n\n\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n			\nUse Background Color Gradient:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\n\n\nGradient Stops:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nAdd two or more color stops to your gradient background. Each stop can be dragged to any position on the gradient bar. From each color stop to the next the color is interpolated into a smooth gradient. \n\n\nGradient Type:  \nLinearCircularEllipticalConical \nLinear gradients radiate in a single direction across one axis. Radial gradients radiate from the center of the background in the shape of a circle. \n\n\nGradient Direction:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nChange the direction of the gradient by choosing a starting position within a 360 degree range. \n\n\nGradient Position:  \nCenterTop LeftTopTop RightRightBottom RightBottomBottom LeftLeft \nChange the direction of the gradient by choosing a starting position within a 360 degree range. \n\n\nRepeat Gradient:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\nIf enabled\, defined gradient stops will be repeated until the outer boundary of the background is reached. \n\n\nGradient Unit:  \nPercentPixelsFont Size (em)Root-level Font Size (rem)X-Height (ex)Zero-width (ch)Picas (pc)Points (pt)Centimeters (cm)Millimeters (mm)Inches (in)Viewport Height (vh)Viewport Width (vw)Viewport Minimum (vmin)Viewport Maximum (vmax) \nDefine the units of your gradient stop positions. \n\n\nPlace Gradient Above Background Image:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\nIf enabled\, gradient will be positioned on top of background-image \n\n\n\n\nBackground Image:  \n\n\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n			\n		\n\nUse Parallax Effect:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\nIf enabled\, your background image will stay fixed as your scroll\, creating a fun parallax-like effect. \n\n\nParallax Method:  \nTrue ParallaxCSS \nDefine the method\, used for the parallax effect. \n\n\nBackground Image Size:  \nCoverFitActual SizeStretch to FillCustom Size \nChoosing "Cover" will force the image to fill the entire background area\, clipping the image when necessary. Choosing "Fit" will ensure that the entire image is always visible\, but can result in blank spaces around the image. When set to "Actual Size\," the image will not be resized at all. \n\n\nBackground Image Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nBackground Image Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nBackground Image Position:  \nTop LeftTop CenterTop RightCenter LeftCenterCenter RightBottom LeftBottom CenterBottom Right \nChoose where you would like the background image to be positioned within this element. You may want to position the background based on the the image's focus point. \n\n\nBackground Image Horizontal Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nBackground Image Vertical Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nBackground Image Repeat:  \nRepeatRepeat X (horizontal)Repeat Y (vertical)Repeat with space betweenRepeat and StretchNo Repeat \nIf the background image is smaller than the size of the element\, you may want the image to repeat. This result will result in a background image pattern. \n\n\nBackground Image Blend:  \nNormalMultiplyScreenOverlayDarkenLightenColor DodgeColor BurnHard LightSoft LightDifferenceExclusionHueSaturationColorLuminosity \nBackground images can be blended with the background color\, merging the two and creating unique effects. \n\n\n\n\nBackground Video MP4:  \n\n\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n			\n		 \nAll videos should be uploaded in both .MP4 .WEBM formats to ensure maximum compatibility in all browsers. Upload the .MP4 version here. \n\n\nBackground Video Webm:  \n\n\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n			\n		 \nAll videos should be uploaded in both .MP4 .WEBM formats to ensure maximum compatibility in all browsers. Upload the .WEBM version here. \n\n\nBackground Video Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIn order for videos to be sized correctly\, you must input the exact width (in pixels) of your video here. \n\n\nBackground Video Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIn order for videos to be sized correctly\, you must input the exact height (in pixels) of your video here. \n\n\nPause Video When Another Video Plays:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\nAllow video to be paused by other players when they begin playing \n\n\nPause Video While Not In View:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\nAllow video to be paused while it is not in the visible area. \n\n\n\n\nPattern Style:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nPattern Color:  \nChoose Custom Color \n\n\n\nPattern Transform:  \n\n \n\n\n						\n							Flip Horizontal\n						\n					\n\n						\n							Flip Vertical\n						\n					\n\n						\n							Rotate 90 degree\n						\n					\n\n						\n							Invert\n						\n					\n \n \n\n\nPattern Size:  \nActual SizeCoverFitStretch to FillCustom Size\n\nPattern Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nPattern Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nPattern Repeat Origin:  \nTop LeftTop CenterTop RightCenter LeftCenterCenter RightBottom LeftBottom CenterBottom Right\n\nPattern Horizontal Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nPattern Vertical Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nPattern Repeat:  \nRepeatRepeat X (horizontal)Repeat Y (vertical)Repeat with space betweenRepeat and Stretch\n\nPattern Blend Mode:  \nNormalMultiplyScreenOverlayDarkenLightenColor DodgeColor BurnHard LightSoft LightDifferenceExclusionHueSaturationColorLuminosity\n\n\n\nMask Style:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nMask Color:  \nChoose Custom Color \n\n\n\nMask Transform:  \n\n \n\n\n						\n							Flip Horizontal\n						\n					\n\n						\n							Flip Vertical\n						\n					\n\n						\n							Rotate 90 Degree\n						\n					\n\n						\n							Invert\n						\n					\n \n \n\n\nMask Aspect Ratio:  \n\n \n\n\n						\n							Landscape\n						\n					\n\n						\n							Square\n						\n					\n\n						\n							Portrait\n						\n					\n \n \n\n\nMask Size:  \nStretch to FillCoverFitCustom Size\n\nMask Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nMask Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nMask Position:  \nTop LeftTop CenterTop RightCenter LeftCenterCenter RightBottom LeftBottom CenterBottom Right\n\nMask Horizontal Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nMask Vertical Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nMask Blend Mode:  \nNormalMultiplyScreenOverlayDarkenLightenColor DodgeColor BurnHard LightSoft LightDifferenceExclusionHueSaturationColorLuminosity\n\n\n\n\n\n\n\nAdmin Label\n\nAdmin Label:  \n \nThis will change the label of the module in the builder for easy identification. \n\n\n\n\n\n\n\nIcon\n\nClosed Icon Color:  \nChoose Custom Color \n\nHere you can define a custom color for the toggle icon. \n\n\nClosed Icon:  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nChoose an icon to display with your blurb. \n\n\nUse Custom Closed Icon Size:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\n \nIf you would like to control the size of the icon\, you must first enable this option. \n\n\nClosed Icon Font Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nControl the size of the icon by increasing or decreasing the font size. \n\n\nOpen Icon Color:  \nChoose Custom Color \n\nHere you can define a custom color for the toggle icon. \n\n\nOpen Icon:  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nChoose an icon to display with your blurb. \n\n\nUse Custom Open Icon Size:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\n \nIf you would like to control the size of the icon\, you must first enable this option. \n\n\nOpen Icon Font Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nControl the size of the icon by increasing or decreasing the font size. \n\n\n\n\n\nToggle\n\nOpen Toggle Background Color:  \nChoose Custom Color \n\nYou can pick unique background colors for toggles when they are in their open and closed states. Choose the open state background color here. \n\n\nClosed Toggle Background Color:  \nChoose Custom Color \n\nYou can pick unique background colors for toggles when they are in their open and closed states. Choose the closed state background color here. \n\n\n\n\n\nText\n\nText Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nThis controls how your text is aligned within the module. \n\n\nText Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nText Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nText Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nText Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nText Shadow Color:  \n \nThe color of the shadow. \n\n\n\n\n\nTitle Text\n\nTitle Text Color:  \nChoose Custom Color \n\nPick a color to be used for the Title text. \n\n\nOpen Title Text Color:  \nChoose Custom Color \n\nYou can pick unique text colors for toggle titles when they are open and closed. Choose the open state title color here. \n\n\nTitle Heading Level:  \n\n \n\n\n						\n							H1\n						\n					\n\n						\n							H2\n						\n					\n\n						\n							H3\n						\n					\n\n						\n							H4\n						\n					\n\n						\n							H5\n						\n					\n\n						\n							H6\n						\n					\n \n \n \nModule Title are created using HTML headings. You can change the heading level for this module by choosing anything from H1 through H6. Higher heading levels are smaller and less significant. \n\n\nTitle Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash Caps\nEmblema One\nEmilys Candy\nEncode Sans\nEncode Sans Condensed\nEncode Sans Expanded\nEncode Sans SC\nEncode Sans Semi Condensed\nEncode Sans Semi Expanded\nEngagement\nEnglebert\nEnriqueta\nEphesis\nEpilogue\nErica One\nEsteban\nEstonia\nEuphoria Script\nEwert\nExo\nExo 2\nExpletus Sans\nExplora\nFahkwang\nFamiljen Grotesk\nFanwood Text\nFarro\nFarsan\nFascinate\nFascinate Inline\nFaster One\nFasthand\nFauna One\nFaustina\nFederant\nFedero\nFelipa\nFenix\nFestive\nFigtree\nFinger Paint\nFinlandica\nFira Code\nFira Mono\nFira Sans\nFira Sans Condensed\nFira Sans Extra Condensed\nFjalla One\nFjord One\nFlamenco\nFlavors\nFleur De Leah\nFlow Block\nFlow Circular\nFlow Rounded\nFondamento\nFontdiner Swanky\nForum\nFrancois One\nFrank Ruhl Libre\nFraunces\nFreckle Face\nFredericka the Great\nFredoka\nFredoka One\nFreehand\nFresca\nFrijole\nFruktur\nFugaz One\nFuggles\nFuzzy Bubbles\nGFS Didot\nGFS Neohellenic\nGabriela\nGaegu\nGafata\nGalada\nGaldeano\nGalindo\nGamja Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Title. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nTitle Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Title to the left\, right\, center or justify. \n\n\nTitle Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Title text. \n\n\nTitle Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Title. \n\n\nTitle Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Title text. This becomes noticeable if the Title is long and wraps onto multiple lines. \n\n\nTitle Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nTitle Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nTitle Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nTitle Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nTitle Text Shadow Color:  \n \nThe color of the shadow. \n\n\n\n\n\nClosed Title Text\n\nClosed Title Text Color:  \nChoose Custom Color \n\nYou can pick unique text colors for toggle titles when they are open and closed. Choose the closed state title color here. \n\n\nClosed Title Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash Caps\nEmblema One\nEmilys Candy\nEncode Sans\nEncode Sans Condensed\nEncode Sans Expanded\nEncode Sans SC\nEncode Sans Semi Condensed\nEncode Sans Semi Expanded\nEngagement\nEnglebert\nEnriqueta\nEphesis\nEpilogue\nErica One\nEsteban\nEstonia\nEuphoria Script\nEwert\nExo\nExo 2\nExpletus Sans\nExplora\nFahkwang\nFamiljen Grotesk\nFanwood Text\nFarro\nFarsan\nFascinate\nFascinate Inline\nFaster One\nFasthand\nFauna One\nFaustina\nFederant\nFedero\nFelipa\nFenix\nFestive\nFigtree\nFinger Paint\nFinlandica\nFira Code\nFira Mono\nFira Sans\nFira Sans Condensed\nFira Sans Extra Condensed\nFjalla One\nFjord One\nFlamenco\nFlavors\nFleur De Leah\nFlow Block\nFlow Circular\nFlow Rounded\nFondamento\nFontdiner Swanky\nForum\nFrancois One\nFrank Ruhl Libre\nFraunces\nFreckle Face\nFredericka the Great\nFredoka\nFredoka One\nFreehand\nFresca\nFrijole\nFruktur\nFugaz One\nFuggles\nFuzzy Bubbles\nGFS Didot\nGFS Neohellenic\nGabriela\nGaegu\nGafata\nGalada\nGaldeano\nGalindo\nGamja Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Closed Title. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nClosed Title Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Closed Title to the left\, right\, center or justify. \n\n\nClosed Title Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Closed Title text. \n\n\nClosed Title Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Closed Title. \n\n\nClosed Title Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Closed Title text. This becomes noticeable if the Closed Title is long and wraps onto multiple lines. \n\n\nClosed Title Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nClosed Title Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nClosed Title Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nClosed Title Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nClosed Title Text Shadow Color:  \n \nThe color of the shadow. \n\n\n\n\n\nBody Text\n\n\n\n\n\n\n\n\n\nBody Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash Caps\nEmblema One\nEmilys Candy\nEncode Sans\nEncode Sans Condensed\nEncode Sans Expanded\nEncode Sans SC\nEncode Sans Semi Condensed\nEncode Sans Semi Expanded\nEngagement\nEnglebert\nEnriqueta\nEphesis\nEpilogue\nErica One\nEsteban\nEstonia\nEuphoria Script\nEwert\nExo\nExo 2\nExpletus Sans\nExplora\nFahkwang\nFamiljen Grotesk\nFanwood Text\nFarro\nFarsan\nFascinate\nFascinate Inline\nFaster One\nFasthand\nFauna One\nFaustina\nFederant\nFedero\nFelipa\nFenix\nFestive\nFigtree\nFinger Paint\nFinlandica\nFira Code\nFira Mono\nFira Sans\nFira Sans Condensed\nFira Sans Extra Condensed\nFjalla One\nFjord One\nFlamenco\nFlavors\nFleur De Leah\nFlow Block\nFlow Circular\nFlow Rounded\nFondamento\nFontdiner Swanky\nForum\nFrancois One\nFrank Ruhl Libre\nFraunces\nFreckle Face\nFredericka the Great\nFredoka\nFredoka One\nFreehand\nFresca\nFrijole\nFruktur\nFugaz One\nFuggles\nFuzzy Bubbles\nGFS Didot\nGFS Neohellenic\nGabriela\nGaegu\nGafata\nGalada\nGaldeano\nGalindo\nGamja Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Body. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nBody Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Body to the left\, right\, center or justify. \n\n\nBody Text Color:  \nChoose Custom Color \n\nPick a color to be used for the Body text. \n\n\nBody Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Body text. \n\n\nBody Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Body. \n\n\nBody Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Body text. This becomes noticeable if the Body is long and wraps onto multiple lines. \n\n\nBody Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nBody Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nBody Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nBody Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nBody Text Shadow Color:  \n \nThe color of the shadow. \n\n\n\n\nLink Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash Caps\nEmblema One\nEmilys Candy\nEncode Sans\nEncode Sans Condensed\nEncode Sans Expanded\nEncode Sans SC\nEncode Sans Semi Condensed\nEncode Sans Semi Expanded\nEngagement\nEnglebert\nEnriqueta\nEphesis\nEpilogue\nErica One\nEsteban\nEstonia\nEuphoria Script\nEwert\nExo\nExo 2\nExpletus Sans\nExplora\nFahkwang\nFamiljen Grotesk\nFanwood Text\nFarro\nFarsan\nFascinate\nFascinate Inline\nFaster One\nFasthand\nFauna One\nFaustina\nFederant\nFedero\nFelipa\nFenix\nFestive\nFigtree\nFinger Paint\nFinlandica\nFira Code\nFira Mono\nFira Sans\nFira Sans Condensed\nFira Sans Extra Condensed\nFjalla One\nFjord One\nFlamenco\nFlavors\nFleur De Leah\nFlow Block\nFlow Circular\nFlow Rounded\nFondamento\nFontdiner Swanky\nForum\nFrancois One\nFrank Ruhl Libre\nFraunces\nFreckle Face\nFredericka the Great\nFredoka\nFredoka One\nFreehand\nFresca\nFrijole\nFruktur\nFugaz One\nFuggles\nFuzzy Bubbles\nGFS Didot\nGFS Neohellenic\nGabriela\nGaegu\nGafata\nGalada\nGaldeano\nGalindo\nGamja Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira 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Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Unordered List. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nUnordered List Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Unordered List to the left\, right\, center or justify. \n\n\nUnordered List Text Color:  \nChoose Custom Color \n\nPick a color to be used for the Unordered List text. \n\n\nUnordered List Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Unordered List text. \n\n\nUnordered List Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Unordered List. \n\n\nUnordered List Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Unordered List text. This becomes noticeable if the Unordered List is long and wraps onto multiple lines. \n\n\nUnordered List Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nUnordered List Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nUnordered List Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nUnordered List Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nUnordered List Text Shadow Color:  \n \nThe color of the shadow. \n\n\nUnordered List Style Type:  \nDiscCircleSquareNone \nThis setting adjusts the shape of the bullet point that begins each list item. \n\n\nUnordered List Style Position:  \nOutsideInside \nThe bullet point that begins each list item can be placed either inside or outside the parent list wrapper. Placing list items inside will indent them further within the list. \n\n\nUnordered List Item Indent:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing indentation will push list items further towards the center of the text content\, giving the list more visible separation from the the rest of the text. \n\n\n\n\nOrdered List Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash 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Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto 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Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto 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Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple 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Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Ordered List. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nOrdered List Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Ordered List to the left\, right\, center or justify. \n\n\nOrdered List Text Color:  \nChoose Custom Color \n\nPick a color to be used for the Ordered List text. \n\n\nOrdered List Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Ordered List text. \n\n\nOrdered List Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Ordered List. \n\n\nOrdered List Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Ordered List text. This becomes noticeable if the Ordered List is long and wraps onto multiple lines. \n\n\nOrdered List Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nOrdered List Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nOrdered List Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nOrdered List Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nOrdered List Text Shadow Color:  \n \nThe color of the shadow. \n\n\nOrdered List Style Type:  \ndecimalarmeniancjk-ideographicdecimal-leading-zerogeorgianhebrewhiraganahiragana-irohakatakanakatakana-irohalower-alphalower-greeklower-latinlower-romanupper-alphaupper-greekupper-latinupper-romannone \nHere you can choose which types of characters are used to distinguish between each item in the ordered list. \n\n\nOrdered List Style Position:  \nInsideOutside \nThe characters that begins each list item can be placed either inside or outside the parent list wrapper. Placing list items inside will indent them further within the list. \n\n\nOrdered List Item Indent:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing indentation will push list items further towards the center of the text content\, giving the list more visible separation from the the rest of the text. \n\n\n\n\nBlockquote Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash Caps\nEmblema One\nEmilys Candy\nEncode Sans\nEncode Sans Condensed\nEncode Sans Expanded\nEncode Sans SC\nEncode Sans Semi Condensed\nEncode Sans Semi Expanded\nEngagement\nEnglebert\nEnriqueta\nEphesis\nEpilogue\nErica One\nEsteban\nEstonia\nEuphoria Script\nEwert\nExo\nExo 2\nExpletus Sans\nExplora\nFahkwang\nFamiljen Grotesk\nFanwood Text\nFarro\nFarsan\nFascinate\nFascinate Inline\nFaster One\nFasthand\nFauna One\nFaustina\nFederant\nFedero\nFelipa\nFenix\nFestive\nFigtree\nFinger Paint\nFinlandica\nFira Code\nFira Mono\nFira Sans\nFira Sans Condensed\nFira Sans Extra Condensed\nFjalla One\nFjord One\nFlamenco\nFlavors\nFleur De Leah\nFlow Block\nFlow Circular\nFlow Rounded\nFondamento\nFontdiner Swanky\nForum\nFrancois One\nFrank Ruhl Libre\nFraunces\nFreckle Face\nFredericka the Great\nFredoka\nFredoka One\nFreehand\nFresca\nFrijole\nFruktur\nFugaz One\nFuggles\nFuzzy Bubbles\nGFS Didot\nGFS Neohellenic\nGabriela\nGaegu\nGafata\nGalada\nGaldeano\nGalindo\nGamja Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Blockquote. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nBlockquote Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Blockquote to the left\, right\, center or justify. \n\n\nBlockquote Text Color:  \nChoose Custom Color \n\nPick a color to be used for the Blockquote text. \n\n\nBlockquote Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Blockquote text. \n\n\nBlockquote Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Blockquote. \n\n\nBlockquote Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Blockquote text. This becomes noticeable if the Blockquote is long and wraps onto multiple lines. \n\n\nBlockquote Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nBlockquote Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nBlockquote Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nBlockquote Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nBlockquote Text Shadow Color:  \n \nThe color of the shadow. \n\n\nBlockquote Border Weight:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nBlock quotes are given a border to separate them from normal text. You can increase or decrease the size of that border using this setting. \n\n\nBlockquote Border Color:  \nChoose Custom Color \n\nBlock quotes are given a border to separate them from normal text. Pick a color to use for that border. \n\n\n\n\n\n\nSizing\n\nWidth:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nBy default\, elements will extend the full width of their parent element. If you would like to set a custom static width\, you can do so using this option. \n\n\nMax Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nSetting a maximum width will prevent your element from ever surpassing the defined width value. Maximum width can be used in combination with the standard width setting. Maximum width supersedes the normal width value. \n\n\nModule Alignment:  \nLeftCenterRight \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the module to the left\, right or center. \n\n\nMin Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nWhen a minimum height is set\, the element will always have a height of at least the amount defined. This supersedes smaller static height values. Unlike height\, minimum height does not result in content overflow and will allow the height of your element to remain dynamic. \n\n\nHeight:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThis sets a static height value for your element. Once set\, the height of the element will no longer be determined by its inner content. Content that exceeds the static height of the element will overflow the element wrapper. \n\n\nMax Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nSetting a maximum height will prevent your element from ever surpassing the defined height value. As your module content increases and surpasses the maximum height\, it will overflow the element wrapper. \n\n\n\n\n\nSpacing\n\nMargin:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n\n			\n				Top\n				 \n					\n					 \n			 \n			\n				Right\n				 \n					\n					 \n			 \n			\n				Bottom\n				 \n					\n					 \n			 \n			\n				Left\n				 \n					\n					 \n			\n		\n \nMargin adds extra space to the outside of the element\, increasing the distance between the element and other items on the page. \n\n\nPadding:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n\n			\n				Top\n				 \n					\n					 \n			 \n			\n				Right\n				 \n					\n					 \n			 \n			\n				Bottom\n				 \n					\n					 \n			 \n			\n				Left\n				 \n					\n					 \n			\n		\n \nPadding adds extra space to the inside of the element\, increasing the distance between the edge of the element and its inner contents. \n\n\n\n\n\nBorder\n\nRounded Corners:  \n\n\n\n\n\n\n\n\n \n\n 				\n 				\n 			\n\n\n\n\n\n\n\n\n \nHere you can control the corner radius of this element. Enable the link icon to control all four corners at once\, or disable to define custom values for each. \n\n\nBorder Styles:  \n\n\n\n\n\n\n\n 				\n 			\n\n\n\n 				\n 			\n\n\n\n 				\n 			\n\n\n\n 				\n 			\n\n\n\n 				\n 			\n\n\n\n\n\n\n\n\nBorder Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the width of the border will increase its size/thickness. \n\n\nBorder Color:  \n \nPick a color to be used for the border. \n\n\nBorder Style:  \nSolidDashedDottedDoubleGrooveRidgeInsetOutsetNone \nBorders support various different styles\, each of which will change the shape of the border element. \n\n\n\n\n\n\n\n\n\nTop Border Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the width of the border will increase its size/thickness. \n\n\nTop Border Color:  \n \nPick a color to be used for the border. \n\n\nTop Border Style:  \nSolidDashedDottedDoubleGrooveRidgeInsetOutsetNone \nBorders support various different styles\, each of which will change the shape of the border element. \n\n\n\n\n\n\n\n\n\nRight Border Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the width of the border will increase its size/thickness. \n\n\nRight Border Color:  \n \nPick a color to be used for the border. \n\n\nRight Border Style:  \nSolidDashedDottedDoubleGrooveRidgeInsetOutsetNone \nBorders support various different styles\, each of which will change the shape of the border element. \n\n\n\n\n\n\n\n\n\nBottom Border Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the width of the border will increase its size/thickness. \n\n\nBottom Border Color:  \n \nPick a color to be used for the border. \n\n\nBottom Border Style:  \nSolidDashedDottedDoubleGrooveRidgeInsetOutsetNone \nBorders support various different styles\, each of which will change the shape of the border element. \n\n\n\n\n\n\n\n\n\nLeft Border Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the width of the border will increase its size/thickness. \n\n\nLeft Border Color:  \n \nPick a color to be used for the border. \n\n\nLeft Border Style:  \nSolidDashedDottedDoubleGrooveRidgeInsetOutsetNone \nBorders support various different styles\, each of which will change the shape of the border element. \n\n\n\n\n\n \nYou can add borders to any element\, customize their appearance and assign unique styles to each edge. \n\n\n\n\n\nBox Shadow\n\nBox Shadow:  \n\n\n \n\n\n\n\n\n\n\n\n\n\n \nPick a box shadow style to enable box shadow for this element. Once enabled\, you will be able to customize your box shadow style further. To disable custom box shadow style\, choose the None option. \n\n\nBox Shadow Horizontal Position:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the element. A negative value places the shadow to the left of the element. \n\n\nBox Shadow Vertical Position:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the element. A negative value places the shadow above the element. \n\n\nBox Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nBox Shadow Spread Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the spread strength will increase the density of the box shadow. Higher density results in a more intense shadow. \n\n\nShadow Color:  \n \nThe color of the shadow. \n\n\nBox Shadow Position:  \nOuter ShadowInner Shadow \nChoose whether you would like the shadow to appear outside your module\, lifting the module up from the page\, or inside the module\, setting the module downwards within the page. \n\n\n\n\n\nFilters\n\nHue:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShift all colors by this amount. \n\n\nSaturation:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nDefine how intense the color saturation should be. \n\n\nBrightness:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nDefine how bright the colors should be. \n\n\nContrast:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nDefine how distinct bright and dark areas should be. \n\n\nInvert:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nInvert the hue\, saturation\, and brightness by this amount. \n\n\nSepia:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nTravel back in time by this amount. \n\n\nOpacity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nDefine how transparent or opaque this should be. \n\n\nBlur:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nBlur by this amount. \n\n\nBlend Mode:  \nNormalMultiplyScreenOverlayDarkenLightenColor DodgeColor BurnHard LightSoft LightDifferenceExclusionHueSaturationColorLuminosity \nModify how this element blends with any layers beneath it. To reset\, choose the "Normal" option. \n\n\n\n\n\nAnimation\n\nAnimation Style:  \n\n\n\n\n						\n							None\n							 \n\n									\n				\n			\n								\n							\n						\n					\n\n						\n							Fade\n							 \n\n									\n				\n				\n				\n				\n				\n				\n			\n								\n							\n						\n					\n\n						\n							Slide\n							 \n\n									\n				\n				\n				\n			\n								\n							\n						\n					\n\n						\n							Bounce\n							 \n\n									\n				\n				\n				\n				\n				\n				\n				\n			\n								\n							\n						\n					\n\n						\n							Zoom\n							 \n\n									\n				\n			\n								\n							\n						\n					\n\n						\n							Flip\n							 \n\n									\n				\n			\n								\n							\n						\n					\n\n						\n							Fold\n							 \n\n									\n				\n			\n								\n							\n						\n					\n\n						\n							Roll\n							 \n\n									\n				\n			\n								\n							\n						\n					\n \n		\n \nPick an animation style to enable animations for this element. Once enabled\, you will be able to customize your animation style further. To disable animations\, choose the None option. \n\n\nAnimation Direction:  \nCenterRightLeftUpDown \nPick from up to five different animation directions\, each of which will adjust the starting and ending position of your animated element. \n\n\nAnimation Duration:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nSpeed up or slow down your animation by adjusting the animation duration. Units are in milliseconds and the default animation duration is one second. \n\n\nAnimation Delay:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIf you would like to add a delay before your animation runs you can designate that delay here in milliseconds. This can be useful when using multiple animated modules together. \n\n\nAnimation Intensity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIntensity effects how subtle or aggressive your animation will be. Lowering the intensity will create a smoother and more subtle animation while increasing the intensity will create a snappier more aggressive animation. \n\n\nAnimation Intensity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIntensity effects how subtle or aggressive your animation will be. Lowering the intensity will create a smoother and more subtle animation while increasing the intensity will create a snappier more aggressive animation. \n\n\nAnimation Intensity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIntensity effects how subtle or aggressive your animation will be. Lowering the intensity will create a smoother and more subtle animation while increasing the intensity will create a snappier more aggressive animation. \n\n\nAnimation Intensity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIntensity effects how subtle or aggressive your animation will be. Lowering the intensity will create a smoother and more subtle animation while increasing the intensity will create a snappier more aggressive animation. \n\n\nAnimation Intensity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIntensity effects how subtle or aggressive your animation will be. Lowering the intensity will create a smoother and more subtle animation while increasing the intensity will create a snappier more aggressive animation. \n\n\nAnimation Starting Opacity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nBy increasing the starting opacity\, you can reduce or remove the fade effect that is applied to all animation styles. \n\n\nAnimation Speed Curve:  \nEase-In-OutEaseEase-InEase-OutLinear \nHere you can adjust the easing method of your animation. Easing your animation in and out will create a smoother effect when compared to a linear speed curve. \n\n\nAnimation Repeat:  \nOnceLoop \nBy default\, animations will only play once. If you would like to loop your animation continuously you can choose the Loop option here. \n\n\n\n\n\n\n\nCSS ID & Classes\n\nCSS ID:  \n \nAssign a unique CSS ID to the element which can be used to assign custom CSS styles from within your child theme or from within Divi's custom CSS inputs. \n\n\nCSS Class:  \n \nAssign any number of CSS Classes to the element\, separated by spaces\, which can be used to assign custom CSS styles from within your child theme or from within Divi's custom CSS inputs. \n\n\n\n\n\nCustom CSS\n\nBefore:.et_pb_toggle_1.et_pb_toggle:before  \n\n\nMain Element:.et_pb_toggle_1.et_pb_toggle  \n\n\nAfter:.et_pb_toggle_1.et_pb_toggle:after  \n\n\nCSS:.et_pb_toggle_1.et_pb_toggle  \n\n\nOpen Toggle:.et_pb_toggle_1.et_pb_toggle.et_pb_toggle.et_pb_toggle_open  \n\n\nToggle Title:.et_pb_toggle_1.et_pb_toggle .et_pb_toggle_title  \n\n\nToggle Icon:.et_pb_toggle_1.et_pb_toggle .et_pb_toggle_title:before  \n\n\nToggle Content:.et_pb_toggle_1.et_pb_toggle .et_pb_toggle_content  \n\n\n\n\n\nConditions\n\nDisplay Conditions:  \n \nChoose when to display this element based on a set of conditions. Multiple conditions can be added. Date & Time condition is based on your timezone settings in your WordPress General Settings \n\n\n\n\n\nVisibility\n\nDisable on:  \n\n Phone Tablet Desktop\nThis will disable the module on selected devices \n\n\nHorizontal Overflow:  \nDefaultVisibleScrollHiddenAuto \nHere you can control element overflow on the X axis. If set to scroll\, content that overflows static widths or heights will trigger a browser scrollbar. If set to hidden\, content overflow will be clipped. \n\n\nVertical Overflow:  \nDefaultVisibleScrollHiddenAuto \nHere you can control element overflow on the Y axis. If set to scroll\, content that overflows static widths or heights will trigger a browser scrollbar. If set to hidden\, content overflow will be clipped. \n\n\n\n\n\nTransitions\n\nTransition Duration:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThis controls the transition duration of the hover animation. \n\n\nTransition Delay:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThis controls the transition delay of the hover animation. \n\n\nTransition Speed Curve:  \nEase-In-OutEaseEase-InEase-OutLinear \nThis controls the transition speed curve of the hover animation. \n\n\n\n\n\nPosition\n\nVertical Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nHere you can adjust the element's position upwards or downwards from its starting location\, which may differ based on its offset origin. \n\n\nHorizontal Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nHere you can adjust the element's position left or right from its starting location\, which may differ based on its offset origin. \n\n\nZ Index:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nHere you can control element position on the z axis. Elements with higher z-index values will sit atop elements with lower z-index values. \n\n\n\n\n\n\n\n\n \n			\n				\n				\n				\n				\n				Learn How to Participate\n				Bagley-Keene Open Meeting Act\nAs a state agency\, the Commission is governed by the Bagley-Keene Open Meeting Act which requires the Commission to: (1) publish an agenda at least ten days in advance of any meeting; and (2) describe specifically in that agenda the items to be transacted or discussed. Public notices of Commission meetings and staff reports (as applicable) dealing with matters on the meeting agendas can be found on BCDC’s website. Simply access Commission Meetings under the “Public Meetings” tab on the website and select the date of the meeting. \nHow to Provide Comments and Comment Time Limits\nPursuant to state law\, the Commission is currently conducting its public meetings in a “hybrid” fashion. Each meeting notice will specify (1) where the meeting is being primarily held physically\, (2) all teleconference locations\, which will be publicly-accessible\, and (3) the ZOOM virtual meeting link. If you would like to comment at the beginning of the meeting or on an item scheduled for public discussion\, you may do so in one of three ways: (1) being present at the primary physical or a teleconference meeting location; (2) emailing comments in advance to public comment until 10 a.m. on the day of the meeting; and (3) participating via ZOOM during the meeting. \nIf you plan to participate through ZOOM\, please use your ZOOM-enabled device and click on the “raise your hand” button\, and then wait to speak until called upon. If you are using a telephone to call into the meeting\, select *6 to unmute your phone and you will then be able to speak. We ask that everyone use the mute button when not speaking. It is also important that you not put your phone on hold. Each speaker may be limited to a maximum of three minutes or less at the discretion of the Chair during the public comment period depending on the volume of persons intending to provide public comment. Any speakers who exceed the time limits or interfere with the meeting may be muted by the Chair. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members in advance of the meeting for review. You are encouraged to submit written comments of any length and detailed information to the staff prior to the meeting at the email address above\, which will be distributed to the Commission members. \nQuestions and Staff Reports\nIf you have any questions concerning an item on the agenda\, would like to receive notice of future hearings\, or access staff reports related to the item\, please contact the staff member whose name\, email address and direct phone number are indicated in parenthesis at the end of the agenda item. \nCampaign Contributions\nState law requires Commissioners to disqualify themselves from voting on any matter if they have received a campaign contribution from an interested party within the past 12 months. If you intend to speak on any hearing item\, please indicate in your testimony if you have made campaign contributions in excess of $250 to any Commissioner within the last year\, and if so\, to which Commissioner(s) you have contributed. Other legal requirements govern contributions by applicants and other interested parties and establish criteria for Commissioner conflicts of interest. Please consult with the staff counsel if you have any questions about the rules that pertain to campaign contributions or conflicts of interest. \nAccess to Meetings\nMeetings are physically held in venues that are accessible to persons with disabilities. If you require special assistance or have technical questions\, please contact staff at least three days prior to the meeting via email. We will attempt to make the virtual meeting accessible via ZOOM accessibility capabilities\, as well.
URL:https://www.bcdc.ca.gov/event/may-12-2025-design-review-board-meeting/
CATEGORIES:Design Review Board
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250501T130000
DTEND;TZID=America/Los_Angeles:20250501T170000
DTSTAMP:20260626T022438
CREATED:20241209T231542Z
LAST-MODIFIED:20250530T192809Z
UID:10000236-1746104400-1746118800@www.bcdc.ca.gov
SUMMARY:May 1\, 2025 Commission Meeting
DESCRIPTION:This Commission meeting will operate as a hybrid meeting under teleconference rules established by the Bagley-Keene Open Meeting Act. Commissioners are located at the primary physical location and may be located at the teleconference locations specified below\, all of which are publicly accessible. The Zoom video conference link and teleconference information for members of the public to participate virtually are also specified below. \nPrimary physical location \nMetro Center375 Beale Street\, First Floor Board Room\,San Francisco\, CA 94105415-352-3600 \nTeleconference locations \n• Office of Supervisor John Gioia: 11780 San Pablo Ave.\, Ste. D\, El Cerrito\, CA 94530• Napa County District 5 Office: 4381 Broadway\, Ste. 102\, American Canyon\, CA 94503• East Sonoma County Service Center: 19080 Lomita Ave.\, Sonoma\, CA 95476• 675 Texas St.\, Ste. 6002\, Fairfield\, CA 94533• Earl Warren Hiram W Johnson Building: 455 Golden Gate Ave.\, San Francisco\, CA 94102• 176 E. Blithedale Ave.\, Mill Valley\, CA 94941• 500 County Center\, 5th Fl.\, Buckeye Conf. Rm.\, Redwood City\, CA 94063• 103 Callan Ave.\, San Leandro\, CA 94577• City Hall: 1st Fl. Allied Arts\, 701 Laurel Ave.\, Menlo Park\, CA 94025• 100 Howe Ave.\, Ste. 100\, South Sacramento\, CA 95825• 111 Grand Ave.\, Oakland\, CA 94612• 1021 O St.\, Sacramento\, CA 95814 \nIf you have issues joining the meeting using the link\, please enter the Meeting ID and Password listed below into the ZOOM app to join the meeting. \nJoin the meeting via ZOOM \nhttps://bcdc-ca-gov.zoom.us/j/86833561707?pwd=m1WqdnJPauXAfIKJE4oCi46b2lD1sU.1  \nLive Webcast \nSee information on public participation \nTeleconference numbers1 (866) 590-5055Conference Code 374334 \nMeeting ID838 3365 1707 \nPasscode264498 \nIf you call in by telephone: \nPress *6 to unmute or mute yourselfPress *9 to raise your hand or lower your hand to speak  \n				\n				\n				\n				\n				Agenda\n				\nCall to Order\nRoll Call\nPublic Comment Period(Each speaker is limited to three minutes)A maximum of 15 minutes is available for the public to address the Commission on any matter on which the Commission either has not held a public hearing or is not scheduled for a public hearing later in the meeting. Speakers will be heard in the order of sign-up\, and each speaker is generally limited to a maximum of three minutes. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members for review. The Commission may provide more time to each speaker and can extend the public comment period beyond the normal 15-minute maximum if the Commission believes that it is necessary to allow a reasonable opportunity to hear from all members of the public who want to testify. No Commission action can be taken on any matter raised during the public comment period other than to schedule the matter for a future agenda or refer the matter to the staff for investigation\, unless the matter is scheduled for action by the Commission later in the meeting.(Sierra Peterson) [415-352-3608; sierra.peterson@bcdc.ca.gov] Written public comment may be sent to (publiccomment@bcdc.ca.gov)\nReport of the Chair\nReport of the Executive Director\nConsent Calendar\n\nApproval of Minutes for April 3\, 2025 Meeting(Sierra Peterson) [415-352-3608; sierra.peterson@bcdc.ca.gov]\n\nProposed Adoption of Stipulated Civil Penalty Order No. 2024.003.00 (Unauthorized Dumping)Staff proposes that the Commission adopt stipulated CCD 2024.003.00\, the terms of which have been agreed to by the respondent and BCDC staff\, to resolve ER2023.019.00.(Amanda Boyd) [415-352-3643; amanda.boyd@bcdc.ca.gov]Exhibit A. Stipulated Civil Penalty Order // Exhibit B. Violation Report and Complaint with Exhibits // Exhibit C. EC Meeting RED with Exhibits // Exhibit D. Respondent Written Acceptance of RED // Staff Presentation \n\n\n\nCommission Consideration of Administrative Matters // Additional Administrative Listing(Harriet Ross) [415-352-3611; harriet.ross@bcdc.ca.gov] \n  \n\nCommission Consideration and Possible Vote on the Final Environmental Assessment for the Cargill\, Incorporated Solar Salt System Maintenance and Operations Activities Project (BCDC Permit Application 2021.003.00) – Revised Staff Report\nThe Commission will consider and possibly vote on the Final Environmental Assessment (Final EA) prepared in support of the current permit application by Cargill\, Inc. (2021.003.00) to continue existing operations and maintenance (O&M) activities\, as well as implement limited new O&M activities\, for its Solar Salt System facilities in Alameda and San Mateo Counties\, primarily in the cities of Newark\, Fremont\, and Redwood City. BCDC is preparing the Final EA in compliance with its responsibilities under the California Environmental Quality Act (CEQA) because it is acting as the CEQA lead agency for purposes of the submitted permit application. That permit application is scheduled to be considered by the Commission at its June 5\, 2025\, meeting.(Jenn Hyman) [415-352-3670; jennifer.hyman@bcdc.ca.gov] Cargill Final EA // Staff Presentation // Applicant Presentation CCCR Public Comment // ACA Public Comment \n\nCommission Consideration and Possible Vote on BCDC’s revised Climate Change Policy Guidance\nThe Commission will receive a briefing and possibly vote on whether to approve an updated San Francisco Bay Plan Climate Change Policy Guidance document. The updated guidance is aligned with the State of California Sea Level Rise Guidance: 2024 Science and Policy Update\, incorporates changes to the climate change policies included in Bay Plan Amendment No. 1-24 (the Regional Shoreline Adaptation Plan)\, and includes analyses and guidance based on permits granted since the Commission adopted its existing guidance document several years ago.(Cory Copeland) [415-352-3644; cory.copeland@bcdc.ca.gov]Proposed 2025 Update to The Bay Plan Climate Change Policy Guidance //Updated Staff Presentation \n\nPOSTPONED DATE TBD Legislative Briefing\nThe Commission will receive a briefing from the Director of Legislative and External Affairs on various legislative issues.(Rylan Gervase) [415-352-3611; rylan.gervase@bcdc.ca.gov] \n\n\nStrategic Plan Update The Commission will receive an update from Senior Staff on progress implementing BCDC’s Strategic Plan.(Jessica Fain) [415-352-3642; jessica.fain@bcdc.ca.gov]BCDC Strategic Plan Tracking Sheet \n\n\nAdjournment \n\n\n			\n				\n				\n				\n				\n				Supplemental Materials\n				Articles about the Bay and BCDC \nSable Offshore Slammed with $18 Million Fine at Marathon Coastal Commission Meeting in Santa Barbara – The Santa Barbara Independent \n  \n			\n				\n				\n				\n				\n				Meeting Minutes\n				\n			\n				\n				\n				\n				\n				Video recording\n				 \n			\n				\n				\n				\n				\n				Learn How to Participate\n				Bagley-Keene Open Meeting Act\nAs a state agency\, the Commission is governed by the Bagley-Keene Open Meeting Act which requires the Commission to: (1) publish an agenda at least ten days in advance of any meeting; and (2) describe specifically in that agenda the items to be transacted or discussed. Public notices of Commission meetings and staff reports (as applicable) dealing with matters on the meeting agendas can be found on BCDC’s website. Simply access Commission Meetings under the “Public Meetings” tab on the website and select the date of the meeting. \nHow to Provide Comments and Comment Time Limits\nPursuant to state law\, the Commission is currently conducting its public meetings in a “hybrid” fashion. Each meeting notice will specify (1) where the meeting is being primarily held physically\, (2) all teleconference locations\, which will be publicly-accessible\, and (3) the ZOOM virtual meeting link. If you would like to comment at the beginning of the meeting or on an item scheduled for public discussion\, you may do so in one of three ways: (1) being present at the primary physical or a teleconference meeting location; (2) emailing comments in advance to public comment until 10 a.m. on the day of the meeting; and (3) participating via ZOOM during the meeting. \nIf you plan to participate through ZOOM\, please use your ZOOM-enabled device and click on the “raise your hand” button\, and then wait to speak until called upon. If you are using a telephone to call into the meeting\, select *6 to unmute your phone and you will then be able to speak. We ask that everyone use the mute button when not speaking. It is also important that you not put your phone on hold. Each speaker may be limited to a maximum of three minutes or less at the discretion of the Chair during the public comment period depending on the volume of persons intending to provide public comment. Any speakers who exceed the time limits or interfere with the meeting may be muted by the Chair. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members in advance of the meeting for review. You are encouraged to submit written comments of any length and detailed information to the staff prior to the meeting at the email address above\, which will be distributed to the Commission members. \nQuestions and Staff Reports\nIf you have any questions concerning an item on the agenda\, would like to receive notice of future hearings\, or access staff reports related to the item\, please contact the staff member whose name\, email address and direct phone number are indicated in parenthesis at the end of the agenda item. \nCampaign Contributions\nState law requires Commissioners to disqualify themselves from voting on any matter if they have received a campaign contribution from an interested party within the past 12 months. If you intend to speak on any hearing item\, please indicate in your testimony if you have made campaign contributions in excess of $250 to any Commissioner within the last year\, and if so\, to which Commissioner(s) you have contributed. Other legal requirements govern contributions by applicants and other interested parties and establish criteria for Commissioner conflicts of interest. Please consult with the staff counsel if you have any questions about the rules that pertain to campaign contributions or conflicts of interest. \nAccess to Meetings\nMeetings are physically held in venues that are accessible to persons with disabilities. If you require special assistance or have technical questions\, please contact staff at least three days prior to the meeting via email. We will attempt to make the virtual meeting accessible via ZOOM accessibility capabilities\, as well.
