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UID:10000255-1747069200-1747074600@www.bcdc.ca.gov
SUMMARY:May 12\, 2025 Design Review Board Meeting
DESCRIPTION:This Bay Conservation and Development Commission (BCDC) Design Review Board meeting will be conducted in a hybrid format in accordance with Gov. Code 11123.5. To maximize public safety while maintaining transparency and public access\, members of the public can choose to participate either virtually via Zoom\, by phone\, or in person at the location listed below. Physical attendance at the site listed below requires that all individuals adhere to the site’s health guidelines including\, if required\, wearing masks\, health screening\, and social distancing. \nMetro Center375 Beale Street\, Yerba Buena RoomSan Francisco\, 415-352-3600 \nIf you have issues joining the meeting using the link\, please enter the Meeting ID and Password listed below into the ZOOM app to join the meeting. \nJoin the meeting via ZOOM \nhttps://bcdc-ca-gov.zoom.us/j/87161336217?pwd=hMjJEZ5fypYyuCuuazltKhHMurePy9.1 \nSee information on public participation \nTeleconference numbers1 (866) 590-5055 Toll-free1 (816) 423 4282 US TollConference Code 374334 \nPasscode641630 \nIf you call in by telephone: \nPress *6 to unmute or mute yourselfPress *9 to raise your hand or lower your hand to speak  \n				\n				\n				\n				\n				Agenda\n				\nCall to Order and Meeting Procedure Review\nApproval of Draft Review Summary for the March 10\, 2025 DRB Meeting\nBCDC Staff Updates\nPublic Comment for items not on the agenda\nBerkeley Waterfront and Ferry Pier\, City of Berkeley\, Alameda County; BriefingThe Design Review Board will hold a pre-application briefing of the Berkeley Waterfront and Ferry Pier project\, a proposed electric ferry service located at the Berkeley Marina\, in the City of Berkeley\, Alameda County. The project proposes demolition of the closed fishing pier and the construction of a new 1\,080-foot-long public pier with pedestrian access and a ferry terminal\, connected to a 400-foot-long breakwater. The proposal also includes improvements to the surrounding Berkeley Waterfront\, including a public plaza\, improved site circulation\, a Bay Trail extension\, parking lot renovations\, and new landscaping. (Alyssa Plese) [415/352-3626; alyssa.plese@bcdc.ca.gov]Exhibits\nAdjournment\n\n			\n				\n				\n				\n				\n				Recording & Transcript\n				\n \n\nTranscript\n\nYerba Buena SX80: Recording in the conference. \nYerba Buena SX80: Okay. \nYerba Buena SX80: thank you for joining us tonight for the Bcdc Design Review Board meeting. I’d like to remind the Board members to please speak directly into the microphone in front of you and have it on only when you want to speak. And please ensure that your video on your laptop is always on\, but your audio is disabled. \nYerba Buena SX80: Good evening\, everyone. My name is Jacinta Mccann. I’m the chair of the Bcdc’s Design Review Board\, and I’m located here at the Metro Center in San Francisco. \nYerba Buena SX80: Our 1st order of business is to call the Roll Board members. Can you unmute yourselves to respond\, and then mute yourselves again after responding. Staff\, please call the roll chair. Mccann. Present vice chair\, string\, present board\, member Pataglio\, present Board\, Member Hall. \nYerba Buena SX80: present Bcdc. Staff attending this meeting tonight are myself\, Ashley Tomerlin. Alyssa\, please\, and Catherine Pan. \nYerba Buena SX80: Okay\, thanks\, Ashley. We have a quorum presence. So we’re duly constituted to conduct business. \nYerba Buena SX80: I’ll start by sharing some instructions on how we can best participate in this meeting\, so that it runs as smoothly as possible \nYerba Buena SX80: for everyone online. And in the meeting room\, and it’s great to see a whole lot of people in the meeting room so welcome. Please make sure you have your microphones or phones muted to avoid background noise for board members. If you have a webcam\, please make sure that it’s on\, so everyone can see you for members of the public. If you would like to speak during a public comment period\, you will need to do so in one of 3 ways. First\, st if you’re here with us in person. We will ask you to form a line near the podium. If you wish to make a public comment. \nYerba Buena SX80: Speaker\, cards are available at the door\, and you will be asked to come up to the podium one at a time. \nYerba Buena SX80: After all individuals who are present make their comments. We shall then call on those participants who are attending remotely \nYerba Buena SX80: the second way\, if you’re attending on the Zoom Platform\, please raise your virtual hand in zoom\, please click the hand at the bottom of the screen and the hand should turn blue when it’s raised. \nYerba Buena SX80: Finally\, if you’re joining our meeting via phone\, you must press. Star 9 on your keypad\, to raise or lower your hand\, or to make a comment and star 6 to mute or unmute your phone. \nYerba Buena SX80: We will call on individuals who’ve raised their hands in the order that they are raised. \nYerba Buena SX80: Please keep your comments respectful and focused. We are here to listen to everyone who wishes to address us\, but everyone has the responsibility to act in a civil manner. \nYerba Buena SX80: We will not tolerate hate\, speech threats made directly or indirectly\, and or abusive language. \nYerba Buena SX80: We will mute anyone who fails to follow these guidelines\, or who exceeds the established time limits without permission \nYerba Buena SX80: for public comments. If you are attending online. Please note that we will only hear your voice. Your video will not be enabled. \nYerba Buena SX80: If you’re attending the meeting on the Zoom Platform. We recommend using the gallery view which is an option in view settings in order to see all the panelists audio\, for in person panelists