URL:https://www.bcdc.ca.gov/event/may-1-2025-commission-meeting/
CATEGORIES:Commission
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250423T130000
DTEND;TZID=America/Los_Angeles:20250423T170000
DTSTAMP:20260626T022438
CREATED:20240917T181848Z
LAST-MODIFIED:20250403T220111Z
UID:10000198-1745413200-1745427600@www.bcdc.ca.gov
SUMMARY:April 23\, 2025 Engineering Criteria Review Board Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/april-23-2025-engineering-criteria-review-board-meeting/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250423T093000
DTEND;TZID=America/Los_Angeles:20250423T120000
DTSTAMP:20260626T022438
CREATED:20241104T230630Z
LAST-MODIFIED:20250410T170409Z
UID:10000215-1745400600-1745409600@www.bcdc.ca.gov
SUMMARY:April 23\, 2025 Enforcement Committee Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/april-23-2025-enforcement-committee-meeting/
CATEGORIES:Enforcement Committee
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250417T130000
DTEND;TZID=America/Los_Angeles:20250417T170000
DTSTAMP:20260626T022438
CREATED:20241209T231438Z
LAST-MODIFIED:20250410T204755Z
UID:10000235-1744894800-1744909200@www.bcdc.ca.gov
SUMMARY:April 17\, 2025 Commission Meeting
DESCRIPTION:Administrative Listing\n				  \n\nListing of Administrative MattersHarriet Ross [415-352-3611; harriet.ross@bcdc.ca.gov]
URL:https://www.bcdc.ca.gov/event/april-17-2025-commission-meeting/
CATEGORIES:Commission
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250414T163000
DTEND;TZID=America/Los_Angeles:20250414T194500
DTSTAMP:20260626T022438
CREATED:20241217T184451Z
LAST-MODIFIED:20250404T213349Z
UID:10000259-1744648200-1744659900@www.bcdc.ca.gov
SUMMARY:April 14\, 2025 Design Review Board Meeting
DESCRIPTION:The Design Review Board meeting will be conducted in person. \nPhysical Locations \nChina Basin Park – Amphitheater Steps on Third Street1 China Basin ParkSan Francisco\, CAMeeting Time: 4:30 p.m. \nBayfront ParkPier 54\, Southeast Corner of Parking lot\, Terry A Francois BlvdSan Francisco\, CAMeeting Time: 5:45 p.m. \nCrane Cove Park701 Illinois StSan Francisco\, CAMeeting Time: 6:45 p.m. \nSee meeting itinerary  \n				\n				\n				\n				\n				Agenda\n				\nCall to Order\nPublic Comment for items not on the agenda\nSite Visit of Mission Bay Shoreline Public Access ProjectsThe Design Review Board and BCDC staff will conduct a walking tour of three previously reviewed and recently completed public access projects along the Mission Bay Waterfront including China Basin Park\, Bayfront Park\, and Crane Cove Park.(Ashley Tomerlin) [415/352-3657; ashley.tomerlin@bcdc.ca.gov]\nAdjournment\n\n			\n				\n				\n				\n				\n				Learn How to Participate\n				Bagley-Keene Open Meeting Act\nAs a state agency\, the Commission is governed by the Bagley-Keene Open Meeting Act which requires the Commission to: (1) publish an agenda at least ten days in advance of any meeting; and (2) describe specifically in that agenda the items to be transacted or discussed. Public notices of Commission meetings and staff reports (as applicable) dealing with matters on the meeting agendas can be found on BCDC’s website. Simply access Commission Meetings under the “Public Meetings” tab on the website and select the date of the meeting. \nHow to Provide Comments and Comment Time Limits\nPursuant to state law\, the Commission is currently conducting its public meetings in a “hybrid” fashion. Each meeting notice will specify (1) where the meeting is being primarily held physically\, (2) all teleconference locations\, which will be publicly-accessible\, and (3) the ZOOM virtual meeting link. If you would like to comment at the beginning of the meeting or on an item scheduled for public discussion\, you may do so in one of three ways: (1) being present at the primary physical or a teleconference meeting location; (2) emailing comments in advance to public comment until 10 a.m. on the day of the meeting; and (3) participating via ZOOM during the meeting. \nIf you plan to participate through ZOOM\, please use your ZOOM-enabled device and click on the “raise your hand” button\, and then wait to speak until called upon. If you are using a telephone to call into the meeting\, select *6 to unmute your phone and you will then be able to speak. We ask that everyone use the mute button when not speaking. It is also important that you not put your phone on hold. Each speaker may be limited to a maximum of three minutes or less at the discretion of the Chair during the public comment period depending on the volume of persons intending to provide public comment. Any speakers who exceed the time limits or interfere with the meeting may be muted by the Chair. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members in advance of the meeting for review. You are encouraged to submit written comments of any length and detailed information to the staff prior to the meeting at the email address above\, which will be distributed to the Commission members. \nQuestions and Staff Reports\nIf you have any questions concerning an item on the agenda\, would like to receive notice of future hearings\, or access staff reports related to the item\, please contact the staff member whose name\, email address and direct phone number are indicated in parenthesis at the end of the agenda item. \nCampaign Contributions\nState law requires Commissioners to disqualify themselves from voting on any matter if they have received a campaign contribution from an interested party within the past 12 months. If you intend to speak on any hearing item\, please indicate in your testimony if you have made campaign contributions in excess of $250 to any Commissioner within the last year\, and if so\, to which Commissioner(s) you have contributed. Other legal requirements govern contributions by applicants and other interested parties and establish criteria for Commissioner conflicts of interest. Please consult with the staff counsel if you have any questions about the rules that pertain to campaign contributions or conflicts of interest. \nAccess to Meetings\nMeetings are physically held in venues that are accessible to persons with disabilities. If you require special assistance or have technical questions\, please contact staff at least three days prior to the meeting via email. We will attempt to make the virtual meeting accessible via ZOOM accessibility capabilities\, as well.
URL:https://www.bcdc.ca.gov/event/april-14-2025-design-review-board-meeting/
LOCATION:China Basin Park-Amphitheater Steps on Third Street\, 1 China Basin Park\, San Francisco\, CA\, 94107\, United States
CATEGORIES:Design Review Board
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250410T100000
DTEND;TZID=America/Los_Angeles:20250410T113000
DTSTAMP:20260626T022438
CREATED:20250328T195423Z
LAST-MODIFIED:20250409T225244Z
UID:10000272-1744279200-1744284600@www.bcdc.ca.gov
SUMMARY:April 10\, 2025 Environmental Justice Commissioner Working Group
DESCRIPTION:If you have issues joining the meeting using the link\, please enter the Meeting ID and Password listed below into the ZOOM app to join the meeting. \nJoin the meeting via ZOOM \nhttps://bcdc-ca-gov.zoom.us/j/84208195995?pwd=vN3hZdu44plz2mGZZhLohuV9NoWL93.1 \nSee information on public participation \nTeleconference numbers(888) 278-0296Conference Code 900680 \nMeeting ID842 0819 5995 \nPasscode926025 \nIf you call in by telephone: \nPress *6 to unmute or mute yourselfPress *9 to raise your hand or lower your hand to speak  \n				\n				\n				\n				\n				Agenda\n				\nCall to Order\, Roll Call\, Introductions\, and Approval of AgendaWorking Group member roll will be called and introductions from visitors and staff will be made.(Phoenix Armenta) [415/352-3604; phoenix.armenta@bcdc.ca.gov]\nReview of Meaningful Community Engagement Guidance DocumentPhoenix will give a presentation and lead a discussion on the Meaningful Community Engagement Document that NOAA fellow Nayre Herrera prepared as part of her fellowship.(Phoenix Armenta) [415/352-3604; phoenix.armenta@bcdc.ca.gov]Staff Presentation\nEJ Check ListPhoenix will give a presentation and lead discussion on the Environmental Justice Checklist that NOAA fellow Nayre Herrera prepared as part of her fellowship.(Phoenix Armenta) [415/352-3604; phoenix.armenta@bcdc.ca.gov]\nPublic Comment\nAdjournment\n\n			\n				\n				\n				\n				\n				Learn How to Participate\n				Bagley-Keene Open Meeting Act\nAs a state agency\, the Commission is governed by the Bagley-Keene Open Meeting Act which requires the Commission to: (1) publish an agenda at least ten days in advance of any meeting; and (2) describe specifically in that agenda the items to be transacted or discussed. Public notices of Commission meetings and staff reports (as applicable) dealing with matters on the meeting agendas can be found on BCDC’s website. Simply access Commission Meetings under the “Public Meetings” tab on the website and select the date of the meeting. \nHow to Provide Comments and Comment Time Limits\nPursuant to state law\, the Commission is currently conducting its public meetings in a “hybrid” fashion. Each meeting notice will specify (1) where the meeting is being primarily held physically\, (2) all teleconference locations\, which will be publicly-accessible\, and (3) the ZOOM virtual meeting link. If you would like to comment at the beginning of the meeting or on an item scheduled for public discussion\, you may do so in one of three ways: (1) being present at the primary physical or a teleconference meeting location; (2) emailing comments in advance to public comment until 10 a.m. on the day of the meeting; and (3) participating via ZOOM during the meeting. \nIf you plan to participate through ZOOM\, please use your ZOOM-enabled device and click on the “raise your hand” button\, and then wait to speak until called upon. If you are using a telephone to call into the meeting\, select *6 to unmute your phone and you will then be able to speak. We ask that everyone use the mute button when not speaking. It is also important that you not put your phone on hold. Each speaker may be limited to a maximum of three minutes or less at the discretion of the Chair during the public comment period depending on the volume of persons intending to provide public comment. Any speakers who exceed the time limits or interfere with the meeting may be muted by the Chair. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members in advance of the meeting for review. You are encouraged to submit written comments of any length and detailed information to the staff prior to the meeting at the email address above\, which will be distributed to the Commission members. \nQuestions and Staff Reports\nIf you have any questions concerning an item on the agenda\, would like to receive notice of future hearings\, or access staff reports related to the item\, please contact the staff member whose name\, email address and direct phone number are indicated in parenthesis at the end of the agenda item. \nCampaign Contributions\nState law requires Commissioners to disqualify themselves from voting on any matter if they have received a campaign contribution from an interested party within the past 12 months. If you intend to speak on any hearing item\, please indicate in your testimony if you have made campaign contributions in excess of $250 to any Commissioner within the last year\, and if so\, to which Commissioner(s) you have contributed. Other legal requirements govern contributions by applicants and other interested parties and establish criteria for Commissioner conflicts of interest. Please consult with the staff counsel if you have any questions about the rules that pertain to campaign contributions or conflicts of interest. \nAccess to Meetings\nMeetings are physically held in venues that are accessible to persons with disabilities. If you require special assistance or have technical questions\, please contact staff at least three days prior to the meeting via email. We will attempt to make the virtual meeting accessible via ZOOM accessibility capabilities\, as well.
URL:https://www.bcdc.ca.gov/event/april-10-2025-environmental-justice-commissioner-working-group/
CATEGORIES:Environmental Justice Working Group
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250409T093000
DTEND;TZID=America/Los_Angeles:20250409T120000
DTSTAMP:20260626T022438
CREATED:20241104T230543Z
LAST-MODIFIED:20250325T205807Z
UID:10000214-1744191000-1744200000@www.bcdc.ca.gov
SUMMARY:April 9\, 2025 Enforcement Committee Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/april-9-2025-enforcement-committee-meeting/
CATEGORIES:Enforcement Committee
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250403T130000
DTEND;TZID=America/Los_Angeles:20250403T170000
DTSTAMP:20260626T022438
CREATED:20241209T231344Z
LAST-MODIFIED:20260209T175218Z
UID:10000234-1743685200-1743699600@www.bcdc.ca.gov
SUMMARY:April 3\, 2025 Commission Meeting
DESCRIPTION:This Commission meeting will operate as a hybrid meeting under teleconference rules established by the Bagley-Keene Open Meeting Act. Commissioners are located at the primary physical location and may be located at the teleconference locations specified below\, all of which are publicly accessible. The Zoom video conference link and teleconference information for members of the public to participate virtually are also specified below. \nPrimary physical location \nMetro Center375 Beale Street\, First Floor Board Room\,San Francisco\, CA 94105415-352-3600 \nTeleconference locations \n\nCA Natural Resources Agency Headquarters: 715 P St.\, 20th Fl.\, Trestles Conf Rm.\, Sacramento\, CA 95814\nEarl Warren Hiram W Johnson Building: 455 Golden Gate Ave.\, San Francisco\, CA 94102\nCALTRANS: 111 Grand Ave.\, 15th Fl.\, Oakland\, CA 94611\nEast Sonoma County Service Center: 19080 Lomita Ave.\, Sonoma\, CA 95476\n675 Texas St.\, Ste. 6002\, Fairfield\, CA 94533\n100 Howe Ave.\, Ste. 100\, South Sacramento\, CA 95825\n176 E. Blithedale Ave.\, Mill Valley\, CA 94941\n1195 Third St.\, Ste. 310\, Napa\, CA 94559\n433 Natoma St.\, Fl. 3\, San Francisco\, CA 94103\n2379 Sheffield Dr.\, Livermore\, CA 94550\n1021 O St.\, Rm. 6710\, Sacramento\, CA 95814-4900\n2505 W. Turner Rd.\, Garden Ballroom\, Lodi\, CA 95242\n500 County Center\, 5th Fl.\, Buckeye Conf. Rm.\, Redwood City\, CA  94063\n2500 Acton St.\, Berkeley\, CA 94702\n\nIf you have issues joining the meeting using the link\, please enter the Meeting ID and Password listed below into the ZOOM app to join the meeting. \nJoin the meeting via ZOOM \nhttps://bcdc-ca-gov.zoom.us/j/83873757145?pwd=JAlp8OuuDJdt5i7MjmT2hBy19oG6lW.1 \nLive Webcast \nSee information on public participation \nTeleconference numbers1 (866) 590-5055Conference Code 374334 \nMeeting ID838 7375 7145 \nPasscode513561 \nIf you call in by telephone: \nPress *6 to unmute or mute yourselfPress *9 to raise your hand or lower your hand to speak  \n				\n				\n				\n				\n				Revised Agenda\n				\nCall to Order\nRoll Call\nPublic Comment Period(Each speaker is limited to three minutes)A maximum of 15 minutes is available for the public to address the Commission on any matter on which the Commission either has not held a public hearing or is not scheduled for a public hearing later in the meeting. Speakers will be heard in the order of sign-up\, and each speaker is generally limited to a maximum of three minutes. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members for review. The Commission may provide more time to each speaker and can extend the public comment period beyond the normal 15-minute maximum if the Commission believes that it is necessary to allow a reasonable opportunity to hear from all members of the public who want to testify. No Commission action can be taken on any matter raised during the public comment period other than to schedule the matter for a future agenda or refer the matter to the staff for investigation\, unless the matter is scheduled for action by the Commission later in the meeting.(Sierra Peterson) [415-352-3608; sierra.peterson@bcdc.ca.gov] Written public comment may be sent to (publiccomment@bcdc.ca.gov)Public Comment 4.3.2025\nReport of the Chair\nReport of the Executive Director\nConsent Calendar\n\nApproval of Minutes for February 6\, 2025 Meeting(Sierra Peterson) [415-352-3608; sierra.peterson@bcdc.ca.gov]\n\n\nCommission Consideration of Administrative Matters(Harriet Ross) [415-352-3611; harriet.ross@bcdc.ca.gov]\nPOSTPONED Public Hearing and Possible Vote on an Application by the California Department of Transportation for the Richmond-San Rafael Bridge Pilot Project Modifications Project along the Richmond-San Rafael Bridge\, in the City of Richmond\, Contra Costa County\, and the City of San Rafael\, Marin County; BCDC Permit Application No. 1997.001.06.Caltrans has requested BCDC postpone the Commission’s scheduled public hearing and vote on Caltrans’ Richmond-San Rafael Bridge permit application\, which was set for Thursday\, April 3\, 2025. Caltrans plans to amend its permit application\, and BCDC looks forward to considering an amended project that we expect will provide additional potential transportation benefits and maximum feasible public access consistent with that project. See Attachment B for more information. The Commission will hold a public hearing and a possible vote on an application for a material amendment to BCDC Permit No. 1997.001 to alter the Richmond-San Rafael Bridge Pilot Project previously approved under Material Amendment No. Four\, including the continued use of the shoulder of the eastbound lower deck as a peak hour travel lane on a permanent basis and the implementation of a modified version of the multi-use pathway on the westbound upper deck with reduced hours of availability and a supplemental bicycle shuttle service.(Katharine Pan) [415-352-3650; katharine.pan@bcdc.ca.gov] (publiccomment@bcdc.ca.gov)Attachment A: After Study for the Richmond-San Rafael Bridge (Phase II)  // January 16\, 2025 Workshop Summary   //  Summary of Commissioner Questions & Responses // Attachment B: Request to Amend RSR PermitPublic Comments from May 2\, 2024 Briefing – Part I // Public Comments from May 2\, 2024 Briefing – Part II Public Comments from January 16\, 2025 Workshop – Part I // Public Comments from January 16\, 2025 Workshop – Part IIPublic Comments for postponed Hearing April 3\, 2025 Part I// Public Comments for postponed Hearing April 3\, 2025 Part II\nBriefing on the San Francisco Bay Area Water Trail ProgramCommissioners will receive a briefing about the San Francisco Bay Area Water Trail\, a regional program that encourages non-motorized small boaters to experience the San Francisco Bay through a growing network of boat launching and landing sites. The briefing will feature the history of the program and an update on the new signage design to be implemented later this year.(Yuriko Jewett) [415-352-3616; yuriko.jewett@bcdc.ca.gov]\nStaff Briefing \n\nBriefing on Bay Adapt Implementation (Metrics\, Mapping Platform\, Funding Strategy) and RSAP Technical Assistance\nThe Commission will receive a briefing on the status of tasks and actions in the Bay Adapt Joint Platform.  Commissioners will learn about (A) the development of BCDC’s Technical Assistance Program to support local government Subregional Plans\, (B) the RSAP Atlas Beta\, an online mapping platform being developed to support local jurisdictions\, communities\, and consultants on RSAP implementation\, and (C) Bay Adapt Currents\, a new online metrics tracking dashboard that monitors progress on sea level rise adaptation.(Dana Brechwald) [415-352-3656; dana.brechwald@bcdc.ca.gov] \n\nAdjournment\n\n			\n				\n				\n				\n				\n				Supplemental Materials\n				Articles about the Bay and BCDC \n\n\nVote on Richmond-San Rafael Bridge bike lane postponed \n\n\nKayakers finish first-ever circumnavigation of greater S.F. Bay \n\nAssembly bill aims to speed up Highway 37\n\n			\n				\n				\n				\n				\n				Meeting Minutes\n				\n			\n				\n				\n				\n				\n				Video recording\n				 \n			\n				\n				\n				\n				\n				Learn How to Participate\n				Bagley-Keene Open Meeting Act\nAs a state agency\, the Commission is governed by the Bagley-Keene Open Meeting Act which requires the Commission to: (1) publish an agenda at least ten days in advance of any meeting; and (2) describe specifically in that agenda the items to be transacted or discussed. Public notices of Commission meetings and staff reports (as applicable) dealing with matters on the meeting agendas can be found on BCDC’s website. Simply access Commission Meetings under the “Public Meetings” tab on the website and select the date of the meeting. \nHow to Provide Comments and Comment Time Limits\nPursuant to state law\, the Commission is currently conducting its public meetings in a “hybrid” fashion. Each meeting notice will specify (1) where the meeting is being primarily held physically\, (2) all teleconference locations\, which will be publicly-accessible\, and (3) the ZOOM virtual meeting link. If you would like to comment at the beginning of the meeting or on an item scheduled for public discussion\, you may do so in one of three ways: (1) being present at the primary physical or a teleconference meeting location; (2) emailing comments in advance to public comment until 10 a.m. on the day of the meeting; and (3) participating via ZOOM during the meeting. \nIf you plan to participate through ZOOM\, please use your ZOOM-enabled device and click on the “raise your hand” button\, and then wait to speak until called upon. If you are using a telephone to call into the meeting\, select *6 to unmute your phone and you will then be able to speak. We ask that everyone use the mute button when not speaking. It is also important that you not put your phone on hold. Each speaker may be limited to a maximum of three minutes or less at the discretion of the Chair during the public comment period depending on the volume of persons intending to provide public comment. Any speakers who exceed the time limits or interfere with the meeting may be muted by the Chair. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members in advance of the meeting for review. You are encouraged to submit written comments of any length and detailed information to the staff prior to the meeting at the email address above\, which will be distributed to the Commission members. \nQuestions and Staff Reports\nIf you have any questions concerning an item on the agenda\, would like to receive notice of future hearings\, or access staff reports related to the item\, please contact the staff member whose name\, email address and direct phone number are indicated in parenthesis at the end of the agenda item. \nCampaign Contributions\nState law requires Commissioners to disqualify themselves from voting on any matter if they have received a campaign contribution from an interested party within the past 12 months. If you intend to speak on any hearing item\, please indicate in your testimony if you have made campaign contributions in excess of $250 to any Commissioner within the last year\, and if so\, to which Commissioner(s) you have contributed. Other legal requirements govern contributions by applicants and other interested parties and establish criteria for Commissioner conflicts of interest. Please consult with the staff counsel if you have any questions about the rules that pertain to campaign contributions or conflicts of interest. \nAccess to Meetings\nMeetings are physically held in venues that are accessible to persons with disabilities. If you require special assistance or have technical questions\, please contact staff at least three days prior to the meeting via email. We will attempt to make the virtual meeting accessible via ZOOM accessibility capabilities\, as well.