is recorded through the rooms audio system and is not synced to the individual panelists. Videos. \nYerba Buena SX80: If you would like to add your contact information to the interested parties\, list to be notified of future meetings \nYerba Buena SX80: concerning the project we’re going to hear tonight. \nYerba Buena SX80: Please call or email Ashley Tomlin\, whose contact information is on the screen or is found on the Bcdc’s website. \nYerba Buena SX80: Now\, board members\, we’ve been furnished draft meeting summaries for our March 10\, th 2025 meeting. Just want to check if there are comments or corrections to the board minutes\, or to the meeting summary\, I should say\, from March 10\, th and just a reminder. The March 10th \nYerba Buena SX80: Board meeting Summary was the Brooklyn Basin Channel Park\, Second Review meetings\, although it was the new design for the Park. \nYerba Buena SX80: 1st time we’d seen that\, so did anyone have any comments on the on the meeting notes. \nYerba Buena SX80: Okay\, Bob\, any comments on the \nYerba Buena SX80: I wasn’t. I wasn’t at the meeting\, so I don’t have any comments. \nYerba Buena SX80: Gary\, any comments. \nYerba Buena SX80: Yeah\, I I wrote in a little note\, Ashley. I think. It was really about \nYerba Buena SX80: 2 items things you’ve heard before that I’ve commented on. And I understand they’re sort of outside our purview. So I’m really clear on that. And the 1st one was about condominiums. On\, you know\, sites that are probably a risk more at risk of sea level rise than most than many other sites. So when you see a site that has\, you know\, specific issues. And when \nYerba Buena SX80: you know\, townhouses is going to be an important component of that project\, it always kind of raises eyebrows above among the group. But you know\, we don’t really can’t really do anything about it. And that was a real driver of the Brooklyn Basin project. I think they want to do all these great waterfront improvements\, and the only way they can get it done is by advancing these townhouses. So \nYerba Buena SX80: kind of interesting\, because when I 1st joined the board. It’s been more than 10 years\, I mean\, it was much more \nYerba Buena SX80: architecture\, urban design focused\, you know\, than it is right now. So we see a lot of our projects. There’s a landscape architect that is presenting the project and talking about the waterfront\, the pathways\, the furnishings\, and all that\, but the issues of urban design and planning and architecture are not really front and center\, like they used to be\, and I know we can’t do anything about it legally\, but it just seems like there’s no one in a better position than we are to see the issue. So you know\, I just wanted to \nYerba Buena SX80: put that on the record and see where we go from here on that on that issue. And the second was is that \nYerba Buena SX80: the site that was adjacent to Brooklyn Basin. \nYerba Buena SX80: had a grade change issue. That was\, you know\, quite extreme that there was development right up to the property line\, which caused a very awkward transition between the 2 properties\, and so we were in a position of approving the Brooklyn Basin\, knowing that somewhere down the road there’s going to be a very awkward circumstance\, and we didn’t get a very satisfactory reply on that\, and I think that the proponent could \nYerba Buena SX80: logically say\, This is it’s not our problem. It’s over the property line. But you know\, our goal is to coordinate those things. So I guess that was kind of a question\, and maybe just put it out there for comment. Is that really the end of the story on \nYerba Buena SX80: those 2 parcels which I won’t get into the details\, but it was a probably one of the more awkward adjacencies that I’ve seen since being on the board. \nYerba Buena SX80: There’s a big grade change and no property left to transition the grade change. Yeah. And I think\, Gary\, just to speak to the second issue. \nYerba Buena SX80: we did discuss the interface between the townhomes and that property line. \nYerba Buena SX80: And I think we did point out the awkward nature of that. \nYerba Buena SX80: it! I don’t think it’s captured\, perhaps as strongly in the notes as as it could be\, so \nYerba Buena SX80: you know\, I think it might be worth \nYerba Buena SX80: amending the notes. I don’t know if you’ve got any language you would like to add for that. \nYerba Buena SX80: Well\, I I think all we can really do is note that it’s an awkward adjacency\, and that if the adjacent property. If there’s really\, if that train has left the station\, then it should be accommodated on the Brooklyn Basin side in some way. You know that the side plan should be rearranged to to have a \nYerba Buena SX80: a transition? Great transition. \nYerba Buena SX80: Ashley\, do you think you can amend the notes to incorporate that. Yes\, great\, I think\, on the 1st point. \nYerba Buena SX80: Gary\, you know you have been leading the \nYerba Buena SX80: charge\, if you like\, on on this issue for some years now. And and you know this is not \nYerba Buena SX80: the core purview of our land use is not the core purview of our of our Design Review board. However\, \nYerba Buena SX80: you know\, we do have the possibility\, if we would like to to \nYerba Buena SX80: have a briefing\, maybe potentially\, to the Commission on this issue to help them \nYerba Buena SX80: be appraised of the concern\, even though it is not a policy area that Bcdc has jurisdiction over. So I think that’s something that we can talk further about\, not in this meeting\, but continue to think about ways to keep that question of. \nYerba Buena SX80: you know\, is it responsible to build housing in these vulnerable areas. \nYerba Buena SX80: Given what we know about sea level rise and and the nature of insurance and the vulnerabilities potentially of the homeowners who would buy into these projects. \nYerba Buena SX80: But I would be interested in that discussion\, even though I wasn’t at the last meeting. But I would be interested in that. Yeah\, yeah\, I mean\, it’s it’s it’s really\, I think\, the critical \nYerba Buena SX80: question there is. You know\, how? How can our Advisory Board help \nYerba Buena SX80: raise this concern\, even though it is not a policy \nYerba Buena SX80: core. It’s not a policy area that Bcdc has primary jurisdiction over. It’s\, you know\, the cities and \nYerba Buena SX80: the State to some degree. So let’s continue that dialogue outside this meeting. \nYerba Buena SX80: Is that okay? Gary\, yes\, sounds good. Okay. And you know that key issue\, as you know\, is that if a if a developer is doing biotech or life science\, and it’s got a 30 year lifespan that’s very different than a homeowner who wants to own this for 50 to 100 years or more\, and they don’t have homeowners. Associations don’t have the ability to take on the mitigations that maybe a developer would. \nYerba Buena SX80: Okay. So I I thank you for that feedback. I think\, with the \nYerba Buena SX80: amendment that we just discussed. I’d appreciate a motion and a second. It was really only you and me there\, so would you like to? Yes\, I will make a motion\, and I’ll second\, and we’ll unanimously adopt these notes\, so let’s move ahead. \nYerba Buena SX80: But look before we do\, I I \nYerba Buena SX80: I’ve said it before\, but the quality of these meeting notes is really high. It is the it’s\, you know\, over the last 12 years since I’ve been on the board. This is\, really these excellent notes and capture \nYerba Buena SX80: what we cover at the meeting really? Well and concisely so. Thank you for the hard work on that. \nYerba Buena SX80: Okay\, stop updates. \nYerba Buena SX80: Thank you. Chair Mccann. First\, st I’d like to thank everyone who attended our Mission Bay public access walking tour in April. \nYerba Buena SX80: I enjoyed the observations and discussion on lessons learned from the 3 projects the Chair and I have been conspiring to see if we can set up another site\, visit maybe to the Northern waterfront later this year. So stay tuned. Our next project review meeting is scheduled for June 9\, th and will be the follow up review of the Brooklyn Basin Channel Park Project \nYerba Buena SX80: for the minutes that you or the meeting summary that you just reviewed. And it does look like it will be a busy summer for the Drb. With reviews tentatively scheduled for July 14\, th August 11th and September 8\, th \nYerba Buena SX80: the Berkeley Water Transportation Pier Ferry project will come back for review \nYerba Buena SX80: as well as tentatively Alameda Shipways\, and possibly the Richmond Marina Point project returning. \nYerba Buena SX80: That\, concludes the Bcdc staff update. I’ll pause here to answer any questions from the board. \nYerba Buena SX80: I don’t have any questions. Anyone else. \nYerba Buena SX80: Okay\, good. Thanks for that. Update\, Ashley. \nYerba Buena SX80: We’ll move to public comment for items that are not on tonight’s agenda. So \nYerba Buena SX80: there’ll be public comment for the items on the agenda coming up. But \nYerba Buena SX80: if anyone in in the room would like to or online would like to make a public comment about something that is not on the agenda. Please go ahead and raise hands or \nYerba Buena SX80: stand up. \nYerba Buena SX80: Okay\, hearing nothing\, we will move on from that. So \nYerba Buena SX80: we will start now with the project that we’ll be hearing about tonight. \nYerba Buena SX80: It’s a briefing on the Berkeley waterfront and Ferry Pier project\, and for those who are online and in the room. This is\, I think\, A. A. \nYerba Buena SX80: It’s quite exciting actually to be able to listen to a project before it has been advanced into detailed design. We often see projects when they’re very close to construction. And \nYerba Buena SX80: and it’s challenging. When you see a project that’s that far down the design process to weigh in and and suggest enhancements. So very glad that you’ve come to see us tonight. \nYerba Buena SX80: We’re going to have. We’ll follow the this order now on the project. So the Bcdc. Staff will make a overview present presentation. We’ll have board clarifying questions to Staff. We’ll then have the project team\, presentation and board clarifying questions to the project team. \nYerba Buena SX80: Then we’ll have public comment\, and then the Board will provide some advice for information to include with the project review \nYerba Buena SX80: so as a reminder to the board as well\, because we’re more often in a different mindset. Tonight’s item is an informational item. \nYerba Buena SX80: And so as we listen to the presentations\, the staff have requested that we think about the key questions or the information to include when the project returns to the Drb. Later this summer for a project review. So keep that in mind. And with that the Bcdc. Permit analyst Alyssa is going to introduce the project. So I’ll hand to you\, Alyssa\, to do that. Thank you. \nYerba Buena SX80: Thank you. Chair Mccann\, and good evening Board members. \nYerba Buena SX80: I don’t actually have a presentation for you tonight. Given the nature of the briefing. We’re gonna leave that to the project applicants. \nYerba Buena SX80: but I’d just like to briefly introduce the pure ferry project which is proposed at the Berkeley waterfront in the city of Berkeley\, Alameda County. \nYerba Buena SX80: the project would create a new 0. Emissions\, electric ferry service between Berkeley\, San Francisco\, and larkspur and construct a new public pier and ferry terminal to replace the existing fishing pier. \nYerba Buena SX80: as well as implement a range of waterfront and transportation improvements to the area. \nYerba Buena SX80: So