URL:https://www.bcdc.ca.gov/event/april-3-2025-commission-meeting/
CATEGORIES:Commission
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250326T130000
DTEND;TZID=America/Los_Angeles:20250326T170000
DTSTAMP:20260626T022438
CREATED:20240917T181641Z
LAST-MODIFIED:20240917T181641Z
UID:10000197-1742994000-1743008400@www.bcdc.ca.gov
SUMMARY:March 26\, 2025 Engineering Criteria Review Board Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/march-26-2025-engineering-criteria-review-board-meeting/
CATEGORIES:Engineering Criteria Review Board
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250326T093000
DTEND;TZID=America/Los_Angeles:20250326T120000
DTSTAMP:20260626T022438
CREATED:20241104T230443Z
LAST-MODIFIED:20250321T171754Z
UID:10000213-1742981400-1742990400@www.bcdc.ca.gov
SUMMARY:March 26\, 2025 Enforcement Committee Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/march-26-2025-enforcement-committee-meeting/
CATEGORIES:Enforcement Committee
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250320T100000
DTEND;TZID=America/Los_Angeles:20250320T170000
DTSTAMP:20260626T022438
CREATED:20241209T231239Z
LAST-MODIFIED:20250314T193825Z
UID:10000233-1742464800-1742490000@www.bcdc.ca.gov
SUMMARY:Canceled-March 20\, 2025 Commission Meeting
DESCRIPTION:Agenda\n				\nCall to Order\nRoll Call\nPublic Comment Period (Each speaker is limited to three minutes)A maximum of 15 minutes is available for the public to address the Commission on any matter on which the Commission either has not held a public hearing or is not scheduled for a public hearing later in the meeting. Speakers will be heard in the order of sign-up\, and each speaker is generally limited to a maximum of three minutes. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members for review. The Commission may provide more time to each speaker and can extend the public comment period beyond the normal 15-minute maximum if the Commission believes that it is necessary to allow a reasonable opportunity to hear from all members of the public who want to testify. No Commission action can be taken on any matter raised during the public comment period other than to schedule the matter for a future agenda or refer the matter to the staff for investigation\, unless the matter is scheduled for action by the Commission later in the meeting.(Sierra Peterson) [415/352-3608; sierra.peterson@bcdc.ca.gov] Written public comment may be sent to (publiccomment@bcdc.ca.gov)\nReport of the Chair\nReport of the Executive Director\nPOSTPONED Consent Calendar\n\nApproval of Minutes for February 6\, 2025 Meeting(Sierra Peterson) [415/352-3608; sierra.peterson@bcdc.ca.gov]\n\n\nCommission Consideration of Administrative Matters(Harriet Ross) [415/352-3611; harriet.ross@bcdc.ca.gov]\nPOSTPONED Public Hearing and Possible Vote on an Application by the California Department of Transportation for the Richmond-San Rafael Bridge Pilot Project Modifications Project along the Richmond-San Rafael Bridge\, in the City of Richmond\, Contra Costa County\, and the City of San Rafael\, Marin County; BCDC Permit Application No. 1997.001.06.3/14/2025 UPDATE: Caltrans and the Bay Area Toll Authority have requested that the Commission postpone the Richmond-San Rafael Bridge agenda item scheduled for the Commission meeting on March 20\, 2025 to the Commission meeting on April 3\, 2025. Chair Wasserman has agreed to the request.The Commission will hold a public hearing and a possible vote on an application for a material amendment to BCDC Permit No. 1997.001 to alter the Richmond-San Rafael Bridge Pilot Project previously approved under Material Amendment No. Four\, including the continued use of the shoulder of the eastbound lower deck as a peak hour travel lane on a permanent basis and the implementation of a modified version of the multi-use pathway on the westbound upper deck with reduced hours of availability and a supplemental bicycle shuttle service.(Katharine Pan) [415/352-3650; katharine.pan@bcdc.ca.gov] (publiccomment@bcdc.ca.gov)Attachment A: After Study for the Richmond-San Rafael Bridge (Phase II)  // January 16\, 2025 Workshop Summary   //  Summary of Commissioner Questions & Responses\nPOSTPONED Briefing on Bay Adapt Implementation (Metrics\, Mapping Platform\, Funding Strategy) and RSAP Technical AssistanceThe Commission will receive a briefing on the status of tasks and actions in the Bay Adapt Joint Platform.  Commissioners will learn about the development of a program to support local government Subregional Plans that are compliant with the Regional Shoreline Adaptation Plan Guidelines\, as required by SB 272; preview Bay Adapt Currents\, a new online metrics tracking dashboard that monitors progress on sea level rise adaptation; and receive a short demonstration of the RSAP Atlas Beta\, an online mapping platform being developed to support local jurisdictions\, communities\, and consultants on implementation of the RSAP.(Dana Brechwald) [415/352-3656; dana.brechwald@bcdc.ca.gov]\nAdjournment\n\n			\n				\n				\n				\n				\n				Supplemental Materials\n				Articles about the Bay and BCDCOnly marine lab on San Francisco Bay to close amid budget shortfallNewsom suspends landmark environmental laws to speed up wildfire prevention effortsDonald Trump’s team wants to ‘defund’ the California Coastal Commission. Can it?Four Bay Area locations are sinking at an alarming rate\, with implications for sea level riseLand Is Sinking Fast Around the Bay Area\, Worsening the Effects of Sea Level Rise – KQED \n			\n				\n				\n				\n				\n				Learn How to Participate\n				Bagley-Keene Open Meeting Act\nAs a state agency\, the Commission is governed by the Bagley-Keene Open Meeting Act which requires the Commission to: (1) publish an agenda at least ten days in advance of any meeting; and (2) describe specifically in that agenda the items to be transacted or discussed. Public notices of Commission meetings and staff reports (as applicable) dealing with matters on the meeting agendas can be found on BCDC’s website. Simply access Commission Meetings under the “Public Meetings” tab on the website and select the date of the meeting. \nHow to Provide Comments and Comment Time Limits\nPursuant to state law\, the Commission is currently conducting its public meetings in a “hybrid” fashion. Each meeting notice will specify (1) where the meeting is being primarily held physically\, (2) all teleconference locations\, which will be publicly-accessible\, and (3) the ZOOM virtual meeting link. If you would like to comment at the beginning of the meeting or on an item scheduled for public discussion\, you may do so in one of three ways: (1) being present at the primary physical or a teleconference meeting location; (2) emailing comments in advance to public comment until 10 a.m. on the day of the meeting; and (3) participating via ZOOM during the meeting. \nIf you plan to participate through ZOOM\, please use your ZOOM-enabled device and click on the “raise your hand” button\, and then wait to speak until called upon. If you are using a telephone to call into the meeting\, select *6 to unmute your phone and you will then be able to speak. We ask that everyone use the mute button when not speaking. It is also important that you not put your phone on hold. Each speaker may be limited to a maximum of three minutes or less at the discretion of the Chair during the public comment period depending on the volume of persons intending to provide public comment. Any speakers who exceed the time limits or interfere with the meeting may be muted by the Chair. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members in advance of the meeting for review. You are encouraged to submit written comments of any length and detailed information to the staff prior to the meeting at the email address above\, which will be distributed to the Commission members. \nQuestions and Staff Reports\nIf you have any questions concerning an item on the agenda\, would like to receive notice of future hearings\, or access staff reports related to the item\, please contact the staff member whose name\, email address and direct phone number are indicated in parenthesis at the end of the agenda item. \nCampaign Contributions\nState law requires Commissioners to disqualify themselves from voting on any matter if they have received a campaign contribution from an interested party within the past 12 months. If you intend to speak on any hearing item\, please indicate in your testimony if you have made campaign contributions in excess of $250 to any Commissioner within the last year\, and if so\, to which Commissioner(s) you have contributed. Other legal requirements govern contributions by applicants and other interested parties and establish criteria for Commissioner conflicts of interest. Please consult with the staff counsel if you have any questions about the rules that pertain to campaign contributions or conflicts of interest. \nAccess to Meetings\nMeetings are physically held in venues that are accessible to persons with disabilities. If you require special assistance or have technical questions\, please contact staff at least three days prior to the meeting via email. We will attempt to make the virtual meeting accessible via ZOOM accessibility capabilities\, as well.
URL:https://www.bcdc.ca.gov/event/march-20-2025-commission-meeting/
CATEGORIES:Commission
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250318T130000
DTEND;TZID=America/Los_Angeles:20250318T150000
DTSTAMP:20260626T022438
CREATED:20250304T234453Z
LAST-MODIFIED:20250421T182109Z
UID:10000269-1742302800-1742310000@www.bcdc.ca.gov
SUMMARY:March 18\, 2025 Sand Studies Commissioner Working Group
DESCRIPTION:Meeting Agenda \nPresentations: \n\nSand budget update Lester McKee\nSand budget update mining team comments\nSand Studies: what we know\, what we still don’t know\, and what we learned along the way\n\n  \n   \n				\n				\n				\n				\n				Video Recording
URL:https://www.bcdc.ca.gov/event/march-18-2025-sand-studies-commissioner-working-group/
CATEGORIES:Sand Studies Commissioner Working Group
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250312T093000
DTEND;TZID=America/Los_Angeles:20250312T120000
DTSTAMP:20260626T022438
CREATED:20241104T230345Z
LAST-MODIFIED:20250227T234715Z
UID:10000212-1741771800-1741780800@www.bcdc.ca.gov
SUMMARY:March 12\, 2025 Enforcement Committee Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/march-12-2025-enforcement-committee-meeting/
CATEGORIES:Enforcement Committee
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250310T170000
DTEND;TZID=America/Los_Angeles:20250310T183000
DTSTAMP:20260626T022438
CREATED:20241217T183104Z
LAST-MODIFIED:20250530T192605Z
UID:10000254-1741626000-1741631400@www.bcdc.ca.gov
SUMMARY:March 10\, 2025 Design Review Board Meeting
DESCRIPTION:This Bay Conservation and Development Commission (BCDC) Design Review Board meeting will be conducted in a hybrid format in accordance with Gov. Code 11123.5. To maximize public safety while maintaining transparency and public access\, members of the public can choose to participate either virtually via Zoom\, by phone\, or in person at the location listed below. Physical attendance at the site listed below requires that all individuals adhere to the site’s health guidelines including\, if required\, wearing masks\, health screening\, and social distancing. \nMetro Center375 Beale Street\, Yerba Buena RoomSan Francisco\, 415-352-3600 \nIf you have issues joining the meeting using the link\, please enter the Meeting ID and Password listed below into the ZOOM app to join the meeting. \nJoin the meeting via ZOOM \nhttps://bcdc-ca-gov.zoom.us/j/84783867029?pwd=X7HPEnenXIATqDWAc6mwoZEyQi7nFf.1 \nSee information on public participation \nTeleconference numbers1 (866) 590-50551 (816) 423 4282Conference Code 374334 \nMeeting ID853 7267 0563 \n  \nPasscode641630 \nIf you call in by telephone: \nPress *6 to unmute or mute yourselfPress *9 to raise your hand or lower your hand to speak \n   \n				\n				\n				\n				\n				Agenda\n				\nCall to Order and Meeting Procedure Review\nApproval of Draft Review Summary for the February 10\, 2025 DRB Meeting\nBCDC Staff Updates\nPublic Comment for items not on the agenda\nBCDC Legal Briefing\nBCDC staff will brief board members on their authority\, rights and responsibilities\, and the board’s function within the agency as prescribed in the McAteer-Petris Act\, the Bay Plan\, and the State regulations governing the board.\n(Michael Ng) [415/352-3610; michael.ng@bcdc.ca.gov]\nChannel Park\, Brooklyn Basin Redevelopment Project\, Phase IV\, City of Oakland\, Alameda County; Second Post Permit Issuance Review\nThe Design Review Board will hold a second post-permit issuance review of Channel Park\, a proposed 6.2-acre waterfront park situated at the confluence of the Oakland Estuary and the Lake Merritt Channel\, within the Brooklyn Basin redevelopment area in the City of Oakland\, Alameda County. The proposed project features a 0.67-acre open water basin with a tidal channel and includes the Bay Trail and pedestrian walkways; a native scrub and bird garden; an interpretive learning garden and timeline trail; and a recreational lawn with picnic area.\n(Alyssa Plese) [415/352-3626; alyssa.plese@bcdc.ca.gov]\nExhibits\nAdjournment\n\n			\n				\n				\n				\n				\n				Video recording\n				 \n			\n				\n				\n				\n				\n				Learn How to Participate\n				Bagley-Keene Open Meeting Act\nAs a state agency\, the Commission is governed by the Bagley-Keene Open Meeting Act which requires the Commission to: (1) publish an agenda at least ten days in advance of any meeting; and (2) describe specifically in that agenda the items to be transacted or discussed. Public notices of Commission meetings and staff reports (as applicable) dealing with matters on the meeting agendas can be found on BCDC’s website. Simply access Commission Meetings under the “Public Meetings” tab on the website and select the date of the meeting. \nHow to Provide Comments and Comment Time Limits\nPursuant to state law\, the Commission is currently conducting its public meetings in a “hybrid” fashion. Each meeting notice will specify (1) where the meeting is being primarily held physically\, (2) all teleconference locations\, which will be publicly-accessible\, and (3) the ZOOM virtual meeting link. If you would like to comment at the beginning of the meeting or on an item scheduled for public discussion\, you may do so in one of three ways: (1) being present at the primary physical or a teleconference meeting location; (2) emailing comments in advance to public comment until 10 a.m. on the day of the meeting; and (3) participating via ZOOM during the meeting. \nIf you plan to participate through ZOOM\, please use your ZOOM-enabled device and click on the “raise your hand” button\, and then wait to speak until called upon. If you are using a telephone to call into the meeting\, select *6 to unmute your phone and you will then be able to speak. We ask that everyone use the mute button when not speaking. It is also important that you not put your phone on hold. Each speaker may be limited to a maximum of three minutes or less at the discretion of the Chair during the public comment period depending on the volume of persons intending to provide public comment. Any speakers who exceed the time limits or interfere with the meeting may be muted by the Chair. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members in advance of the meeting for review. You are encouraged to submit written comments of any length and detailed information to the staff prior to the meeting at the email address above\, which will be distributed to the Commission members. \nQuestions and Staff Reports\nIf you have any questions concerning an item on the agenda\, would like to receive notice of future hearings\, or access staff reports related to the item\, please contact the staff member whose name\, email address and direct phone number are indicated in parenthesis at the end of the agenda item. \nCampaign Contributions\nState law requires Commissioners to disqualify themselves from voting on any matter if they have received a campaign contribution from an interested party within the past 12 months. If you intend to speak on any hearing item\, please indicate in your testimony if you have made campaign contributions in excess of $250 to any Commissioner within the last year\, and if so\, to which Commissioner(s) you have contributed. Other legal requirements govern contributions by applicants and other interested parties and establish criteria for Commissioner conflicts of interest. Please consult with the staff counsel if you have any questions about the rules that pertain to campaign contributions or conflicts of interest. \nAccess to Meetings\nMeetings are physically held in venues that are accessible to persons with disabilities. If you require special assistance or have technical questions\, please contact staff at least three days prior to the meeting via email. We will attempt to make the virtual meeting accessible via ZOOM accessibility capabilities\, as well.
URL:https://www.bcdc.ca.gov/event/march-10-2025-design-review-board-meeting/
CATEGORIES:Design Review Board
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250306T130000
DTEND;TZID=America/Los_Angeles:20250306T170000
DTSTAMP:20260626T022438
CREATED:20241209T231156Z
LAST-MODIFIED:20250226T005141Z
UID:10000232-1741266000-1741280400@www.bcdc.ca.gov
SUMMARY:March 6\, 2025 Commission Meeting
DESCRIPTION:Listing of Administrative Matters \nSupplemental Listing of Administrative Matters
URL:https://www.bcdc.ca.gov/event/march-6-2025-commission-meeting/
CATEGORIES:Commission
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250305T100000
DTEND;TZID=America/Los_Angeles:20250305T120000
DTSTAMP:20260626T022438
CREATED:20250220T215516Z
LAST-MODIFIED:20250305T194926Z
UID:10000268-1741168800-1741176000@www.bcdc.ca.gov
SUMMARY:March 5\, 2025 San Francisco Waterfront Special Area Plan Commissioner Working Group
DESCRIPTION:Meeting Agenda\nDraft Sea Level Rise Education Initiative\nItem 2 – Background presentation\nItem 2 – Exploratorium Sea Level Rise Education Plan presentation
URL:https://www.bcdc.ca.gov/event/march-5-2025-san-francisco-waterfront-special-area-plan-commissioner-working-group/
CATEGORIES:San Francisco Waterfront Special Area Plan Commissioner Working Group
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250227T093000
DTEND;TZID=America/Los_Angeles:20250227T120000
DTSTAMP:20260626T022438
CREATED:20241104T230237Z
LAST-MODIFIED:20250210T234852Z
UID:10000211-1740648600-1740657600@www.bcdc.ca.gov
SUMMARY:February 27\, 2025 Enforcement Committee Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/february-27-2025-enforcement-committee-meeting/
CATEGORIES:Enforcement Committee
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250226T130000
DTEND;TZID=America/Los_Angeles:20250226T170000
DTSTAMP:20260626T022438
CREATED:20240917T181449Z
LAST-MODIFIED:20250224T230403Z
UID:10000196-1740574800-1740589200@www.bcdc.ca.gov
SUMMARY:February 26\, 2025 Engineering Criteria Review Board Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/february-26-2025-engineering-criteria-review-board-meeting/
CATEGORIES:Engineering Criteria Review Board
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250220T130000
DTEND;TZID=America/Los_Angeles:20250220T170000
DTSTAMP:20260626T022438
CREATED:20241209T183737Z
LAST-MODIFIED:20250128T003219Z
UID:10000231-1740056400-1740070800@www.bcdc.ca.gov
SUMMARY:February 20\, 2025 Commission Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/february-20-2025-commission-meeting/
CATEGORIES:Commission
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250212T093000
DTEND;TZID=America/Los_Angeles:20250212T120000
DTSTAMP:20260626T022438
CREATED:20241104T230146Z
LAST-MODIFIED:20250127T200733Z
UID:10000210-1739352600-1739361600@www.bcdc.ca.gov
SUMMARY:February 12\, 2025 Enforcement Committee Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/february-12-2025-enforcement-committee-meeting/
CATEGORIES:Enforcement Committee
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250210T170000
DTEND;TZID=America/Los_Angeles:20250210T183000
DTSTAMP:20260626T022438
CREATED:20241217T183006Z
LAST-MODIFIED:20250211T181018Z
UID:10000253-1739206800-1739212200@www.bcdc.ca.gov
SUMMARY:February 10\, 2025 Design Review Board Meeting
DESCRIPTION:This Design Review Board meeting will be conducted in a hybrid format in accordance with Gov. Code 11123.5. To maximize public safety while maintaining transparency and public access\, members of the public can choose to participate either virtually via Zoom\, by phone\, or in person at the location listed below. Physical attendance at the site listed below requires that all individuals adhere to the site’s health guidelines including\, if required\, wearing masks\, health screening\, and social distancing. \nMetro Center375 Beale Street\, Yerba Buena RoomSan Francisco\, 415-352-3600 \nIf you have issues joining the meeting using the link\, please enter the Meeting ID and Password listed below into the ZOOM app to join the meeting. \nJoin the meeting via ZOOM \nhttps://bcdc-ca-gov.zoom.us/j/85372670563?pwd=0Rtfv68Ija1KjYd0XVafSqexYxW9EA.1 \nSee information on public participation \nTeleconference numbers1 (866) 590-50551 (816) 423 4282 Conference Code 374334 \nMeeting ID853 7267 0563 \nPasscode641630 \nIf you call in by telephone: \nPress *6 to unmute or mute yourselfPress *9 to raise your hand or lower your hand to speak  \n				\n				\n				\n				\n				Agenda\n				\nCall to Order and Meeting Procedure Review\nApproval of Draft Review Summaries for the December 9\, 2024 and January 6\, 2025 DRB Meetings\nBCDC Staff Updates\nPublic Comment for items not on the agenda\n200 Wind River Development Project\, Alameda; Second ReviewThe Design Review Board will hold a second review for the proposed life sciences campus at 200 Wind River Way. The project would construct a three-story\, approximately 120\,000-square-foot office and research and development (R&D) building\, completing a complex originally envisioned in the 1997 Wind River Master Plan. This project also proposes public access improvements\, including removal of a degrading timber wharf to create open water and enhance views to the Bay\, renovation of the remaining concrete portion of that wharf with pedestrian paths offering connectivity along the shoreline and public access amenities.(Lisa Herron) [415/352-3654; lisa.herron@bcdc.ca.gov]Exhibits\nAdjournment\n\n			\n				\n				\n				\n				\n				Video Recording \n				\n \n\nTranscript\n\nYerba Buena SX80: Recording in progress. \nYerba Buena SX80: Thank you for joining us tonight for the Bcdc Design Review Board meeting. I’d like to remind Board members to please speak directly into the microphone in front of you and have it on only when you want to speak. And please ensure that your video on your laptops is always on\, but your audio is disabled. \nYerba Buena SX80: Thanks\, Ashley. \nYerba Buena SX80: My name is Jacinta Mccann. I’m the chair of the Bcdc’s Design Review Board\, and I’m located here at the Metro center in San Francisco. Our 1st order of business is to call the roll Board members. Can you unmute yourselves to respond and then mute yourselves again after you respond. So\, Staff\, if you could call the roll\, please. Chair\, Mccann\, present vice chair string\, present \nYerba Buena SX80: board\, member Battaglia\, present Board\, member Chow. Here. \nYerba Buena SX80: Board\, member\, leader and staff. Note that board member Pellegrini will be here. But it’s not here at the moment. \nYerba Buena SX80: Staff attending this meeting are myself\, Ashley\, Tomerlin\, Gary Jewett\, and Lisa Heron and Catherine Pan is attending online. Great. \nYerba Buena SX80: Okay\, thank you very much\, Ashley. We have a quorum presence. So we are duly constituted to conduct business. \nYerba Buena SX80: I’m going to share some instructions with you to get started tonight. And this will enable us to have the meeting run as smoothly as possible \nYerba Buena SX80: for everyone online and in the meeting room\, please make sure that you have your microphones muted to avoid background noise \nYerba Buena SX80: for board members. If you have a webcam\, please make sure it’s on. So everyone can see you for members of the public. If you would like to speak during a public comment period. You will need to do so in one of 3 ways. First\, st if you’re here with us in person\, we will ask you to form a line near the podium. If you wish to make a public comment. \nYerba Buena SX80: Speaker\, cards are available at the door and you’ll be asked to come up to the podium one at a time. After all\, individuals who are present make their comments. We will call on those participants who are attending remotely \nYerba Buena SX80: the second way. If you are attending on the Zoom Platform\, please raise your virtual hand in zoom\, and please click the hand at the bottom of your screen. The hand should turn blue when it’s raised. \nYerba Buena SX80: Finally\, if you’re joining our meeting via phone\, you must press Star 9 on your keypad to raise or lower your hand to make a comment and star 6 to mute or unmute your phone. We will call on individuals who have raised their hands in the order that they are raised. \nYerba Buena SX80: Please keep your comments respectful and focused. We are here to listen to everyone who wishes to address us\, but everyone has the responsibility to act in a civil manner. We will not tolerate hate\, speech\, threats made directly or indirectly\, and or abusive language. \nYerba Buena SX80: We will mute anyone who fails to follow these guidelines\, or who exceeds the established time limits time limits without permission \nYerba Buena SX80: for public comments. If you are attending online\, please note that we will only hear your voices. Your video will not be enabled. \nYerba Buena SX80: If you are attending the meeting on the Zoom Platform\, we recommend using the gallery view option in view settings in order to see all the panelists. Audio for the in-person panelists is recorded through the rooms audio system. And it’s not synced up to the individual panelists videos. \nYerba Buena SX80: If you would like to add your contact information to the interested parties to be notified of future meetings concerning these projects or this project tonight\, please call or email Ashley Tomlin\, whose contact information \nYerba Buena SX80: is on the screen or is found on the Bcdc’s website. \nYerba Buena SX80: Okay. \nYerba Buena SX80: okay\, we’re just resolving a technical issue here. \nYerba Buena SX80: Yes. \nYerba Buena SX80: if people online can just hold on\, we’ll get rid of the background noise. \nYerba Buena SX80: Hmm. \nYerba Buena SX80: that’s okay. \nYerba Buena SX80: That was a lot worse than this. \nYerba Buena SX80: Think\, okay\, the technical issues is resolved. So we will continue on here. \nYerba Buena SX80: The next item on the agenda is the approval of meeting summaries for December 9\, th 2024\, and January 6\, th 2025\, and\, as usual\, we really appreciate the work that staff does preparing these meeting summaries. So we’ve all been furnished. The draft meeting summaries. Are there any comments or corrections from the board? \nYerba Buena SX80: Okay\, hearing none. And I had no comments on either of those. They were actually excellent summaries. So thank you. \nYerba Buena SX80: I would ask for a motion and a second to approve these. So make a motion to approve. Thanks. Gary. Second\, Tom\, thank you. \nYerba Buena SX80: And anyone\, we don’t have anyone online tonight. Do we know\, is there anyone who objects to the motion? \nYerba Buena SX80: Okay? So hearing none\, the minutes minutes have been unanimously adopted as amended. So \nYerba Buena SX80: thank you. Actually\, not as amended because they were excellent. \nYerba Buena SX80: And now the Board Secretary will provide a staff update. \nYerba Buena SX80: Thank you. Chair Mccann\, in January staff held an informational workshop for Commissioners on the Richmond San Rafael\, Bike Path\, Mtc. And Caltrans have submitted an application to amend the permit to modify the availability of the bike lane on the bridge from 7 days a week to 3 and a half days\, for the purpose of studying the impacts of the path on vehicular traffic. \nYerba Buena SX80: We anticipate this item will go to the Commission for a hearing and vote. In March. \nYerba Buena SX80: Our next Erb meeting will be on March 10\, th and will be a review of the Brooklyn