the purpose of this briefing is\, as I said\, to introduce the project concept and the broader Berkeley Waterfront context in advance of the project’s 1st formal review. \nYerba Buena SX80: and during this presentation we request that the Board members consider the types of information\, design elements\, or contextual materials that would facilitate your thorough and constructive review in the future. \nYerba Buena SX80: Staff also welcomes input on how to structure future presentations\, to clearly communicate information and support meaningful feedback. \nYerba Buena SX80: But I would like to know before we begin that the Bcd DC. Jurisdiction mapping that’s presented in the project is not correctly represented. And so we ask that you please disregard \nYerba Buena SX80: the jurisdiction boundaries illustrated throughout the presentation just because of some historic bay fill \nYerba Buena SX80: issues. And now I’ll introduce the project team to tell you more about the proposal presenting today. We have Liza Mcnulty from the city of Berkeley and Liz Allen from Wra consulting. \nYerba Buena SX80: Okay\, so just a clarification on that. So to disregard when you ask us to disregard the Bcdc jurisdiction lines. \nYerba Buena SX80: Can you tell me or tell us where they are? Actually yeah. And we’ll see you’ll see on the. It will be more clear when we look at the \nYerba Buena SX80: the present. The maps themselves. Okay. So somebody shown accurately on an exhibit somewhere in the presentation. What was that? It is shown accurately on one of the exhibits? \nYerba Buena SX80: No\, no\, okay. But maybe someone could just describe it. I can point that out explicitly. When we get there. Okay\, it’ll become clear when you see the match. So thank you very much. Okay\, excellent. \nYerba Buena SX80: Any other questions before we proceed. Thank you. \nYerba Buena SX80: Thank you. \nYerba Buena SX80: My name is Liza Mcnulty. I am the capital improvement program manager with the city of Berkeley Parks recreation and Waterfront department\, and I am the project manager for the Berkeley Water Transportation Pier and Ferry Project. We’re really\, really excited to be here and present to you today. So\, as has been mentioned. This is a briefing. \nYerba Buena SX80: And so that’s really reflective of where we are on the project. We’ve essentially just finished updating our conceptual design and are starting our 30% detailed design. So the level of exhibits and renderings that you’ll see today are probably not what you’re used to seeing\, because we’re not there yet\, but we thought\, given the scope of this project\, that it was really important to get \nYerba Buena SX80: in front of you as soon as possible\, not only to get your high level feedback today\, but also to give us feedback for how to organize this project for future more detailed presentations. So our goal today is to orient you to the Berkeley waterfront all of our existing infrastructure and facilities there\, and give you an overview of the project components \nYerba Buena SX80: as well as a brief history of the area. \nYerba Buena SX80: So\, as I mentioned\, I’m Liza with the city of Berkeley. My colleague Roger is here as well. Our critical partners on this project are Weda\, the water Emergency transportation authority\, and we have some folks from Weda joining us on the Zoom call \nYerba Buena SX80: Rincon is our environmental consultants. We have a few folks from Rincon here\, and they are the lead for our Ceqa. And Nepa process and documents\, as well as our biological resources. Wra working under Rincon is our permitting lead\, and Liz Allen\, who is a senior permitting specialist with Wra\, will be helping with the presentation today. \nYerba Buena SX80: Our design lead is Coe. I did not try to put all of Koey’s dozen sub consultants on here. They range from landscape architects to naval architects and everything in between. \nYerba Buena SX80: and then we have Kittleson transportation engineers. Kittleson is actually the 1st of all of these consultants that the city brought onto the team\, because we know that one of the pillars of success\, for this project is developing parking and transportation demand management strategies. And we’ll talk a little bit more about that tonight. \nYerba Buena SX80: Okay\, so just to orient ourselves. With where we are in the world. Obviously\, we’re all familiar with the San Francisco Bay\, and you can see the city of Berkeley waterfront with that star on the slide there. It’s the westernmost limit of the city of Berkeley that extends into the bay. \nYerba Buena SX80: Oh\, sorry. \nYerba Buena SX80: Okay? So this is now zooming into the southern half of the Berkeley waterfront. And let’s start with that question about the Bcdc jurisdictional mapping here. So what’s shown on this slide that blue light blue shading is the sort of typical 100 foot offset. \nYerba Buena SX80: In reality the exact timing and history of fill in this area is quite complex. And so the city is actively working with Bcdc staff to finalize this jurisdictional limit\, and specifically in the vicinity of the Southern Peninsula. We expect that line to change and fill in much of that peninsula. I don’t believe there’s any other changes expected \nYerba Buena SX80: elsewhere on the map. That’s the primary one that we’re working with Bcdc. Staff and historical imagery to figure out exact dates of when various fill events occurred. \nYerba Buena SX80: What I want to point out on this slide. We’ll come back to this slide and dig into some of the existing facilities here\, but the project area outlined in yellow\, you see\, extends off of the slide to the left and the right\, and so I just want to touch on that very quickly. On the bottom \nYerba Buena SX80: corner of the slide you see the zoomed out area that shows that that full extent. What’s happening off the left end of the slide or the western limit. \nYerba Buena SX80: Oh. \nYerba Buena SX80: I’ll keep talking while you work on this \nYerba Buena SX80: off of that left hand side. The western limit is continuation of dredging\, and that is essentially dredging a channel to allow for operation of the Weda vessel. And what’s happening on the right side as we move off the slide and go up easterly along University Avenue is continuation of trenching work for underground utilities. And so\, for the most part\, on this presentation\, we’ll be focused on this scale. But I wanted to touch on what’s happening outside of this image. \nYerba Buena SX80: So speaking of complicated history\, the story of the Berkeley Pier begins almost a hundred years ago. \nYerba Buena SX80: when the pier was originally constructed by the Golden Gate Ferry Company to provide vehicular ferry service to San Francisco\, so cars would drive out to the end of the pier\, drive onto a ferry\, which would then take them over to San Francisco. This is how the pier operated for about 10 years. In 1937 the Bay bridge opened\, and the need to shuttle cars via Ferry to San Francisco no longer existed. \nYerba Buena SX80: In the early 19 sixties. The 1st 3\,000 feet of the Berkeley Pier was restored and reopened to public access. And that’s the Berkeley Pier that we all think of today. When we think of the Berkeley Pier. \nYerba Buena SX80: it existed as just public access for pedestrians\, joggers fishing for about 50 years\, until in 2015 the pier was closed\, due to structural deterioration at that point at 90 years old. \nYerba Buena SX80: In 2019 the city of Berkeley and Wida entered into a memorandum of understanding to study the feasibility of replacing the now closed Berkeley Pier with a new pier structure that could provide not only restored recreation access\, but also a terminal for a new ferry service connecting Berkeley to downtown San Francisco. \nYerba Buena SX80: This has always been envisioned\, and continues to be envisioned as an electric only ferry terminal. \nYerba Buena SX80: After about 2 years of feasibility\, study\, including a public process\, the preferred alternative was presented to the city of Berkeley City Council and the Wida Board in 2021 \nYerba Buena SX80: in 2023 the city received funding to complete the design and environmental phase of this project. That funding came from a combination of Actc\, California State Coastal conservancy and an allocation from Wida\, of Rm. 3 funds. \nYerba Buena SX80: And that’s essentially where we are today. \nYerba Buena SX80: So the city just recently\, in mid April\, released the notice of preparation for the environmental impact report\, so that scoping period is open. Now that notice of preparation is posted on the city’s website and goes into much more detail about the project purpose. But here tonight we wanted to focus on the 2 most fundamental aspects of Project purpose here. \nYerba Buena SX80: The 1st of those is to restore and enhance the recreational opportunities at the Berkeley waterfront. Now\, the most visible of those opportunities is the pier itself and the public access on the pier. But\, as you’ll see tonight\, there are multiple other recreation improvements that are part of this project. \nYerba Buena SX80: and then\, of course\, to provide that 0 emission\, all electric ferry service between Berkeley and San Francisco. \nYerba Buena SX80: Of course we can’t operate a ferry with without Wida. And so the partnership with Wida really is a fundamental aspect of the overall project. \nYerba Buena SX80: This is a good place to note that when the pier was 1st closed in 2015\, the city did seek out engineering estimates for what it would take to simply repair the pier. \nYerba Buena SX80: Those cost estimates ranged from 27 million to 72 million dollars\, and those cost estimates did not include any improvements to the pier\, for things like sea level rise or shoreline resiliency. \nYerba Buena SX80: as you can imagine\, a cost estimate in that range for a recreation only project that does not incorporate any sort of sea level rise is simply not feasible. \nYerba Buena SX80: Partnering with Wida allows this project to add that layer of transportation element to it which opens up transportation funding to support this project that ends up being a win-win where the city is able to make meaningful improvements\, to restore recreation access\, and Wida is able to add this link in their operations that has long been a goal of theirs. \nYerba Buena SX80: This service between Berkeley and San Francisco is part of Wida’s 2050 Service vision. It’s also included in other regional transportation plans\, such as the Metropolitan Transportation Commission Plan Bay Area 2050 and 2050 plus. \nYerba Buena SX80: I just want to note quickly. We refer to this as the Berkeley waterfront. But it’s important to note that\, in fact\, this entire area that we define as the Berkeley waterfront are public tidelands that are held in trust by the city of Berkeley. \nYerba Buena SX80: Okay\, so this is coming back to those exist that existing condition. And I’m gonna run through quickly some of the key \nYerba Buena SX80: infrastructure and amenities that exist at the Berkeley waterfront. \nYerba Buena SX80: Okay\, so for starters here we have skates on the bay. This is just north of the project area. This is an existing and operational restaurant. Of course we have the pier itself currently closed to the public \nYerba Buena SX80: moving south just on the southern tip of the Berkeley waterfront\, just south of the project area\, is 199 seawall. \nYerba Buena SX80: formerly known as his Lordships restaurant. This restaurant has been vacant and closed for several years now\, but the city is actively working on bringing on a new tenant \nYerba Buena SX80: just north of there we have the seawall parking lot. This is a multi-use parking