Basin Channel Park. \nYerba Buena SX80: We will not be having a meeting in April\, and have a tentatively scheduled meeting for April 12\, th \nYerba Buena SX80: and finally\, at our last Drb. Meeting Board members had expressed interest in a walking tour meeting of the public access at Mission Bay. Please let me know your preferred Weekdays and Times\, and I will try to get that scheduled. \nYerba Buena SX80: And that\, concludes the Bcdc. Staff update. I’ll pause here to answer any questions from the board. \nYerba Buena SX80: Yeah\, just 2 2 points just on point 2. \nYerba Buena SX80: the tentatively scheduled meeting is May 12\, th right? Yeah. So make a note of that board\, members. And look as far as preferred times for the walk around Mission Bay\, which I I think would be really good to do\, actually\, why don’t I send you a couple of options? And then we can start with\, you know\, a few target dates and then see who can come. So we’ll work on it that way. \nYerba Buena SX80: I think we would need \nYerba Buena SX80: 2 h to do it\, because it involves walking some distance between the 2 parks. So yeah\, and it will need to be noticed as a public meeting. Correct? Yeah. So we’ll plan some way after that. \nYerba Buena SX80: Okay\, so let’s move on to the next item on the agenda\, which is public comment for items which are not on tonight’s agenda. And just to check here. Do we have any members of the public online? \nYerba Buena SX80: I have no hands raised online and no one in the room. Okay\, so I will not read any guidelines for that section. We will move on now to the second review of the 200 Wind River Development Project in Alameda. \nYerba Buena SX80: and I just want to remind you of the Project Review order for tonight. So we will start with the Bcdc. Staff Presentation \nYerba Buena SX80: Board clarifying questions to the staff\, and I would note here that we have reviewed the project previously. So we clarified a lot in the 1st review. So just keep that in mind when you’re asking clarifying questions. Then we’ll have the project team presentation and we’ll have board clarifying questions to the project team. \nYerba Buena SX80: public comment if any arises and then board discussion and summary\, and then a brief response from the from the project team. \nYerba Buena SX80: So with that\, I’m going to hand over to the permit analyst\, Lisa Herron\, who is going to introduce the project. So thank you\, Lisa. \nYerba Buena SX80: and I will note that Stefan Pellegrini has joined the meeting \nYerba Buena SX80: all right. Getting used to this. Thank you. Chair Mccann\, and good evening Board members. I’m Lisa Heron\, a shoreline development analyst at Bcdc. Before I present the staff introduction. I would like to remind the project team and staff to please turn on your video when you’re speaking or answering questions. When you’re not actively engaged with the board. Please turn off your video so that we can minimize distractions. \nYerba Buena SX80: And now I’d like to introduce the project for tonight’s review. This is the second review of a Life Sciences. Redevelopment project proposed by Blue Rise ventures at 200 Wind River\, in the city of Alameda\, Alameda County. The 1st review took place in December of 2023. \nYerba Buena SX80: The 200 Wind River Development Project is the last phase of a new life sciences campus at 200 Wind River way\, which would redevelop an existing 4.9 2 acre surface parking lot highlighted in red. \nYerba Buena SX80: The entire development is the 20.4 Acre Wind River campus\, highlighted in yellow\, located along the northern shore of Alameda Island. This portion of the project is bounded to the south and west by Atlantic Avenue\, to the east by Alaska Basin and to the north by the remainder of the Wind River Office campus\, whose northern boundary is the shoreline fronting the Alameda estuary. \nYerba Buena SX80: This map\, taken for Metropolitan Transportation Commission’s Interactive Bay Trail map shows some regional context for public parks\, transportation terminals and trails in the project’s vicinity. The project site is outlined in red. \nYerba Buena SX80: The site’s nearby parks include Jean Sweeney\, Open Space Park. \nYerba Buena SX80: Little John Park\, and in addition\, a bay trail segment along the eastern side of the development provides views of Alaska Basin and leads to the publicly accessible Wind River Park\, a shoreline public access area associated with the larger Wind River Office campus. \nYerba Buena SX80: So the site is currently occupied by a large surface parking lot connected to a prominent abandoned wharf which occupies the entire eastern edge of the site along Alaska Basin. The wharf is constructed of creosote\, coated timber piles and pile caps\, heavy timber decking and asphalt top surface. It’s proposed to be removed as part of this redevelopment\, this photo features a view from the southern tip of the wharf along the waterfront towards the previously developed Wind River Buildings. \nYerba Buena SX80: And now a different view. These photos are taken from the northern edge of the site connecting from the prior development of the campus you can see the edge of the wharf\, the existing shoreline trail\, and the view towards the permitted but not yet developed site across Alaska Basin. \nYerba Buena SX80: Here’s a closer look at existing conditions\, at the entry points to the site marked with the dashed yellow circles. The northwest corner of the project site is the intersection of Clement Atlantic Avenue and Sherman street which will eventually provide pedestrian access to the site. There’s also a vehicular entrance in the at the southwest corner of the site\, also circled in yellow. \nYerba Buena SX80: This is an exhibit taken from the existing permit\, 1997.0 0 9 issued in 1997. The orange area shows the public access area for the entire Wind River site with the project site outlined in red. \nYerba Buena SX80: The permit originally authorized the construction of 4\, 2 to 4 story office buildings\, each of approximately 100\,000 square feet\, and partially located within the Commission’s 100 foot shoreline band. You can see that a 5th building was constructed outside of our jurisdiction\, the permit authorized shoreline improvements\, pier replacement\, capping of contaminated materials and site improvements for circulation and public access. \nYerba Buena SX80: Phase one was building out approximately 1\,800 and \nYerba Buena SX80: 100\,800. 0\, my gosh\, okay\, 190\,000 square feet of public access\, including 10 to 12 foot wide\, paved pathways\, parking landscape improvements and amenities. Phase 2 is construction of an approximately 41\,500 square foot wooden wharf\, with furnishing signage and a 10 foot landscape\, public access connection from Atlantic Avenue. \nYerba Buena SX80: and an interpretive program and phase 3 built out 5 overlooked decks connecting pathways and furnishings and site interpretation. \nYerba Buena SX80: So to date. This permit’s been amended about 5 times or exactly 5 times\, mostly for time extensions to complete required public access. Features. Amendment number 4 reduce the dedicated public access area\, because about 4\,500 square feet was transferred to the Bcdc. Permit of an adjacent property across the Marina or across the Alaska Basin to the Marina. \nYerba Buena SX80: Okay. Now\, Bcdc’s vulnerability mapping tool shows. The project is located within a census block with a reported population of 1\,308 people\, and has low social vulnerability and lower contamination vulnerability. There are no social vulnerability indicators in the 90th percentile\, and the one social vulnerability indicator is for people who are severely housing cost burdened \nYerba Buena SX80: other census blocks near the project site vary from low to high social vulnerability and have more social vulnerability indicators. In the 70th and 90th percentile \nYerba Buena SX80: regarding potential sea level rise. This map shows what 24 inches of sea level rise would look like if the site remain unchanged on top of mean\, high\, high water. There’s no flooding at the site at its current elevation. \nYerba Buena SX80: This map shows 66. What 66 inches of sea level rise would look like if the site was unchanged. \nYerba Buena SX80: From this map you can see that the site itself is less affected than the surrounding parcels\, with a small amount of overtopping at the northern end of the larger Wind River campus. There will also be regional issues facing Alameda\, and this site in the future\, as demonstrated by the flooding on the other side of Atlantic and Clement Avenue. \nYerba Buena SX80: This is another table to help clarify some of the sea level Rise section of our staff report. \nYerba Buena SX80: So for our sea level rise analysis\, we reference the 2024 guidance from the California Ocean Protection Council\, and we use the intermediate to high scenario tables as well as the statewide average table\, and all elevations are in Navd 88. The expected life of the project is at minimum 50 years to 2075\, and the projected end of century water level of 14.5 1 feet would cause inundation\, likely at the dock and sections of the bay trail. At the site. \nYerba Buena SX80: however\, at regular\, mean\, high\, high tides\, the current shoreline elevation would be just above the 2\,100 mean\, high\, high water level of 11.2 feet. \nYerba Buena SX80: This slide provides a summary list of the Bay Plan policy and guideline questions that apply to this project. \nYerba Buena SX80: In addition\, we also have included some questions by Staff that we would like the Board to consider\, so one does the design provide legible and inviting connections from the adjacent roadways and bike pedestrian networks to draw users into and through the site to the Bay trail and Shoreline \nYerba Buena SX80: 2 is the interpretive program designed and cited to maximize the public’s use and enjoyment of the shoreline? And does the board have any design\, suggestions\, or recommendations to enhance the interpretive program for the project. 3. Are the public access areas appropriately designed to be resilient and adapted to sea level rise\, ensuring high quality\, public access\, opportunities over time. \nYerba Buena SX80: and 4. Does the Board have any recommendations regarding proposed landside amenities that support the water access proposed as part of the project is the launch area in the basin appropriately sited to encourage the public to use this feature. \nYerba Buena SX80: and with that \nYerba Buena SX80: I want to check and see if the Board has any clarifying questions for me\, or on anything presented in this introduction\, and then I’ll introduce the project team. \nYerba Buena SX80: Thank you\, Lisa. That was very helpful and and very helpful to have the added explanation on sea level rise. So thanks for that clarifying questions from the Board to Lisa. \nYerba Buena SX80: Nothing. \nYerba Buena SX80: Okay. Well\, thank you very much. That was very thorough. Okay\, we will move on to \nYerba Buena SX80: the next presentation. \nYerba Buena SX80: which is the project team presentation\, and so we’ll hand that over to the team. I’m not sure who’s presenting. But please go ahead. \nYerba Buena SX80: I can introduce you so I can introduce them. I’m sorry about that. Today we have Eric Tesca\, Vice President\, Development of Blue Rise Ventures\, and Matthew Malone\, Senior Landscape Architect with Perkins and Will \nYerba Buena SX80: and I’ll pass it over. \nYerba Buena SX80: Thank you to staff members of the Board for having us here. This is the second presentation of 200 Wind River way. I recognize all the faces from December 2023. So\, thanks for having us back \nYerba Buena SX80: as we go through this\, we’ll we’ll touch on the overall some of the overall items that didn’t change to give everybody an overview. But I’ll try not to spend too much time on that since. I think Lisa already did a nice introduction of a lot of the project background\, and we’ll try to spend more of a time focusing on the items that we’ve revised \nYerba Buena SX80: Lisa already covered this\, but the project location on the west side of Alaska Basin\, on Alameda’s northern waterfront. \nYerba Buena SX80: The history of the site in modern history. This was originally the home of the. It was the winter home of the Alaska Packers Association\, which was one of the last commercially operating fleets of tall sailing ships on the west coast. The photo in the top left is those ships anchored in the Basin during the winter. In the summer they would sail up to Alaska. \nYerba Buena SX80: bring their catch of fish back\, and then they would process them in the cannery buildings that were on this site. A lot of it was stored in the warehouse that’s at the bottom end of the basin known as the Del Monte Warehouse. For a long time and recently redeveloped as the Alta Star Harbor adaptive reuse residential project \nYerba Buena SX80: in the sixties. A Gantry crane was installed on top of the now abandoned wharf that we’re proposing to remove to allow containerized cargo. And what my understanding is\, it’s 1 of the 1st places anywhere to be set up to handle containerized cargo versus bulk cargo like fish. \nYerba Buena SX80: This is what the site looks like today. This is an aerial. If you’re over top of the Ensignel terminal site\, which is the empty wharf to the east of the Basin. \nYerba Buena SX80: looking at the Wind River campus\, facing basically straight west out to San Francisco. So the 4 existing buildings\, 300 400 500 600 Wind River way. These were built in the late nineties and early 2 thousands. On the right is the estuary and Alameda Marina\, and at the left edge of the photograph is the proposed site for 200 Wind River way\, which again\, 200 Wind River way\, was originally permitted in Permit \nYerba Buena SX80: 97 to be a building that was a perfect replica of building. 300 was never built. The original developers didn’t have a need for it. \nYerba Buena SX80: and we’re part of this proposal is to basically slide the siding of that building south and enlarge it to respond to current site and market conditions. \nYerba Buena SX80: This is what the site looks like today. It’s it’s basically an asphalt parking lot alongside of Alaska basin with a large wharf similar to the picture that Lisa showed along the western edge of the basin. \nYerba Buena SX80: the before and after public access diagram. This comes from the existing permit. So the building\, highlighted in yellow at the left side of this diagram is the original site and footprint of 200 Wind River way. \nYerba Buena SX80: In the time since 1997\, Atlantic\, Clement and Sherman Street have been brought together in A. T intersection Clement Avenue coming in from the East didn’t formally exist. That’s a recent improvement. That was part of the \nYerba Buena SX80: Alta Star Harbor\, the residential project across the street that renovated the Del Monte Warehouse. So on the right shows the proposed siting. And basically we’ve taken the building and reshaped the footprint and slid it to the south to have more of an urban presence on the street\, which again didn’t exist at the time of the original. Permit. \nYerba Buena SX80: And then also\, you can see that we’ve in shown\, dashed and hashed is the footprint of the the wharf the which is in fairly poor condition that we’re proposing to remove removing those creosote coated piles from the bay. That’s about 41\,000 square feet. But then we’re taking and replacing that public access inland. And so we’re moving the bay trail and the public access inland which results in a net gain of about a thousand square feet of public access. \nYerba Buena SX80: Yeah\, go ahead. \nYerba Buena SX80: We recognize that the site sits at this important intersection of public space and pedestrian connectivity\, right across the street from Jean Sweeney Park. The recent completion of Clement Avenue and the Alameda Cross\, Alameda Trail\, as well as the Alaska Basin waterfront. Stitching these spaces together was the primary driver of our site design\, and we very intentionally wanted to welcome people around and through these spaces\, giving them access to the water and all points beyond. \nYerba Buena SX80: The building sits within the intersection of these desired connections in an acute L-shaped configuration framing an interior courtyard that’s oriented towards the water \nYerba Buena SX80: The prominent position on the corner of the new three-way intersection was an intentional move towards a more urban approach to the campus development. \nYerba Buena SX80: Sherman Walk was originally envisioned to be a publicly accessible street and new gateway into the campus\, but after consulting with the city and weighing the potential conflicts with pedestrian and bike circulation\, we decided to develop this as a grand pedestrian walkway\, leading users directly from Jean Sweeney Park to the water’s edge\, replacing the somewhat circuitous route. They currently have to walk through the parking lot just to the north. \nYerba Buena SX80: as you can see by the dashed outline and the notes on the plan. We plan to demolish the dilapidated timber wharf and transform what’s currently a parking lot into very green and activated waterfront that that gives an opportunity for campus users and the public alike to engage and interact with this new shoreline. \nYerba Buena SX80: So what we heard from the board in December of last 2 years ago\, and how we responded\, so I’m just gonna go over what we took away from that meeting. \nYerba Buena SX80: There should be a way for the public to actually get down to the water and use the waterfront\, be aware of overprogramming the public space that we were showing ping pong tables. They may feel too corporate. They may be difficult to maintain and manage as an amenity. \nYerba Buena SX80: The shoreline parking spaces shouldn’t feel like they’re in the building’s back of house. The connection from that public shoreline parking should be more clear. The area felt underdesigned. \nYerba Buena SX80: The small triangular parking lot which is at the north end of the building between the north. The northeast face of the building and the shoreline felt too congested. \nYerba Buena SX80: The Bay trail should be a minimum 18 feet wide. To expand the site\, plan diagram to show more of the pedestrian connections to the adjacent sites. \nYerba Buena SX80: to show more detail of what is the experience of entering the site. From the the three-way intersection up that pedestrian pathway to the north edge of the building that runs northeast\, southwest that we call Sherman Walk. \nYerba Buena SX80: How legible is this site entrance\, and that the intersection of Sherman Walk and the bay trail is a keynote. What happens there? \nYerba Buena SX80: And we’ll go over these in more detail on the following slides. But we’ve added a small public dock with a small craft launch and staging area. We’ve redesigned the southern parking lot to reduce spaces and give more more detail and also more of a landscape buffer between the bay trail and the parking spaces. We’ve reduced some parking spaces in that northern lot that felt too congested. \nYerba Buena SX80: We’ve made sure that all sections of the bay trail are 18 feet wide. We’ve added a series of renderings to show the experience of entering the site at the western corner. Walking up Sherman Walk towards the Bay trail. And what happens at that intersection between the 2 pathways? \nYerba Buena SX80: And then we’ve expanded the Site plan and shown a more detailed diagram of all the different pedestrian connections into the site. \nYerba Buena SX80: So this is the this is the Revised Site Plan looks fairly similar to the site plan as presented\, which was 2 slides ago\, but we’ll zoom into different portions of these\, so you can see better the adjustments that were made. So we’ve added 10 shoreline parking spaces in the northern parking field. The ones just along the waterfront north of the building \nYerba Buena SX80: revised the layout of the intersection. The plaza at the intersection between the bay trail and Sherman walk slightly\, and we pulled the vehicular crossing back to give it a little more breathing room. From cars. Again we deleted a whole row of parking spaces that were fronting right up against the bay trail and replaced that with more landscape buffer \nYerba Buena SX80: Bay trail 18 feet wide. We’ve added that public dock with a small craft launch as well as a potential future landing place for a public water shuttle \nYerba Buena SX80: with a staging area at the top that replaced the \nYerba Buena SX80: the ping pong tables. So that’s a place to break down your Windsurf. Rig your stand up\, paddle board\, assemble it\, break it down\, hose it off. \nYerba Buena SX80: removed some of the non public parking spaces in that Southern lot to give it a little more breathing room between the cars and the Bay trail\, and then we’ll zoom in on that. So you get a little more detail of how we’ve refined the pathway connection that gets you from Clement Avenue to the parking spaces and out to the bay trail. \nYerba Buena SX80: Good! \nYerba Buena SX80: And then this is just a key plan that shows some of the features of the site\, and the red triangles with the numbers on them\, show the different viewpoints of the renderings that will show. But we’ll we’ll reorient everybody as we show those renderings. \nYerba Buena SX80: It’s also worth noting that in the 1st time we presented this what is now called the Bay trail we had called the shoreline Trail\, because it was only\, I think\, about a month before our 1st presentation that it was formally adopted as the Bay trail. The trail’s always been there\, but it wasn’t formally part of the bay trail until recently. \nYerba Buena SX80: and then this was a request forward to me through Lisa to show a a side by side of the 2 site plans. And I will say\, at this scale\, it’s hard to see most of the revisions that were made. But we’ll we’ll zoom into the different areas and give more detail. \nYerba Buena SX80: This is the expanded site plan diagram. So here we’re showing in orange the existing and proposed bay trail and then pedestrian walking paths as well as bike paths. \nYerba Buena SX80: So basically\, the site sits at the the confluence or divergence point of the bay trail and the Cross Alameda trail\, which is \nYerba Buena SX80: The Cross Alameda Trail\, is a combination of a dedicated cycle track and a pedestrian sidewalk separated that run along the site. They cross the street at the right\, at the T intersection\, and then they keep going west through Jean Sweeney. Open Space Park\, Atlantic Avenue has on street bike lanes and sidewalks on both sides\, as well as Sherman Street\, has the same. \nYerba Buena SX80: Clement Avenue has again the Cross Alameda trail\, the cycle track on the north side\, and then a pedestrian sidewalk on the south side\, and all of those different trails come together at the Atlantic Avenue\, Sherman Street\, Clement intersection. So that’s a really key pedestrian node \nYerba Buena SX80: in the the original concept of this\, when it was 1st presented to the city of Alameda\, the what is now Sherman Walk\, a pedestrian street was originally going to be a vehicular street which is going to come into the site. So we’d create a four-way intersection. But after looking at it again\, and talking with the Alameda planning staff. \nYerba Buena SX80: we felt it was probably more appropriate to take and make that a dedicated pedestrian way to leave the 3 way intersection as it was\, and dedicate that connector from the intersection out to the bay trail as pedestrian only \nYerba Buena SX80: and then at the southern tip of the site\, the southeast tip. You can see where the bay trail turns north and goes along the waterfront between the building and the the portion of the wharf that we’ll be keeping. Just gonna have a renovated surface on it with public amenities. And then that connects and continues north past 3\, 4\, 5 and 600 Wind River way\, and continues around the north end of the site to the west towards Incidental Yacht Club. \nYerba Buena SX80: This is an enhancement of the southern end of the site. So the key changes that were made here in response to comments was \nYerba Buena SX80: again where the number 10 is up at the top of the page used to be ping pong tables\, and there was no public doc. So in response to the the idea of \nYerba Buena SX80: giving the public a way to actually get to the water. We’re proposing a public dock with a small craft launch that we would attempt to make part of the formal Sf. Bay water trail. I think that would be a nice feature. And then\, as part of the guidelines of the water trail\, there’s the staging area at the top\, which is basically an open area which is available for people to set up\, break down their standard paddle boards\, windsurf rigs. What have you? And that replaces the ping pong tables\, which we think were \nYerba Buena SX80: probably not the the best the best amenity for that area. \nYerba Buena SX80: And then at the parking lot. What we’ve done is\, we’ve deleted a handful of parking spaces which allows us to pull that \nYerba Buena SX80: the corner of those parking spaces which were previously almost touching the Bay trail to pull those back a little farther\, and then we’ve extended. You can see a pathway that goes from the Clement Avenue crosswalk connects that Crosswalk to the bay trail \nYerba Buena SX80: with a spur that picks up the the parking spaces. And so that’s really best illustrated in the next rendering\, which is\, if you’re standing where the number 14 Arrow is is. If you just come across the crosswalk walking north into the site\, and you’ll see the parking the shoreline parking on your left \nYerba Buena SX80: and the bay trail on your right. \nYerba Buena SX80: and this is this is really to answer what was a key question is\, what is the experience of coming into the site through these entry points. \nYerba Buena SX80: So as if you’ve just crossed Clement\, you’re walking north. You can just get a hint of Brooklyn Basin way in the background\, the water on the right side\, the building 200 Wind River way on the left\, with the public shoreline parking spaces and a very easy\, clear route for people to get from their cars out to the bay trail. \nYerba Buena SX80: We’ve also as part of reducing those parking spaces. We’ve added some more landscape in the parking lot to try and create a little bit more of a feeling of separation between the where the cars are parked and the loading dock of the building we considered moving all of the public shoreline\, parking out of this area into a different part of the site. But I think\, at the end of the day this is a much clearer\, more direct way for people to get to the site \nYerba Buena SX80: you’re driving along Clement Avenue. You pass by the water where you can really see it clearly\, and the next driveway you turn right in. It’s very clear and obvious how you get to the parking versus if you were to try and get to the parking spaces farther north\, even though you’re not near the loading dock of the building. It’s a much more circuitous route through those parking lots. So we just felt the clarity of where to park \nYerba Buena SX80: kind of outweighed that. But then we also balance that by adding additional parking spaces north of the building. \nYerba Buena SX80: This is just to the right of that viewpoint. If you’re coming in the site\, if you’re walking along the bay trail from the direction from the east is if you were coming from Fortman Marina\, and you’re just starting to pass by the parking turn right where it goes north up the the waterfront. \nYerba Buena SX80: and you can see that the existing wharf that’s been renovated with the public dock coming off it to the very right side of the photo. \nYerba Buena SX80: and by removing that timber wharf it really opens up views to the water. \nYerba Buena SX80: Yeah. \nYerba Buena SX80: And then again\, another main entry point to the site. So the question\, What is the experience of entering the site through Sherman Walk? And how legible is that site entrance? So a series of 3 renderings a in the top right? Because if you’re standing in the crosswalk at that intersection\, looking towards the building \nYerba Buena SX80: in the bottom left as if you’re midway up that pathway around the main