lot that has been intermittently closed since 2020. It’s currently open during our highest use visit periods primarily\, summer weekends \nYerba Buena SX80: coming around the bend sort of in the center of this project area. Here is Shorebird Park. \nYerba Buena SX80: which includes the shoreboard Nature center shoreboard park hosts\, workshops and classes\, field trips and summer camps\, as well as having multiple barbecue areas that are reservable by the public \nYerba Buena SX80: continuing east easterly just adjacent to Shorebird Park. Here is adventure playground. This is my favorite playground in Berkeley. If you haven’t been\, I encourage you to visit. It’s a playground\, an interactive playground that is actively constructed by the kids while they’re there. It’s really unique in the entire Bay area. \nYerba Buena SX80: We do have a bit of a typo on our legend here. So number 8 here adjacent to adventure playground is Cal Sailing Club\, which is a nonprofit organization that offers sailing and windsurfing lessons and programs. \nYerba Buena SX80: Next to Cal sailing. Here\, again\, a bit of a typo on our presentation is Cal Adventures\, which is also known as Uc Aquatics Center. This is run by Uc. Berkeley\, and offers classes and programs for kayakers. Sailing\, paddle\, boarding\, and rentals. \nYerba Buena SX80: Just across the street is the Berkeley Marina Sportsman center\, which is essentially a bait and tackle shop\, offering fishing supplies and snacks\, and then\, right next to that is Hana Japan\, which is another existing operational restaurant. \nYerba Buena SX80: We\, of course\, have the Berkeley Marina\, and it’s worth mentioning the guardian sculpture here\, which is actually a sculpture that is protected by Berkeley municipal code. And so we’ll be working around that sculpture. \nYerba Buena SX80: And then\, finally\, we have\, of course\, our public roadways within the project area. So we have University Avenue which travels east\, west and connects the Berkeley waterfront to downtown Berkeley and Seawall Drive\, which travels north south along the water. In this vicinity \nYerba Buena SX80: this slide provides an overview of the public parking available at the Berkeley waterfront. The areas in shaded green here represent over 1\,600 parking stalls that are managed and regulated by the city of Berkeley for all of our waterfront users. The reason we included this slide is because what we’ve heard very consistently from our existing waterfront users is concerned for how this project will impact their access to parking \nYerba Buena SX80: Kittleson traffic engineers have authored a parking and transportation demand management study. The draft of that study is posted on our website\, as well as an addendum to that draft which was authored to answer specific questions and concerns. We heard from the public on the draft report. \nYerba Buena SX80: What that analysis does is. Look at each one of these parking lots in detail and uses multiple years of data to assess the existing usage and occupancy of these parking lots. The report identifies 2 specific parking lots in addition to seawall drive \nYerba Buena SX80: that are well suited for shared use for ferry riders because they have the existing capacity to accommodate that shared use without impacts to recreation access. \nYerba Buena SX80: What the report also does is present specific transportation demand management strategies to reduce the reliance on single cars for ferry riders. And you’ll see some of those transportation demand management strategies tonight\, as they relate to specific built infrastructure\, such as bicycle infrastructure. \nYerba Buena SX80: I’m not going to read this slide out loud\, but the goal here is to give you a high\, level overview of all of the planning efforts underway at the Berkeley waterfront. This is a very big and important project\, but it is by no means the only project underway at the Berkeley waterfront. \nYerba Buena SX80: The top items\, one through 5 are projects that have recently completed construction. The rest of the list is really sort of the entire kitchen sink. What I mean by that is that some of the projects on that list are under construction this summer. \nYerba Buena SX80: Other projects on that list have perhaps completed a planning phase\, but do not have any funding to complete the next phases of environmental design and construction. But we wanted to give an idea of the full breadth of work underway at the Marine\, at the Berkeley waterfront. To both maintain and improve our existing infrastructure. \nYerba Buena SX80: With that I’m going to hand it over to Liz to provide an overview of the proposed project. \nYerba Buena SX80: Thank you\, Liza. \nYerba Buena SX80: I get the fun part I get to actually tell you what we’re thinking about. \nYerba Buena SX80: So here we have a similar graphic that lists a number of things that are being contemplated for this project that I’ll now go through in order. \nYerba Buena SX80: So first\, st as we’ve discussed a key part of this project\, and a key part of the project purpose is to remove and replace the a section of the existing pier that is currently closed\, and install a new pier in breakwater that provides pedestrian access and recreational amenities. Returning these facilities to this area. \nYerba Buena SX80: This will also allow for installation of a new ferry. New ferry infrastructure with 0 emission\, electric Passenger ferry service \nYerba Buena SX80: in order to allow for ferry service to be operational here. The project will need to include a dredging episode\, as Liza explained at the top of this presentation\, that is why our project area extends so far out into San Francisco Bay. \nYerba Buena SX80: The \nYerba Buena SX80: initial designs indicate that this project will only need to do a single dredging episode as part of project implementation. We