entrance to the building\, and the different color paving indicates the the cross traffic from the employee parking lot to the building entrance\, and then the final. The bottom right is\, if you’re approaching that intersection where there’s a small plaza between Sherman Walk\, where it meets the Bay trail \nYerba Buena SX80: which would also be a place for some type of interpretive program that’s still being developed. And you can see the future and sentinel terminal site beyond. \nYerba Buena SX80: at the north end of the wharf\, another zoom in. \nYerba Buena SX80: So here this is where you can see there were formerly a row about 10 parking spaces that were right\, this small triangular parking lot. They were on the east side of that\, filling that whole space where you you basically would have bumpers of cars almost kind of hanging over the bay trail. So we’ve deleted that \nYerba Buena SX80: entire row of spaces responded to the comment that it felt too congested\, which we agree. And so now you won’t have headlights shining out to the water. You won’t have cars potentially infringing on the bay trail\, and just generally more landscape buffer\, more separation between cars and pedestrians. \nYerba Buena SX80: We looked at removing that lot entirely\, but it’s part of the emergency vehicle access to keep our our fire. Access to the water side of the building \nYerba Buena SX80: next rendering is from position 18 up at the top of the page\, looking downwards\, so you’ll see the Sherman walk to your right\, the building 200 in front of you\, and the bay trail to the left. \nYerba Buena SX80: So this is that keynote where the bay trail meets Sherman Walk \nYerba Buena SX80: which takes you towards straight towards Jean Sweeney Park\, off to the right. \nYerba Buena SX80: and then down straight south towards Clement Avenue\, and you can see all the Star Harbor again. That adaptive reuse housing project in the distance. \nYerba Buena SX80: Great\, thank you\, although we don’t call too much attention to it. I did want to point out that we do have a remnant sort of rail spur that we would like to install along the trail\, and we? We thought that that would be a really cool sort of nod to that history of this being the terminus of all those rail lines\, and a place of sort of loading and unloading that cargo. \nYerba Buena SX80: thinking about that sort of hosting\, some rolling lounge chairs\, and probably some other furnishings along the way. But in addition to that\, we really think that that node at the end of Sherman Walk in the Bay trail is an important place arrival moment at the site. And so we’re looking at opportunities through light or special paving\, or the variety of things that you see here to really sort of tell that \nYerba Buena SX80: really interesting story of the of the shipping and and container industry that used to be here. \nYerba Buena SX80: We haven’t fully. We haven’t really fully developed the interpretive and or public art program for this area. But we\, we think it would be really interesting if it were some kind of nautical artifacts that speak to the industrial history of the site\, and particularly the scale of that industrial history\, so that you can\, in an experiential and tactile way\, sort of understand the massive scale of what used to happen there being a really heavy industrial site. So things like. \nYerba Buena SX80: obviously\, it’s it’s almost the the history of container shipping is so important to this site that it’s almost unfortunate that things made out of shipping containers are so common because it would be so appropriate here. But again\, it is\, it is. \nYerba Buena SX80: I don’t say overdone\, but it’s it’s well done. But ships\, propellers\, anchor chains\, anchors. You know\, dock lines. There’s along the site. Now there’s these massive cleats where the ships used to tie up\, and they’re all just very interesting objects that that really just you see them and you touch them\, and they sort of connect you to the just the scale of the type of industry that used to happen there\, and the history of it. And so \nYerba Buena SX80: the the idea for an interpreter program kind of revolves around ideas like that. And we’re we’re obviously very open to feedback about what you all think would be. You know\, right for that. \nYerba Buena SX80: that area \nYerba Buena SX80: getting close to the end. We’ve tried to focus more on the shoreline improvements than we did on the building. I think our 1st presentation. We had more renderings of the building itself. So we mostly focused on the shoreline. But this is just a good overall view that really gives you kind of an idea of the materiality and the scale and form of the building with those shoreline improvements in the foreground. So where you see bay trail running east to west or north to south\, sorry left to right across the image. Basically\, the the public shoreline areas\, everything from that. And towards the foreground. \nYerba Buena SX80: Another view from a similar vantage point just looking left down the bay trail again towards Clement\, you see those rolling lounge chairs that are on sort of rails as a homage to the rail spur and the crane rail that used to roll longitudinally along that wharf \nYerba Buena SX80: sea level rise resiliency. So the only changes to this diagram is that you no longer see a a car parked along the bay trail because we deleted those parking spaces\, and on the lower image\, you see a the public dock\, just off of the portion of the wharf that will remain. \nYerba Buena SX80: You talk about materials? \nYerba Buena SX80: Sure thing\, it’s a it’s a fairly simple palette of resilient materials\, wood decking to cover that existing concrete structure. As I mentioned\, maybe repurposing some rails to run alongside it pavers\, and our special moments decomposed granite for the shoulders\, concrete sidewalks \nYerba Buena SX80: home. \nYerba Buena SX80: and then our planting\, you know\, we went out to the site and borrowed very heavily from the existing landscape\, looked at things that were thriving out there\, and then paired\, that with some other bay\, friendly and drought\, tolerant plants. \nYerba Buena SX80: and the last slide just a summary of the community engagement that we’ve done so far. So we’ve talked to Mtc. Bay trail about just the the location and the design of the bay trail\, because\, you know\, we are proposing to rebuild the section of Bay trail where signage would be appropriate the Alameda Tma regarding the location of the public dock as it pertains to potentially being a future site for the Oakland Alameda Water shuttle\, which is new as of last summer \nYerba Buena SX80: Sf. Bay Area water trail again for that small craft launch Bike walk Alameda \nYerba Buena SX80: The city of Alameda planning Commission. We’ve been to one public hearing and are planning to do another\, either in late spring or summer of this year. \nYerba Buena SX80: Ensignal Yacht Club\, which is our next door neighbor\, as well as the Oakland Yacht Club\, just to the west of the Ensignal Yacht Club\, and then also some more outreach pending to that we’re waiting to hear back from the friends of Gene Sweeney Park and the Okilani outrigger canoe Center\, which is on the south shore of Alameda. \nYerba Buena SX80: That’s it. \nYerba Buena SX80: Yeah\, well\, look\, thank you very much. And I just want to recognize the work that’s gone into this project in the intervening year or so. \nYerba Buena SX80: Really appreciate that. And the time you’ve taken to summarize and present the proposal so clearly today. So thanks\, guys\, Rip\, that’s very much appreciated. Let’s just move to clarifying questions from the board. Gary\, do you want to kick off? \nYerba Buena SX80: Yeah\, I had just a question about the trees\, because I know some of your renders show that \nYerba Buena SX80: some of the renders show trees very prominently as part of the big design idea. What kind of trees are you thinking about? I think it’s a tough\, growing environment. I want to benefit from the research you’ve done. Luckily we have our landscape architect here\, the perfect person to answer that question. \nYerba Buena SX80: Yeah\, that’s a that’s a great question. \nYerba Buena SX80: you can see you can see our our plant list here at the bottom. We’re looking at London. Plain trees in the parking lot. The let’s see the water gum and big leaf maple. Primarily\, I think\, along that waterfront. \nYerba Buena SX80: Okay\, thank you. And then I have a question for Staff. I’m just curious\, like the the details\, such as\, like the rolling lounge chairs\, or whatever to what extent are those you know\, enforceable? Or is that likely to show up at the end of the project? \nYerba Buena SX80: So our policies and guidelines speak to usability? So if there were. I think we’re all familiar with the High Line\, and how\, when it 1st opened\, there was the rolling lounges that had to actually be locked down because they were causing safety issues. We would want to avoid any development of a park that had safety issues. So if it could be designed in a way \nYerba Buena SX80: that was safe. It would be fine. \nYerba Buena SX80: we’d probably describe it as rolling\, but I don’t know. \nYerba Buena SX80: I think we would have to view it as like \nYerba Buena SX80: if it became a safety hazard\, we could remove the rolling condition. \nYerba Buena SX80: So that so that’d be one thing is \nYerba Buena SX80: you know\, evaluating it for safety and appropriateness. And then the other thing is. \nYerba Buena SX80: if it turns out that there’s value engineering and it goes away completely. Is is any of that \nYerba Buena SX80: enforceable. Or it would just be like\, equivalent seating would suffice. Yeah\, we would be looking for equivalent seating. Okay? So it’s a concept at this point. Yeah\, okay\, thank you. \nYerba Buena SX80: Tom. \nYerba Buena SX80: Tom. \nYerba Buena SX80: Thanks. Just a few couple of random questions. 1st of all\, are there \nYerba Buena SX80: existing industry or maritime industrial \nYerba Buena SX80: relics there that are of interest. I think you mentioned anchor\, Clea\, to the other things. Is there a whole lot of stuff? Or \nYerba Buena SX80: I’m trying to think on the site existing. \nYerba Buena SX80: the ones the most interesting ones that come to mind are the the probably the cleats along the edge of the wharf. Yeah\, they’re they’re. \nYerba Buena SX80: you know. They look like the cleat that you’d see on a on a boat that are usually about that long\, but they’re about 5 feet long\, and they look like they weigh about 500 pounds. What exactly we do with them. I haven’t totally figured that out\, but I mean. They are a really interesting artifact. \nYerba Buena SX80: you know\, I think \nYerba Buena SX80: honestly\, the facade of the Del Monte Warehouse\, which is again was adaptly reused into a A residential project just at the across the street is a really interesting relic of the maritime history of that site\, because it’s a it’s a huge brick warehouse\, and that is where they used to store things. \nYerba Buena SX80: you know\, I \nYerba Buena SX80: most of what used to be there\, I think\, was\, you know the the warehouses\, the cannery\, but those were all. Those were all demoed in the nineties when the \nYerba Buena SX80: the site was redeveloped. There actually are on the wharf. There’s also the original steel rails that the the Gantry crane used to ride north and south\, on which there might be something interesting to be done with those. \nYerba Buena SX80: Second question on the cross section. \nYerba Buena SX80: I’ve just one thing I didn’t understand. \nYerba Buena SX80: it’s possible. Yeah\, it it shows on there \nYerba Buena SX80: future adaptive measure dotted line. \nYerba Buena SX80: which is\, I guess\, for 2\,100 sea level rise. \nYerba Buena SX80: Yeah\, the the idea is\, you know\, the expected life of this project is somewhere in the 50 to 75 year range. And so we’re above all of the the sea level datums other than the base flood elevation in the year 2\,100. So the idea is\, the the \nYerba Buena SX80: 1st floor of the building is above that datum. But the existing wharf surface is not so. The the idea is just to say that if this project actually makes it to the year 2\,100\, and that level of sea level rise does come to pass that basically\, we would just be raising the bay trail and the shoreline improvements. You’re tied to the these elevations because the existing \nYerba Buena SX80: elevation. And so it would be for kind of \nYerba Buena SX80: difficult right? Yeah\, if we were building it new\, we would build it higher. But it is\, you know\, it’s from 1929\, I think. Just \nYerba Buena SX80: one more question\, and this is nothing to do with the shoreline band. I’m sorry\, but I’m curious about the vehicular situation. \nYerba Buena SX80: Do you have a a drop off \nYerba Buena SX80: along Atlantic Avenue. I see Ballards and a plaza there. What do you do about \nYerba Buena SX80: door? Dash\, dash\, and and Uber\, and people drop all that stuff they go through the parking lot. \nYerba Buena SX80: Yeah\, let me get back to the Site plan here. So anybody who’s coming to park their car to use the building. They would come in. I don’t know if anybody can see my mouse. Probably not. The main entrance to the Wind River campus is at the kind of top left corner of this image. It’s really screened back. So it’s hard to see. But if you were\, if you were dropping something off the front door of the building\, you would come in the main driveway you’d pull in. You turn right and arrive at the front door\, so there’s no on street drop off. It would all be in the parking lot to the north. \nYerba Buena SX80: Okay? And then related to that is Sherman away \nYerba Buena SX80: Fire Lane emergency vehicle. All that. \nYerba Buena SX80: Yes\, Sherman. So yeah. Sherman Street\, the public street to the south. But then Sherman walk alongside the north edge of the building. That is fire egress. So those are collapsible bollards. \nYerba Buena SX80: collapsing. Football is in the street. Sorry not fire egress\, fire access. That’s that’s A\, that’s the fire line need to come in from Atlantic\, yes\, yeah. \nYerba Buena SX80: thanks \nYerba Buena SX80: okay leo\, thank you for the presentation very thorough very\, very easy to understand\, maybe just a couple of points of clarification. \nYerba Buena SX80: the the main rendering from Atlantic. Clement. Am I correct in reading this\, that there’s actually should be a row of trees closer to the building. I just want to make sure that I’m understanding plan versus the renderings. \nYerba Buena SX80: I’m gonna guess we render that we took those out so you could see the building facade and entry more clearly. But \nYerba Buena SX80: so the intent is the plan. \nYerba Buena SX80: Yeah\, okay\, thanks. \nYerba Buena SX80: And then back to the trees that gary was asking about. \nYerba Buena SX80: It seems like our our. I’m not a landscape architect\, but I’m curious if that you’re looking to native species and species for \nYerba Buena SX80: or drought tolerant for this environment. Yes\, yes\, we would love to. Unfortunately\, there aren’t a ton of native species that get large enough that you would \nYerba Buena SX80: that are really appropriate for us to sort of achieve the canopy that we’re looking for\, but definitely open to using anything that \nYerba Buena SX80: we might be able to. Okay. Yeah. For example\, the maples seem like they’re they’re not indigenous\, right? \nYerba Buena SX80: They’re not indigenous. No\, no\, but every everything is drought tolerant and already found on the site. \nYerba Buena SX80: I think. Yeah\, that’s that’s my question. Thanks. Thanks\, Leo. \nYerba Buena SX80: Bob\, go ahead. \nYerba Buena SX80: Thank you. Yeah. Thanks for the presentation. So a couple of. I have 2 questions. So I think I read that there’s a the program would include authorization for additional length of rock prevention. \nYerba Buena SX80: And I think that’s related to the timber wharf removal. \nYerba Buena SX80: Think I got that right right? But I was just wondering what the nexus is\, and between the wharf removal and the rock revetment and \nYerba Buena SX80: or it\, maybe it was an access. Now you can access the shore. You want it to look well\, because I don’t think the \nYerba Buena SX80: the wharf would have knocked the waves down much\, or maybe it did. I don’t know but and and where? Where is the river? Like I didn’t. Yeah\, it’s a good question. It’s \nYerba Buena SX80: It’s something that may or may not be necessary\, depending on exactly what condition we find when that wharf is removed\, so it’s pretty deep\, and it’s really hard to see what is all the way back behind it\, especially sort of in the lower corner\, where it meets \nYerba Buena SX80: the the bottom end of the basin. \nYerba Buena SX80: it\, to my knowledge it that the Riprap shoreline basically goes underneath of the wharf all the way from the north edge of the site to the south. \nYerba Buena SX80: The yeah\, underneath the it. It’s really you’re right. It’s underneath the concrete portion of the wharf. The timber portion of the wharf sort of outboard of that\, and totally in the water. So \nYerba Buena SX80: but it\, it’s basically saying that we may need to repair. Replace some of it if we find it to be displaced or some of it missing. So basically on the just on the short perimeter of your site\, like underneath the concrete. Okay\, yeah. I mean\, that makes sense to me. I just\, I just wanted to understand that. Yeah\, not planning to add any large swaths of new riprap areas. It’s more of just repair. Once we see what’s there. Right? Okay\, thank you. My second question is\, \nYerba Buena SX80: can you describe the boat dock use\, especially in terms of the hand carry carried boat craft. \nYerba Buena SX80: and I guess I’m particularly trying to understand which which I think is a great thing\, but I’m just trying to understand. \nYerba Buena SX80: It sounds like they can bring their equipment up on the land or down from the land to the dock. \nYerba Buena SX80: and I was wondering how they cross the bay trail. \nYerba Buena SX80: 2 vehicles\, or if that is part of what the programming includes. \nYerba Buena SX80: Yeah. So \nYerba Buena SX80: we actually have a supply of. So we’re also the operators of the research park at Marina Village\, which is about a 1.3 million square feet of office and life science space. And one of the things we have for tenants is a handful of kayaks and paddle boards. We’ve actually got these little rolling dollies that they put them on. So basically\, you take the kayak\, and one person can roll it on this dolly with a handle \nYerba Buena SX80: and roll it around easy. But yeah\, basically\, somebody would park their car\, put the kayak or the paddle board on a dolly. If it’s you know Kayak or a paddleboard. I guess you can just carry. But yeah\, you know\, carefully cross the bay trail and walk onto the wharf. It’s basically yeah. I was just wondering. I mean\, I\, \nYerba Buena SX80: most people are very considerate\, and obviously it would slow down just because of the people walking around and the congestion and everything. But yeah. Just wonder if there’s you might need to slow down the bicycles somehow\, with some sort of yeah\, there may be slowing elements\, probably some kind of either signage or treatment of the paving to indicate that there’s a crossing there. It’s just sort of by nature\, you know. The bay trail runs between the parking lot and the water. So somebody’s gonna have to cross it at some point. \nYerba Buena SX80: right? It’s not the 1st place that that conflict exists. Thank you very much appreciate it. Thank you. Okay\, thanks\, Bob. I’ll Stefan. \nYerba Buena SX80: I just have one clarifying question about the the rail spur. \nYerba Buena SX80: And could you add. \nYerba Buena SX80: show us exactly where that might be on the plans and sort of the extent of \nYerba Buena SX80: what you hope to preserve. \nYerba Buena SX80: You mean where the original rail spur was. Yeah\, I think you described that it would be incorporated into the \nYerba Buena SX80: sort of the Wharf Bay trail edge. Is that right? \nYerba Buena SX80: Yeah. The original. So Gene Sweeney\, open space park was up until it was developed as a park was a giant rail switching yard. And you can kind of see in this photo that rail. Spur. It turned. It went from the east west\, where you see Gene Sweeney open space. It turned north and kind of ran straight up through the middle of the Wind River campus out to what was a ship pier that was. The the abutments of it are still there at the north end of the site. \nYerba Buena SX80: And then so there’s that. That was the rail spur. And then there was also the the steel rails that the gantry crane on the wharf itself ran up and down on\, so it’s proposed as more of a not literally preserving them\, but more of a \nYerba Buena SX80: more of a reference to the former rail yard by the use of rails along the wharf. So could you speak to the Gantry Crane line? Is that something that’s actually also being preserved? Or are you proposing to recreate something not preserved because it’s on the timber portion of the wharf that is\, again\, it’s in really too poor of a condition to try to save. But we would be basically kind of recreating it further inland. Okay\, thank you for that clarification. \nYerba Buena SX80: Hey? Thanks\, Stefan. just one question for me. \nYerba Buena SX80: just remind us of your approach to maintenance going forward. How? How would you handle maintenance for the project? \nYerba Buena SX80: So we? The whole research park is\, I think it’s \nYerba Buena SX80: I think it’s about 30 acres. We have a a contract with a landscape maintenance company that basically is on site full time maintaining\, you know\, all of our landscaping. But \nYerba Buena SX80: I think I know where this question is coming from. And I think. \nYerba Buena SX80: We’re starting now\, I will. I will say that I think over the past couple of years. Some of the areas around the shoreline have gotten a bit overgrown. But starting a month ago\, we are putting more attention on \nYerba Buena SX80: maintenance specifically of the shoreline itself. So we we picked up about\, I don’t know 5 pickup truck loads worth of garbage that had accumulated down at the water’s edge. \nYerba Buena SX80: no excuse for letting it get that way. Basically\, it’s it’s just until you actually walk up to the edge of it and look over. It’s oftentimes kind of hard to see what is accumulated on the Riprap and it\, you know\, it was brought to our attention the condition that it was in by some of our neighbors from the Oakland Yacht Club\, and \nYerba Buena SX80: when we went out there and looked for it ourselves. You know\, we immediately got a crew out to again pick up\, probably several 100 pounds worth of various garbage that had accumulated on the shoreline. So we’re gonna keep doing that periodically\, probably every quarter. Send a a crew of people around to pick up and then we’re we’re also \nYerba Buena SX80: now working our way around the shoreline and cutting down some of the the just larger brush. That’s sort of overgrown out of the riprap and blocked some of the views. \nYerba Buena SX80: also\, we’re gonna be repaving a lot of the asphalt paths in Wind River Park. Come this spring once the rain stops\, because a lot of it has gotten pretty degraded. So I think it’s just an area that we didn’t pay enough attention to over the last few years\, because it is physically the most remote from our office at the east End or the west end of the site \nYerba Buena SX80: but now that’s been brought to our attention\, we’ll be focusing more on it. So I think it’s basically\, the answer is\, we’re gonna maintain it the same way we do the rest of the campus. We just put more focus on this area and not \nYerba Buena SX80: basically \nYerba Buena SX80: not ignore it\, even though it’s so physically farthest away from where we all work. Okay\, thank you. \nYerba Buena SX80: Awesome. \nYerba Buena SX80: Okay? So that concludes the clarifying questions. \nYerba Buena SX80: we now move to public comment. If we have public comment. \nYerba Buena SX80: I see no hands raised online. So no public comment. Okay? Oh\, I’m sorry. Yes. \nYerba Buena SX80: we did receive 2 public comment emails that have been forwarded to the Design Review Board\, and I’ll provide those summaries now \nYerba Buena SX80: Katie Hofstetter from Strata Development Group and an Alameda resident \nYerba Buena SX80: strata recently acquired the Star Harbor Apartment building across Clement Avenue from the 200 Wind River site. \nYerba Buena SX80: She expressed support for this project\, observing it\, proposes improved public access to an underutilized portion of Alameda that has recently seen an increase in residents. The continuation and beautification of the Bay trail connection to the new Bike pathway on Clement would encourage more foot traffic and bike traffic\, and the direct connection to Alaska Basin is a huge benefit to a population that must otherwise travel via car to access the water. \nYerba Buena SX80: and Michael Gorman\, co-director of the junior sailing program\, and in small yacht club adjacent to the proposed site. He expressed support for the project stating Blue Rise Ventures has been a good neighbor\, and he is looking forward to the improvement on the adjacent site. \nYerba Buena SX80: The public access proposed will be helpful in allowing the public to access the Oakland Alameda estuary\, and all the recreational benefits that will go with it. \nYerba Buena SX80: That concludes the public comments we received. \nYerba Buena SX80: Thanks\, Ashley\, and we appreciate the 2 people who submitted those comments. So thank you for that. \nYerba Buena SX80: Okay\, we will now move to the next agenda item\, which is board discussion and advice\, and we were presented with. \nYerba Buena SX80: I think there were 4 things that Staff asked us to provide some feedback on \nYerba Buena SX80: and of course\, if we \nYerba Buena SX80: want to pick up on something else\, please do. But the 4 questions are focused on \nYerba Buena SX80: how legible\, how clear are the connections from the adjacent roadways. The bike pedestrian networks\, you know\, is that going to draw people to the waterfront\, which is the objective of our our agency? \nYerba Buena SX80: Second question is the interpretive program designed and cited to maximize\, maximize\, public use of the shoreline and enjoyment? \nYerba Buena SX80: Do we have any recommendations? Number 3 public access areas appropriately designed to be resilient and adaptive to sea level rise. \nYerba Buena SX80: ensuring high quality\, public access\, opportunities over time. \nYerba Buena SX80: and the 4th point raised by staff. Does the Board have any recommendations regarding proposed landside amenities that support the water access proposed as part of the project is the launch area in the basin appropriately sited to encourage the public to use this feature. So there are 4 questions there\, and I think what we’ll do. \nYerba Buena SX80: It’s just I’ll I’ll I’ll leave it flexible for each of you to pick up on any of those 4 or any other points that you want to make related to other aspects of the proposal. Look\, I think we might just \nYerba Buena SX80: change this round. And\, Stefan\, let’s start with you\, and we’ll we’ll come down from is that okay? If you kick off \nYerba Buena SX80: I’ll do my best. Thank you. Thanks\, Jacinta. I do. I guess I would start by saying I really appreciate the \nYerba Buena SX80: effort that the team has made to \nYerba Buena SX80: sort of acknowledge and reflect the our discussion last time. And your efforts to \nYerba Buena SX80: address those comments. I think I just really appreciate the the diligence on your part. So I do want to say this. Thank you. \nYerba Buena SX80: I would say\, sort of at a high level. With regards to the 4 questions. \nYerba Buena SX80: I’m generally pleased with sort of how the applicant is has sought to address them. \nYerba Buena SX80: I think we have some clarity that the \nYerba Buena SX80: the wharf level\, from a resiliency standpoint is providing \nYerba Buena SX80: sort of\, I guess\, a basis for a resilient mid-century and and beyond condition. \nYerba Buena SX80: I. My largest question\, I think\, remains around the area that is seems to be the least \nYerba Buena SX80: developed\, and that’s around the sort of interpretive program. \nYerba Buena SX80: Which seems to be still sort of conceptual in nature. \nYerba Buena SX80: I think. \nYerba Buena SX80: My sense is that maximizing usability for visitors \nYerba Buena SX80: and the neighborhood in this location \nYerba Buena SX80: in many ways might trump the recreation of \nYerba Buena SX80: of historic components that actually are are not there or \nYerba Buena SX80: don’t sort of actually reflect a historic condition. \nYerba Buena SX80: And so I think I would just sort of sort of keep that in mind as you move forward. \nYerba Buena SX80: The sort of opportunity to provide \nYerba Buena SX80: high quality\, open spaces\, places for folks to gather and sit \nYerba Buena SX80: and enjoy the the shoreline location. \nYerba Buena SX80: The the \nYerba Buena SX80: any real or realistic elements that could be brought in that actually reflect the the worst history. I think\, would be fantastic. But I would probably shy away from \nYerba Buena SX80: the introduction of sort of elements that actually might be fake or false. That might be promoting \nYerba Buena SX80: An idea of something that actually wasn’t there. \nYerba Buena SX80: But other than that\, I think I feel a very \nYerba Buena SX80: I feel fairly positive about the the different changes that have actually been implemented. \nYerba Buena SX80: So thank you. Yeah\, thanks. Stefan. \nYerba Buena SX80: A bulb. \nYerba Buena SX80: Yeah. So going over the questions\, I don’t really have \nYerba Buena SX80: much of a comment on the first\, st the 1st one. \nYerba Buena SX80: except that I did mention this potential conflict between \nYerba Buena SX80: the bay trail and the boat. Launch. Hand carry stuff which I think \nYerba Buena SX80: sounds like you can work on or address that. The second one. \nYerba Buena SX80: I’m well\, I’m really glad that you have water access\, and it sounds like other people\, are happy about that\, too\, so that I like that\, that’s all. My only comment on the second one \nYerba Buena SX80: on the 3\, rd one on sea level rise. I think this looks pretty good. \nYerba Buena SX80: I think that the shoreline band and the and the bay trail are \nYerba Buena SX80: can accommodate\, I think about. I think you said 0 point 8 feet by 2050 \nYerba Buena SX80: using the 100 year water level\, which I think is a reasonable that sounds like the intermediate curve. \nYerba Buena SX80: not the intermediate high. But I think that’s okay. You could have gone with the annual \nYerba Buena SX80: high water levels. And it looks like you have an adaptation plan that is \nYerba Buena SX80: feasible. At the conceptual level to raise the property or the perimeter \nYerba Buena SX80: marginal wharf area\, because your building pad is higher than the wharf is now. So that looks reasonable. \nYerba Buena SX80: The finished floor elevation. I I wasn’t quite clear exactly. It looks like \nYerba Buena SX80: What was the finish floor elevation again for the building? I know that’s outside the shoreline band. But I’m still. \nYerba Buena SX80: was it 16 point something? \nYerba Buena SX80: I’m gonna have to get 15.6 15.6 feet\, I think. Yeah\, there’s 2 different datums. I think one is Navd 88\, and the other is there’s a alameda datum\, and I think there’s a conversion between those 2 about 5 feet. I might have to get back to you on exactly what that is to make sure it’s that we’re talking apples to apples. I I think the staff report says it clearly\, and I’m just fumbling here. I apologize. If it’s 15.6 feet in Avd. That is\, \nYerba Buena SX80: slightly above the 100 year\, I believe. 100 year flood with the intermediate high sea level rise curve at year 2\,100\, which is really nice to see. \nYerba Buena SX80: So I like that often on the fears we’d \nYerba Buena SX80: don’t see the finished floor higher than the \nYerba Buena SX80: future water level\, because for various reasons. \nYerba Buena SX80: and we often don’t get to comment on it\, although I always do\, anyway. Because it’s outside the shoreline band. But so I do like\, I think we’re okay with sea level rise long story short. So thank you for that. \nYerba Buena SX80: I do have a couple of comments on the sea level rise just for your future programming. \nYerba Buena SX80: one would be to in your adaptation planning \nYerba Buena SX80: ideally. Think about this before you complete the the design and construction include consideration of the storm water drainage \nYerba Buena SX80: from the developed areas to the water. \nYerba Buena SX80: Because raising the perimeter would impede that\, or maybe I don’t think it would reverse it\, but it would repeat\, impede the \nYerba Buena SX80: drainage away from the buildings. \nYerba Buena SX80: and then consider the vulnerability and sensitivity to flooding of the utilities in the vicinity of the loading area. \nYerba Buena SX80: Just because I think those are at the wharf elevation which \nYerba Buena SX80: you know. I don’t know if they should be put on a pedestal or something\, just to keep them above \nYerba Buena SX80: or raise them later as part of your adaptation plan. But so those are my only 2 comments. I think that’s kind of those are details. \nYerba Buena SX80: Number 4. \nYerba Buena SX80: I don’t have any comments. \nYerba Buena SX80: Oh\, wait a minute. \nYerba Buena SX80: Oh\, yeah\, I like the the launch. I think it looks like you. You kind of modeled the conceptual \nYerba Buena SX80: floating dock and gangway after one of the water taxi \nYerba Buena SX80: facilities. There’s a picture\, I think\, rather than a rendering. \nYerba Buena SX80: Yeah\, it’s loosely modeled on the new public dock that’s at Boho Circle Immigrant Park\, which is just to the west of the posey tube on Alameda. Okay\, great. So that sounds like the one comment I had\, or my 1st thought was\, if you have people carrying canoes or kayaks\, or something\, you might want to make the gangway a little wider than what you would have just for pedestrians on a water taxi. \nYerba Buena SX80: just\, you know\, because of the \nYerba Buena SX80: couple of people have to carry something big and bulky. And \nYerba Buena SX80: which means that it’s gonna weigh more\, which means you’re gonna need a bigger float to hold it up. \nYerba Buena SX80: So. But I think that’s all doable. \nYerba Buena SX80: And then I think the waves are pretty calm in this area. It seems pretty sheltered. \nYerba Buena SX80: And I’m I’m guessing the waves do diffract and refract. So they come down parallel to the \nYerba Buena SX80: or their crests are perpendicular to the\, to the marginal wharf to the side\, so that the dock oriented that way is the right way to so\, anyway. But I you can talk to somebody. The the people that boat there\, or \nYerba Buena SX80: a marine engineer to get the orientation and the access and all that straightened out\, I think\, because it could be a really nice facility. \nYerba Buena SX80: Social \nYerba Buena SX80: sorry. It’s I’ve never seen personally a ripple more than about 6 inches high in this basin. Yeah\, that. Well\, that’s good news. Yeah\, yeah. I appreciate that. It did look very sheltered to me. And because it’s all land on the north side\, and then the wharf on the south side probably has a \nYerba Buena SX80: shall. It’s probably shallow under there. They always seem to shoal\, not be dredged underneath the wharf. So well\, that’s great. Those are my only 2 comments on that last \nYerba Buena SX80: number 4. Thank you. Thanks\, Bob. Leo. \nYerba Buena SX80: Thank you\, Jacinta. \nYerba Buena SX80: I think my main question or consideration would be the entry at the south end \nYerba Buena SX80: by Clement in the driveway into the loading dock. \nYerba Buena SX80: I think everything else you’ve given a great deal of thought and sensitivity to in a really nice way. \nYerba Buena SX80: It’s just on the south. It feels like given that little bend \nYerba Buena SX80: with trees that the visibility of the public parking \nYerba Buena SX80: sort of feels concealed and therefore not very public. It feels like it’s really part of \nYerba Buena SX80: the service area. So I just wonder if the opening \nYerba Buena SX80: into that area could just be slid southward\, so that when you’re making that right turn into the parking lot. You see it. You see the parking spaces. \nYerba Buena SX80: the entry walk runs parallel to it. So there! There’s the general movement into \nYerba Buena SX80: into this area\, I think\, would just make it a lot more welcoming. \nYerba Buena SX80: Thanks\, Leo. \nYerba Buena SX80: Tom. \nYerba Buena SX80: thanks. So I was not in the previous review\, but from what I see that. It’s been a very diligent job of responding to everything was brought up. \nYerba Buena SX80: I don’t. I don’t see any \nYerba Buena SX80: major things that rise to my concern. I guess the only thing I would even comment on at this point is the \nYerba Buena SX80: And Stefan kind of alluded to. It already is the the the site. Narrative. \nYerba Buena SX80: What? What is that about? What is it composed of? And there’s really nothing left except some cleats out on the edge of the dock. So what do you do? \nYerba Buena SX80: But what I would really advise against is just is finding some other stuff from somewhere else and stick it there. It’s just it’s too fake. And what I would\, I notice there’s some kind of shade structures\, series of shade structures. I don’t know what we didn’t. You didn’t tell us much about that\, but I assume it’s like a little trellis or something. \nYerba Buena SX80: I would say if you could get a get a narrative that is tightly tied to what the processes were going on there. \nYerba Buena SX80: and then tell that story inside of those structures. Give them more meaning\, you know. Maybe tell another chapter\, and it wouldn’t be difficult or expensive to do\, except that the research would be needed to go into \nYerba Buena SX80: archives and photos. And you know\, like Rosie\, the River Memorial\, they was done with a lot of old letters and photographs and stories of people. So you know\, if you had an archivist\, archivist\, or slash artist of some sort that could bring story\, live and be told in those structures. It would be a lot more \nYerba Buena SX80: meaning for them\, you know something you really want to check out\, and and also I would avoid. Don’t\, please don’t copy the the High Line benches and having them roll would be not good. And I’m sure you come up with something else that was more endemic to this site that would sit on this rail that you’re gonna create. But that’s all I have. Thanks\, good job. \nYerba Buena SX80: great. I really agree with that. I think that that one image of the tall ships is so powerful\, and I didn’t see a date on the in your presentation. But just that image with the date\, I think\, says it all right there. And those structures. Tom took it in a couple of steps beyond where I was going\, but \nYerba Buena SX80: I think that as a 1 of the items here is the entry\, you know the access to the shoreline. Is it legible? Is it inviting? Those structures\, I think\, are really important? You know they they do provide a you know\, kind of a visual destination and a queue\, because the you know\, the pathway in \nYerba Buena SX80: the way you have it rendered is beautiful\, and if all those plantings look that magnificent and delicate\, you know. That’d be one thing. But if you can imagine if the structures were value engineered out or didn’t come out to be special\, and the planting was not perfectly maintained then that entry is not everything that you’ve shown us. So I think you’re doing a lot. \nYerba Buena SX80: you know very well in a very small space there in a difficult space. \nYerba Buena SX80: But it’s important that everything you showed\, I think comes comes out right. So I love the idea of making that giving it a purpose\, you know\, and and making that more important. The other access point. You know\, the shoreline walk or the Sherman walk. You know. It’s a fire lane\, too\, and that’s always a challenge to make it a inviting \nYerba Buena SX80: pedestrian access as well as a as well as a fire lane\, and I think the challenge is always to kind of bring down the scale. How do you do that? And you can’t make it less wide. I know that. \nYerba Buena SX80: But we’ve done some fire lanes now 3 times in Bay Area jurisdictions outside of San Francisco. Where where there’s been like a Hollywood drive type thing we call it\, where there’s like a strip of planting down the middle. It’s maybe 2 feet wide. \nYerba Buena SX80: In some instances we’ve been able to put low plantings in there and get the fire department to agree that they will straddle that if there’s if it’s just grasses\, or some flowering succulent\, or something like that\, that they’ll just span over it\, and they’ll drive down the fire lane and and we’ve gotten it approved 3 times San Mateo\, Emeryville\, and Daily City\, and they’re built. So if you need precedence\, you know we’re always happy to share\, and you know. \nYerba Buena SX80: advance the movement. The other thing\, then\, once\, if you\, if you’re able to divide it down the middle\, one side could be decomposed. Granite\, you know\, engineered for fire trucks. The other side could be concrete or something like that. But I think just changing materials\, maybe \nYerba Buena SX80: can can make it much more inviting\, and possibly give you the opportunity to\, you know\, kind of guide pedestrians down one side and bicycles down the other\, because I think people will maybe gravitate towards the gravel and the bikes will gravitate towards concrete. So that was that was just thought \nYerba Buena SX80: in terms of the yeah\, the interpretive program and the amenities. I was. Gonna say. \nYerba Buena SX80: they’re kind of put out there as separate considerations. But maybe they’re the same. The amenities are the interpretive elements. So they’re occupiable or something. \nYerba Buena SX80: Finally\, the \nYerba Buena SX80: I think\, because the scheme relies on planting so much is why you’re getting a lot of comments on that \nYerba Buena SX80: the soil preparation is so critical. And the right type of soil and the right type of \nYerba Buena SX80: consultants are people who know how to put soil out there that’s not gonna compact and shrink and disappear. \nYerba Buena SX80: and the kind of trees that can survive in that setting. So I think I think the soil prep and the maintenance. You know\, we’ve really turned so much of our attention to that in terms of. \nYerba Buena SX80: you know\, landscape design\, because that’s a big missing piece of the puzzle. I mean\, people are spending plenty of money on plants and installation and maintenance. And they’re not getting the results that they that they should\, because the craft of maintenance is kind of being lost. So that’s another conversation that I’m happy to add more to. But in terms of the natives the maple was the one native that you showed \nYerba Buena SX80: with the right amount of soil and the right amount of maintenance. I think you could get it to live there\, but I think it’s an uphill battle. It’s a stream side tree. It’s a riparian tree. The sycamore is a great analog for that. \nYerba Buena SX80: I would also look at \nYerba Buena SX80: Catalina Ironwood. You know the Lion of Amnos is a really tough\, tough native tree from Catalina Island in Southern California. Takes the wind\, thin soil\, Rocky Serpentine you name it. It will survive all that\, and we used see it quite use quite a bit in the South Bay. \nYerba Buena SX80: and Catalina cherry is another one that’s good. I think Buckeye and Oaks would also\, with the right soil. Preparation. \nYerba Buena SX80: you know\, are are really well adapted to that. I mean in a native setting. They would be growing\, you know\, near the shoreline like that. So anyway\, I think there are some ideas maybe to pursue. \nYerba Buena SX80: And I think that’s all I have. Thank you. \nYerba Buena SX80: Yeah\, look\, thanks\, Gary\, thanks for those points. And \nYerba Buena SX80: I I’m just gonna reinforce a couple of the responses that are being provided. Which are all on point. \nYerba Buena SX80: yeah\, I would just emphasize that authenticity of interpretation is really important. So you know\, I don’t think that relocated\, or\, you know\, bringing in rails to reference a historic rail line that wasn’t actually in that position \nYerba Buena SX80: necessarily means as much as some other type of interpretation along the lines of \nYerba Buena SX80: what was mentioned earlier by by Tom and Gary. \nYerba Buena SX80: if I remember correctly the building\, the refurbished the residential building\, which is a refurbished industrial building. I went inside there once\, and I think there’s some very interesting interpretation in there\, if I remember that correctly. But I’m not 100% sure on that. But \nYerba Buena SX80: anyway\, I seem to remember some\, you know. Photographic of course\, that’s for residential building. But \nYerba Buena SX80: but I think certainly bringing the history\, you know\, whether it’s a photographic record\, you know. \nYerba Buena SX80: placed in a way with some of the history would be really valuable\, because when you started with the story of the site\, the historic narrative I mean\, it’s incredibly interesting. And it was an incredibly significant place. So \nYerba Buena SX80: I’d encourage you to work on that in the program. And \nYerba Buena SX80: so that would be my thoughts just reinforcing. Question 2 comments back. \nYerba Buena SX80: and I think just a comment in relation to question 4. And we’ve just going to reinforce this. But I think in the selection whether it’s plant material\, you know\, certainly. Put all the effort you can into site. Preparation \nYerba Buena SX80: soil works. But \nYerba Buena SX80: the quality\, the selection of final finishes\, the selection of final furnishings\, you know. I would just encourage you to make them as robust as you can\, because \nYerba Buena SX80: I know you’re committing to good maintenance in the future. \nYerba Buena SX80: but these sorts of areas\, if they’re not maintained well\, they can start to deteriorate pretty quickly. So I just encourage you to really work on that. As you continue to refine the design\, I think all of the other comments were on point\, so I won’t reinforce any of the others. \nYerba Buena SX80: So I think that’s I think\, that \nYerba Buena SX80: summarize. Well\, that concludes\, I didn’t summarize\, but I think everyone took notes. So I don’t think I need to summarize tonight. And and I would just again reinforce. How appreciative we are of the work that you’ve done bringing a you know a doc into the project is\, you know\, is a significant move\, and we really appreciate you doing that\, and as well as the other modifications. \nYerba Buena SX80: I think the south entry from Clement. Leo summarized that perfectly. \nYerba Buena SX80: It’s a challenging spot and I think you’ve done some good work there\, and I’ve just encouraged that\, you know signage for the public parking be really clear in the rendering. It looks very clear. In fact\, it almost looks like \nYerba Buena SX80: electrical vehicles charging points. But you know\, if you can make sure that the signage for the Bay trail is very clear\, and that the public parking is is clear\, particularly because this will be a very \nYerba Buena SX80: attractive place for the community to visit\, so want to make it easy for them to park and and get there. \nYerba Buena SX80: So look\, I think with that. I’ll conclude and just ask if you’d like to make any brief response \nYerba Buena SX80: to what you’ve heard. The only thing I was going to talk about is just the interpretive program. And I think you’re it is obviously the least developed part of the design \nYerba Buena SX80: and part of that is just because it is such a tricky thing of we don’t. Wanna. \nYerba Buena SX80: We didn’t wanna bring in fake objects\, but we also didn’t really wanna have the whole interpreter program. Just be kind of\, you know\, a book on a stick that you read. \nYerba Buena SX80: and yet there is really not a whole lot remaining on the site that is real that speaks to the history of it. The the Alta Star Harbor. That housing project is really amazing\, because they were able to keep the entire shell of this on right. So their their interpretive program is basically the structure is still there. And it’s very ornate with all the brickwork\, and it’s large\, and you know it’s kind of \nYerba Buena SX80: it’s just. It’s very cool\, right? And they had that opportunity to do that. And I wish we had that opportunity with an existing structure like that. But we don’t. One of the other ideas we had a photo up there of\, what? Like a viewfinder like a telescope\, the kind that used to put quarters in and look through. And I think this might have been. Yuri’s idea actually was \nYerba Buena SX80: one of our favorite things is that photo of the tall ships. And what if you could put that viewfinder that it looks like a telescope? But you put it in the viewpoint of the photo\, and you look through it. But you see the historical photo. And that way it’s it’s sort of more interesting and more interactive than just a picture on a sign \nYerba Buena SX80: and it makes sure that you are standing in the spot that lets you see\, like one to one the relationship between the present and the past. So that was a really interesting idea. But it is tricky. And we’ll keep working on it. But I I acknowledge that it’s probably the least part of the design. \nYerba Buena SX80: Jump in\, make a comment. I have some friends or acquaintances that are using making virtual \nYerba Buena SX80: reality videos of sea level rise both the inundation and also the adaptation measures where you put on goggles. And you can see a vision\, if you will. \nYerba Buena SX80: And so I I think that people really like that. \nYerba Buena SX80: It’s hard to do anything when you have the goggles on\, but otherwise I think it works pretty well. \nYerba Buena SX80: And then\, spending a lot of time along the waterfront. I really like ballers. \nYerba Buena SX80: and there’s something about them that. They really have a presence. \nYerba Buena SX80: And I recognize those big things that ships tile. You were mentioning that earlier\, and \nYerba Buena SX80: I think they’re really cool. I think it’s an opportunity to put in some sort of interpretive sign\, or I don’t know if they’re on the concrete or on the timber. \nYerba Buena SX80: The timber\, because that’s where you would tie off right on the on the yeah. I \nYerba Buena SX80: it would be a shame to lose those\, or at least\, you know\, keep at least one. I mean\, it’s it’s a pretty interesting \nYerba Buena SX80: somebody could actually make something out of those. I think so\, anyway\, very big door \nYerba Buena SX80: and door handles. But yeah\, no. They for people that that are on both\, I mean\, it’s it’s\, you know. You recognize that right away when you see a big one. You understand that it was for large ships\, and \nYerba Buena SX80: if they’re that old\, I think it’s it’s quite. They have a lot of gravitas. \nYerba Buena SX80: Yeah\, yeah\, that just reminded me of something\, too. I’m sorry to prolong this. But \nYerba Buena SX80: you know\, I think when you get into technology effects you mentioned lighting\, you know as possible \nYerba Buena SX80: a possibility for interpretation or \nYerba Buena SX80: effects. And I just think you’ve got to be really clear that that’s going to last the distance. You know. \nYerba Buena SX80: We had an incredible installation along the embarcadero here years ago\, you know\, whole ribbon of lit cubes\, and \nYerba Buena SX80: and that started to fail within a couple of years. So you know\, you just have to be careful about what you choose. \nYerba Buena SX80: Okay. \nYerba Buena SX80: okay\, so with that\, I don’t think we need to see this project again. I think we can leave it in the excellent hands of staff. Is everyone in agreement on that great? Okay? So I think that concludes comments and recommendations. \nYerba Buena SX80: and so we will adjourn the meeting. Could someone \nYerba Buena SX80: put a motion to adjourn the meeting who’d adjourn? \nYerba Buena SX80: Thank you\, Tom. Thanks\, Gary. I hope the recording picked that up. Okay\, so we’ll close the meeting. Thank you again for all your hard work\, and wish you the very best with the construction of the project. Thank you.\n \n\n \n			\n				\n				\n				\n				\n				Learn How to Participate\n				Bagley-Keene Open Meeting Act\nAs a state agency\, the Commission is governed by the Bagley-Keene Open Meeting Act which requires the Commission to: (1) publish an agenda at least ten days in advance of any meeting; and (2) describe specifically in that agenda the items to be transacted or discussed. Public notices of Commission meetings and staff reports (as applicable) dealing with matters on the meeting agendas can be found on BCDC’s website. Simply access Commission Meetings under the “Public Meetings” tab on the website and select the date of the meeting. \nHow to Provide Comments and Comment Time Limits\nPursuant to state law\, the Commission is currently conducting its public meetings in a “hybrid” fashion. Each meeting notice will specify (1) where the meeting is being primarily held physically\, (2) all teleconference locations\, which will be publicly-accessible\, and (3) the ZOOM virtual meeting link. If you would like to comment at the beginning of the meeting or on an item scheduled for public discussion\, you may do so in one of three ways: (1) being present at the primary physical or a teleconference meeting location; (2) emailing comments in advance to public comment until 10 a.m. on the day of the meeting; and (3) participating via ZOOM during the meeting. \nIf you plan to participate through ZOOM\, please use your ZOOM-enabled device and click on the “raise your hand” button\, and then wait to speak until called upon. If you are using a telephone to call into the meeting\, select *6 to unmute your phone and you will then be able to speak. We ask that everyone use the mute button when not speaking. It is also important that you not put your phone on hold. Each speaker may be limited to a maximum of three minutes or less at the discretion of the Chair during the public comment period depending on the volume of persons intending to provide public comment. Any speakers who exceed the time limits or interfere with the meeting may be muted by the Chair. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members in advance of the meeting for review. You are encouraged to submit written comments of any length and detailed information to the staff prior to the meeting at the email address above\, which will be distributed to the Commission members. \nQuestions and Staff Reports\nIf you have any questions concerning an item on the agenda\, would like to receive notice of future hearings\, or access staff reports related to the item\, please contact the staff member whose name\, email address and direct phone number are indicated in parenthesis at the end of the agenda item. \nCampaign Contributions\nState law requires Commissioners to disqualify themselves from voting on any matter if they have received a campaign contribution from an interested party within the past 12 months. If you intend to speak on any hearing item\, please indicate in your testimony if you have made campaign contributions in excess of $250 to any Commissioner within the last year\, and if so\, to which Commissioner(s) you have contributed. Other legal requirements govern contributions by applicants and other interested parties and establish criteria for Commissioner conflicts of interest. Please consult with the staff counsel if you have any questions about the rules that pertain to campaign contributions or conflicts of interest. \nAccess to Meetings\nMeetings are physically held in venues that are accessible to persons with disabilities. If you require special assistance or have technical questions\, please contact staff at least three days prior to the meeting via email. We will attempt to make the virtual meeting accessible via ZOOM accessibility capabilities\, as well.