don’t expect this project to require significant\, consistent maintenance dredging \nYerba Buena SX80: on the public land side. The project includes a new public plaza right where the pier meets the land side\, right around around where Liza pointed out that statue which will be protected in place as she discussed. \nYerba Buena SX80: In addition\, the project includes a number of proposed improvements along University Avenue and Seawall Drive\, which I’ll get into in a moment. \nYerba Buena SX80: and the project involves implementation of a portion of a planned San Francisco Bay Trail Extension\, which we also will have a more detailed graphic on in a moment. \nYerba Buena SX80: Here we have a rendering of the proposed peer. \nYerba Buena SX80: The project proposes to remove and replace a portion of the existing pier with a new pier that provides both pedestrian access and ferry access. As you can see. \nYerba Buena SX80: the portion of the pier that extends perpendicular from the shoreline is in line with the existing pier alignment\, but what this project also adds is the breakwater which we call the sword design\, which also would provide additional public access\, and would serve to protect the ferries during landing. As this is one of the windiest areas in the Bay\, and protection is necessary to allow the ferries to be able to operate and land safely. \nYerba Buena SX80: A total of about 1\,500 feet of pedestrian access for walking\, jogging\, sightseeing\, wildlife\, viewing\, and fishing is proposed as part of this project\, and\, as we’ve stated many times\, this would be a fully electric ferry\, which is very exciting \nYerba Buena SX80: in terms of circulation. As I mentioned\, the project will involve implementing a portion of a proposed Bay trail extension. \nYerba Buena SX80: The red lines here show existing pathways that are not currently designated as San Francisco Bay Trail. Largely these are composed of existing sidewalks\, whereas the green it shows existing Bay trail extension. \nYerba Buena SX80: So I know it’s hard to see on this graphic. But the green here that’s by the sailing club that’s existing Bay trail extension. And then it continues\, there is existing pathway here in red\, but it’s not official bay trail. It’s a pretty degraded surface. What this project would provide is implementing a portion of this bay trail. Extension in this dotted line along Seawall drive up to the pier to connect these systems and improve that circulation. \nYerba Buena SX80: It would also provide additional return public access in the form of the pier and its breakwater\, as shown here. \nYerba Buena SX80: the project would also is proposing to include a raised cycle track along University Avenue that would go straight to the ferry to provide more efficient and safer cycling opportunities for potential commuters or visitors of the ferry service which in turn would also allow people to visit this area more easily without the need to bring a car. In addition. \nYerba Buena SX80: Actc is has existing and would include proposed stops that would allow users to take the bus from \nYerba Buena SX80: downtown Berkeley into the ferry for another option for A public transit connection to the ferry system. The inset map on the bottom right here shows that actc bus route. \nYerba Buena SX80: We’d next like to highlight as consistent with the project purpose that Liza went through earlier. The ways in which this project is consistent with Bcdca plan policies \nYerba Buena SX80: and just highlight. Some of the policies that are in the existing Bay Plan that we feel are supportive of this project. There are a number of policies in the Bay Plan that are supportive of multimodal connections and public transportation. We’re just highlighting some critical ones here. Specifically\, recreation policy number 9. We are aware that this project is within \nYerba Buena SX80: a waterfront park priority use area shown in green here. \nYerba Buena SX80: Which priority use areas\, as you probably know\, have some special requirements for them. \nYerba Buena SX80: however\, according to the recreation policy\, ferry terminals are allowed in waterfront park priority use areas and marinas\, fishing piers and launching lanes\, provided that the development and the operation of the ferry facilities do not interfere with current or future park and recreational users and navigational safety can be assured. \nYerba Buena SX80: In addition\, this policy states that terminal configuration and operation should not disrupt continuous shoreline access\, and that facilities provided for the park in Marina\, patrons\, such as parking should not be usurped by ferry patrons\, and that shared parking arrangements should be provided to minimize the amount of shoreline area needed for parking. \nYerba Buena SX80: And with that I’m going to pass it back to Liza. \nYerba Buena SX80: So I mentioned that the city conducted public outreach during the feasibility study from 2019 to 2021. \nYerba Buena SX80: When we started our current efforts\, one of the 1st things that Rincon looked at for us was environmental justice\, and how the project had thus far met or not met environmental justice outreach. \nYerba Buena SX80: beginning in 2025. Again\, with Rincon’s support\, we initiated a comprehensive public outreach effort to update the public and receive public feedback on this project with a focus on environmental justice and underrepresented communities. \nYerba Buena SX80: I believe the last of these presentations we just did on Friday. So I think we can now close that this phase. What I’m not going to list all of these out loud. But you’ll see here we have gone to almost 2 dozen of our community groups and community events to present this project. \nYerba Buena SX80: and what we’ve heard from the public is broad support for this project in particular\, for having a ferry