URL:https://www.bcdc.ca.gov/event/february-10-2025-design-review-board-meeting/
CATEGORIES:Design Review Board
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250206T130000
DTEND;TZID=America/Los_Angeles:20250206T170000
DTSTAMP:20260626T022438
CREATED:20241209T183632Z
LAST-MODIFIED:20250403T233655Z
UID:10000230-1738846800-1738861200@www.bcdc.ca.gov
SUMMARY:February 6\, 2025 Commission Meeting
DESCRIPTION:This Commission meeting will operate as a hybrid meeting under teleconference rules established by the Bagley-Keene Open Meeting Act. Commissioners are located at the primary physical location and may be located at the teleconference locations specified below\, all of which are publicly accessible. The Zoom video conference link and teleconference information for members of the public to participate virtually are also specified below. \nPrimary physical location \nMetro Center375 Beale Street\, 1st Floor Board RoomSan Francisco\, CA 415-352-3600 \nTeleconference locations \n\nNapa County Board of Supervisors District 5 Office: 4381 Broadway Ste. 102\, American Canyon\, CA 94503\nCALTRANS: 111 Grand Ave.\, 15th Fl.\, Oakland\, CA 94612\nMountain View City Hall: 500 Castro St.\, 3rd Fl\, City Clerks Office\, Mountain View\, CA 94041\nOffice of Supervisor John Gioia: 11780 San Pablo Ave.\, Ste. D\, El Cerrito\, CA. 94530\n675 Texas St.\, Ste. 6002\, Fairfield\, CA 94533\n100 Howe Ave.\, Ste. 100\, South Sacramento CA 95825\n890 Osos St.\, Ste. H\, San Luis Obispo\, CA 93401\n176 E Blithedale Ave.\, Mill Valley\, CA 94941\n2379 Sheffield Dr. Livermore\, CA 94550\n1195 Third St.\, Ste. 310\, Napa\, CA 9455\n500 County Center\, 5th Fl.\, Buckeye Conf. Rm.\, Redwood City\, CA 94063\n1021 O St.\, Rm. 6710\, Sacramento\, CA 95814-4900\n\nIf you have issues joining the meeting using the link\, please enter the Meeting ID and Password listed below into the ZOOM app to join the meeting. \n  \nJoin the meeting via ZOOM \nhttps://bcdc-ca-gov.zoom.us/j/82017567726?pwd=iakp7jvDUf7ex9TYJsRWFft1aRoMXi.1 \n  \nLive Webcast \n  \nSee information on public participation \n  \nTeleconference numbers1 (866) 590-5055Conference Code 374334 \nMeeting ID820 175 67726 \nPasscode 752282 \n  \nIf you call in by telephone: \nPress *6 to unmute or mute yourselfPress *9 to raise your hand or lower your hand to speak  \n				\n				\n				\n				\n				Agenda\n				\nCall to Order\nRoll Call\nPublic Comment Period (Each speaker is limited to three minutes)A maximum of 15 minutes is available for the public to address the Commission on any matter on which the Commission either has not held a public hearing or is not scheduled for a public hearing later in the meeting. Speakers will be heard in the order of sign-up\, and each speaker is generally limited to a maximum of three minutes. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members for review. The Commission may provide more time to each speaker and can extend the public comment period beyond the normal 15-minute maximum if the Commission believes that it is necessary to allow a reasonable opportunity to hear from all members of the public who want to testify. No Commission action can be taken on any matter raised during the public comment period other than to schedule the matter for a future agenda or refer the matter to the staff for investigation\, unless the matter is scheduled for action by the Commission later in the meeting.(Sierra Peterson) [415/352-3608; sierra.peterson@bcdc.ca.gov]\nReport of the Chair\nReport of the Executive Director\nConsent Calendar\n\nApproval of Minutes for January 16\, 2025 Meeting(Sierra Peterson) [415/352-3608; sierra.peterson@bcdc.ca.gov]\n\n\nCommission Consideration of Administrative Listing // Additional Administrative Listing(Harriet Ross) [415/352-3611; harriet.ross@bcdc.ca.gov\nPublic Hearing and Possible Vote on the Treasure Island Marina Replacement Project in the City and County of San Francisco; BCDC Permit Application No. 2023.006.00The Commission will hold a public hearing and possibly vote on an application for BCDC Permit No. 2023.006.00\, a proposal by Treasure Island Enterprises\, LLC.\, to remove an existing marina and construct a new\, expanded marina.(Sam Fielding) [415/352-3665; sam.fielding@bcdc.ca.gov]Staff Recommendation // Exhibit A // Exhibit B // Presentation // Staff Presentation // Public Comments\nSenior Staff PresentationExecutive Director Goldzband and Director of Legislative and External Affairs Gervase will give an update on meetings with Administration officials and members of the State Legislature and their staffs\, as well as on BCDC’s current and future budget outlook.(Larry Goldzband) [415/352-3653; larry.goldzband@bcdc.ca.gov]Changing permitting handout // Protecting our San Francisco Bay handout // Regional Shoreline Adaptation Plan handout\nAdjournment\n\n			\n				\n				\n				\n				\n				Supplemental Materials\n				Articles about the Bay and BCDC \n\nAgency to vet Richmond-San Rafael Bridge bike lane experiment\nNew path forward’: Point Buckler Island sold to John Muir Land Trust for environmental restoration\nThe war over a private island in the San Francisco Bay\n\n			\n				\n				\n				\n				\n				Meeting Minutes\n				Approved Commission Minutes 2.06.2025 \n			\n				\n				\n				\n				\n				Video recording &  transcript\n				\n			\n				\n				\n				\n				\n				Learn How to Participate\n				Bagley-Keene Open Meeting Act\nAs a state agency\, the Commission is governed by the Bagley-Keene Open Meeting Act which requires the Commission to: (1) publish an agenda at least ten days in advance of any meeting; and (2) describe specifically in that agenda the items to be transacted or discussed. Public notices of Commission meetings and staff reports (as applicable) dealing with matters on the meeting agendas can be found on BCDC’s website. Simply access Commission Meetings under the “Public Meetings” tab on the website and select the date of the meeting. \nHow to Provide Comments and Comment Time Limits\nPursuant to state law\, the Commission is currently conducting its public meetings in a “hybrid” fashion. Each meeting notice will specify (1) where the meeting is being primarily held physically\, (2) all teleconference locations\, which will be publicly-accessible\, and (3) the ZOOM virtual meeting link. If you would like to comment at the beginning of the meeting or on an item scheduled for public discussion\, you may do so in one of three ways: (1) being present at the primary physical or a teleconference meeting location; (2) emailing comments in advance to public comment until 10 a.m. on the day of the meeting; and (3) participating via ZOOM during the meeting. \nIf you plan to participate through ZOOM\, please use your ZOOM-enabled device and click on the “raise your hand” button\, and then wait to speak until called upon. If you are using a telephone to call into the meeting\, select *6 to unmute your phone and you will then be able to speak. We ask that everyone use the mute button when not speaking. It is also important that you not put your phone on hold. Each speaker may be limited to a maximum of three minutes or less at the discretion of the Chair during the public comment period depending on the volume of persons intending to provide public comment. Any speakers who exceed the time limits or interfere with the meeting may be muted by the Chair. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members in advance of the meeting for review. You are encouraged to submit written comments of any length and detailed information to the staff prior to the meeting at the email address above\, which will be distributed to the Commission members. \nQuestions and Staff Reports\nIf you have any questions concerning an item on the agenda\, would like to receive notice of future hearings\, or access staff reports related to the item\, please contact the staff member whose name\, email address and direct phone number are indicated in parenthesis at the end of the agenda item. \nCampaign Contributions\nState law requires Commissioners to disqualify themselves from voting on any matter if they have received a campaign contribution from an interested party within the past 12 months. If you intend to speak on any hearing item\, please indicate in your testimony if you have made campaign contributions in excess of $250 to any Commissioner within the last year\, and if so\, to which Commissioner(s) you have contributed. Other legal requirements govern contributions by applicants and other interested parties and establish criteria for Commissioner conflicts of interest. Please consult with the staff counsel if you have any questions about the rules that pertain to campaign contributions or conflicts of interest. \nAccess to Meetings\nMeetings are physically held in venues that are accessible to persons with disabilities. If you require special assistance or have technical questions\, please contact staff at least three days prior to the meeting via email. We will attempt to make the virtual meeting accessible via ZOOM accessibility capabilities\, as well.
URL:https://www.bcdc.ca.gov/event/february-6-2025-commission-meeting/
CATEGORIES:Commission
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250206T103000
DTEND;TZID=America/Los_Angeles:20250206T120000
DTSTAMP:20260626T022438
CREATED:20250127T204809Z
LAST-MODIFIED:20250228T224334Z
UID:10000267-1738837800-1738843200@www.bcdc.ca.gov
SUMMARY:February 6\, 2025 Rising Sea Level Commissioner Working Group
DESCRIPTION:Meeting Agenda\nItem 3: Staff Presentation\nItem 4: Staff Presentation\nItem 4: Regulatory Improvements Handout \nMeeting summary  \n				\n				\n				\n				\n				Audio Recording\n				\nhttps://www.bcdc.ca.gov/wp-content/uploads/sites/354/2025/02/2025-02-06-RSL-meeting-rec.mp3
URL:https://www.bcdc.ca.gov/event/february-6-2025-rising-sea-level-commissioner-working-group/
CATEGORIES:Rising Sea Level Working Group
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250205T130000
DTEND;TZID=America/Los_Angeles:20250205T150000
DTSTAMP:20260626T022438
CREATED:20250127T204149Z
LAST-MODIFIED:20250205T205523Z
UID:10000266-1738760400-1738767600@www.bcdc.ca.gov
SUMMARY:February 5\, 2025 Sand Studies Commissioner Working Group Meeting
DESCRIPTION:Meeting Agenda
URL:https://www.bcdc.ca.gov/event/february-5-2025-sand-studies-commissioner-working-group-meeting/
CATEGORIES:Sand Studies Commissioner Working Group
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250122T130000
DTEND;TZID=America/Los_Angeles:20250122T170000
DTSTAMP:20260626T022438
CREATED:20240917T181313Z
LAST-MODIFIED:20241212T200144Z
UID:10000195-1737550800-1737565200@www.bcdc.ca.gov
SUMMARY:January 22\, 2025 Engineering Criteria Review Board Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/january-22-2025-engineering-criteria-review-board-meeting/
CATEGORIES:Engineering Criteria Review Board
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250122T093000
DTEND;TZID=America/Los_Angeles:20250122T120000
DTSTAMP:20260626T022438
CREATED:20241104T230038Z
LAST-MODIFIED:20250109T235119Z
UID:10000209-1737538200-1737547200@www.bcdc.ca.gov
SUMMARY:January 22\, 2025 Enforcement Committee Meeting
DESCRIPTION:
URL:https://www.bcdc.ca.gov/event/january-22-2025-enforcement-committee-meeting/
CATEGORIES:Enforcement Committee
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250117T100000
DTEND;TZID=America/Los_Angeles:20250117T120000
DTSTAMP:20260626T022438
CREATED:20250106T235002Z
LAST-MODIFIED:20250115T223936Z
UID:10000265-1737108000-1737115200@www.bcdc.ca.gov
SUMMARY:January 17\, 2025 Sediment and Beneficial Reuse Commissioner Working Group
DESCRIPTION:Meeting Agenda
URL:https://www.bcdc.ca.gov/event/january-17-2025-sediment-and-beneficial-reuse-commissioner-working-group/
CATEGORIES:Sediment and Beneficial Reuse Commissioner Working Group
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250116T130000
DTEND;TZID=America/Los_Angeles:20250116T170000
DTSTAMP:20260626T022438
CREATED:20241209T183510Z
LAST-MODIFIED:20250121T165055Z
UID:10000229-1737032400-1737046800@www.bcdc.ca.gov
SUMMARY:January 16\, 2025 Commission Meeting
DESCRIPTION:This Commission meeting will operate as a hybrid meeting under teleconference rules established by the Bagley-Keene Open Meeting Act. Commissioners are located at the primary physical location and may be located at the teleconference locations specified below\, all of which are publicly accessible. The Zoom video conference link and teleconference information for members of the public to participate virtually are also specified below. \nPrimary Physical LocationMetro Center375 Beale Street\, Yerba Buena RoomSan Francisco\, 415-352-3600 \nTeleconference locationsNapa County Board of Supervisors District 5 Office\, 4381 Broadway Ste. 102\, American Canyon\, CA 94503 \nIf you have issues joining the meeting using the link\, please enter the Meeting ID and Password listed below into the ZOOM app to join the meeting. \nJoin the meeting via ZOOM \nhttps://bcdc-ca-gov.zoom.us/j/82307825258?pwd=7T0cKnOb2oS1saD3LkGNeT5Sf3xByA.1 \nLive Webcast \nSee information on public participation \nTeleconference numbers1 (866) 590-5055Conference Code 374334 \nMeeting ID823 0782 5258 \nPasscode553686 \nIf you call in by telephone: \nPress *6 to unmute or mute yourselfPress *9 to raise your hand or lower your hand to speak  \n				\n				\n				\n				\n				Agenda\n				\nCall to Order\nRoll Call\nPublic Comment Period (Each speaker is limited to three minutes)A maximum of 15 minutes is available for the public to address the Commission on any matter on which the Commission either has not held a public hearing or is not scheduled for a public hearing later in the meeting. Speakers will be heard in the order of sign-up\, and each speaker is generally limited to a maximum of three minutes. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members for review. The Commission may provide more time to each speaker and can extend the public comment period beyond the normal 15-minute maximum if the Commission believes that it is necessary to allow a reasonable opportunity to hear from all members of the public who want to testify. No Commission action can be taken on any matter raised during the public comment period other than to schedule the matter for a future agenda or refer the matter to the staff for investigation\, unless the matter is scheduled for action by the Commission later in the meeting.(Sierra Peterson) [415/352-3608; sierra.peterson@bcdc.ca.gov]\nReport of the Chair\nReport of the Executive Director\nConsent Calendar\n\nApproval of Minutes for December 19\, 2024 Meeting(Sierra Peterson) [415/352-3608; sierra.peterson@bcdc.ca.gov]\n\n\nCommission Consideration of Administrative Matters(Harriet Ross) [415/352-3611; harriet.ross@bcdc.ca.gov]\nCommissioner Workshop on Richmond-San Rafael BridgeCommissioners and Alternates will participate in a workshop to receive information\, engage with relevant data\, and discuss policy questions on a proposal to modify the existing operations of the separated Class I public pathway on the shoulder of the westbound upper deck of the Richmond-San Rafael Bridge that is open 24 hours a day\, seven days a week. Caltrans has proposed to reduce the days and hours of operations of the public pathway for a two-year period to collect additional information about response times and delays related to incidents on the bridge.(Katharine Pan) [415/352-3650; katharine.pan@bcdc.ca.gov]Attachment A // Attachment B // Public Comment Part I // Public Comment Part II // Presentation 1 // Presentation 2\nAdjournment\n\n			\n				\n				\n				\n				\n				Supplemental Materials\n				\nArticles about the Bay and BCDC \n\nRising tides could wipe out Pacifica\, but residents can’t agree on how to respond\nA unique floating lab in San Francisco Bay has been invaded — and researchers are learning from it\nOnce listed for $70 million\, controversial private Bay Area island to be auctioned off\nCaltrans to hold Jan. 14 meeting on Highway 37 project\, environmental opportunities\nVote Cinches Robust Regional Response to Sea Level Rise\nWhy seas are surging\nTiburon shoreline project gets closer to launch\n\n  \n			\n				\n				\n				\n				\n				Meeting Minutes\n				\n			\n				\n				\n				\n				\n				Video recording \n				 \n			\n				\n				\n				\n				\n				Learn How to Participate\n				Bagley-Keene Open Meeting Act\nAs a state agency\, the Commission is governed by the Bagley-Keene Open Meeting Act which requires the Commission to: (1) publish an agenda at least ten days in advance of any meeting; and (2) describe specifically in that agenda the items to be transacted or discussed. Public notices of Commission meetings and staff reports (as applicable) dealing with matters on the meeting agendas can be found on BCDC’s website. Simply access Commission Meetings under the “Public Meetings” tab on the website and select the date of the meeting. \nHow to Provide Comments and Comment Time Limits\nPursuant to state law\, the Commission is currently conducting its public meetings in a “hybrid” fashion. Each meeting notice will specify (1) where the meeting is being primarily held physically\, (2) all teleconference locations\, which will be publicly-accessible\, and (3) the ZOOM virtual meeting link. If you would like to comment at the beginning of the meeting or on an item scheduled for public discussion\, you may do so in one of three ways: (1) being present at the primary physical or a teleconference meeting location; (2) emailing comments in advance to public comment until 10 a.m. on the day of the meeting; and (3) participating via ZOOM during the meeting. \nIf you plan to participate through ZOOM\, please use your ZOOM-enabled device and click on the “raise your hand” button\, and then wait to speak until called upon. If you are using a telephone to call into the meeting\, select *6 to unmute your phone and you will then be able to speak. We ask that everyone use the mute button when not speaking. It is also important that you not put your phone on hold. Each speaker may be limited to a maximum of three minutes or less at the discretion of the Chair during the public comment period depending on the volume of persons intending to provide public comment. Any speakers who exceed the time limits or interfere with the meeting may be muted by the Chair. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members in advance of the meeting for review. You are encouraged to submit written comments of any length and detailed information to the staff prior to the meeting at the email address above\, which will be distributed to the Commission members. \nQuestions and Staff Reports\nIf you have any questions concerning an item on the agenda\, would like to receive notice of future hearings\, or access staff reports related to the item\, please contact the staff member whose name\, email address and direct phone number are indicated in parenthesis at the end of the agenda item. \nCampaign Contributions\nState law requires Commissioners to disqualify themselves from voting on any matter if they have received a campaign contribution from an interested party within the past 12 months. If you intend to speak on any hearing item\, please indicate in your testimony if you have made campaign contributions in excess of $250 to any Commissioner within the last year\, and if so\, to which Commissioner(s) you have contributed. Other legal requirements govern contributions by applicants and other interested parties and establish criteria for Commissioner conflicts of interest. Please consult with the staff counsel if you have any questions about the rules that pertain to campaign contributions or conflicts of interest. \nAccess to Meetings\nMeetings are physically held in venues that are accessible to persons with disabilities. If you require special assistance or have technical questions\, please contact staff at least three days prior to the meeting via email. We will attempt to make the virtual meeting accessible via ZOOM accessibility capabilities\, as well.
URL:https://www.bcdc.ca.gov/event/january-16-2025-commission-meeting/
CATEGORIES:Commission
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