service\, a 0 emission ferry service in West Berkeley an area that is underserved in particular\, for Cross Bay transportation needs. \nYerba Buena SX80: we have heard really consistently. The second bullet here concerns about the parking availability\, especially for our existing recreation users. And as we explore parking regulations such as paid parking concerns about how that could impact low impact residents. A lot of ideas from the public. People are really excited about the idea of having\, like pop up food \nYerba Buena SX80: vendors and pop up events in the new Plaza \nYerba Buena SX80: and a lot of excitement about bringing this public amenity back to the public with peer access. \nYerba Buena SX80: So\, as I mentioned\, we’re right here on the 1st half of 2025\, wrapping up our engineering technical studies and our conceptual design. We’ve just published our notice of preparation for an Eir\, and that public scoping period is open\, I believe\, until May 18.th \nYerba Buena SX80: And we’re turning now to developing our detailed design. \nYerba Buena SX80: If all goes as as planned\, we will have a bid ready set of plans with permits in hand by early 2027\, and be ready to start construction. \nYerba Buena SX80: And as noted here we do\, you know\, fully acknowledge this is a briefing. We will be back in front of this Design Review Board\, and are really excited to get your feedback today on ideas for how to organize our future presentations to best serve you. \nYerba Buena SX80: And that is it for our presentation. Thank you. \nYerba Buena SX80: Okay\, thank you very much. That was very clear and great job. So just we’ll have some clarification questions. Now\, I just want to kick off with a couple\, and we’ll keep going. Just a clarification as you move towards construction of the sources of funding confirmed for construction. Yet \nYerba Buena SX80: no\, we do not have construction funding in place\, yet. Do you have targets for where you \nYerba Buena SX80: are looking for construction. We do as you can imagine. The last several months have been a lot of change with expectations for future funding\, but we have been working with Wida to identify transportation\, related funds as well as \nYerba Buena SX80: as other funding sources for different elements of the project. So so we do fully anticipate that this project\, in the long run may be broken into phases for the construction depending on how that construction funding comes through. Right? Thank you. And just a question about \nYerba Buena SX80: I just wanna make sure I understood what you said about the new pier construction. Will you remove\, demolish all of the \nYerba Buena SX80: the current piles and then repile for the new pier. Or do you just replace the decking and upgrade it? Great question within the footprint of the new pier? We will be completely demolishing the old pier \nYerba Buena SX80: beyond the footprint of the new pier sections. Portions of the old pier will be removed as mitigation. Exactly how much of the old pier is removed remains to be determined. That will be something that we largely based on feedback from the regional water quality control board and the other environmental agencies. Okay\, thank you. \nYerba Buena SX80: And just a contextual question\, I know a lot of this work is still in process. But \nYerba Buena SX80: in terms of proposed Wida Ferry service. Can you just describe what the anticipated numbers of hours of service\, how many ferries stop there a day? Yep\, absolutely. So. Wida has published their planned service in their 2022 Berkeley business plan\, which is available on their website. What that plan envisions is service roughly every half an hour during the weekday \nYerba Buena SX80: peak. Commute hours. So that’s roughly\, I wanna say\, about 7 Am. To 9 Am. In the mornings and 4 Pm. To 6 Pm. And 7 Pm. In the evenings on the weekends they envision running the ferry service only hourly. They do include in their business plan the \nYerba Buena SX80: the the option for running occasional special event service\, such as for large games or concerts. \nYerba Buena SX80: and there is also consideration of future expansion to add service between Berkeley and Larkspur. They don’t go into a level of detail as far as how often that ferry service would run\, and it’s hard to tell from the illustration. But what is the capacity of an electric ferry that’s illustrated? Yeah\, that’s to be determined. Yeah\, we what we’re working on now is whether the \nYerba Buena SX80: ferry that they are. As I mentioned\, Wida is currently in contract to design and construct their 1st electric ferry. \nYerba Buena SX80: We don’t know for certain whether that particular ferry will serve this terminal\, or whether we will have a different ferry\, a different vessel serving this terminal. I mean just approximately\, I mean\, there’s the Treasure Island example. I believe it’s approximately 250 people is the capacity of the ferry. The business plan does include that. I just don’t recall it off the top of my head. That’s fine. I mean\, just trying to get a sense of whether it’s a \nYerba Buena SX80: you know\, a Treasure Island interim 50 person ferry. It’s more on the order of magnitude of 200. Yep. Got it? And just a broader contextual question. \nYerba Buena SX80: did the work done by your consultant? \nYerba Buena SX80: the traffic? Planning\, parking\, planning\, consultant? Have they? Have they established \nYerba Buena SX80: where the people are coming from? Who are going to use. \nYerba Buena SX80: The ferries are a way of getting some guidance on that\, so they have not established points of origin of ferry riders. What their analysis does do is\, it looks at the ridership projections which are in the Wida 2022 Berkeley business plan\, and then looks at mode split for how people will arrive \nYerba Buena SX80: based on those ridership numbers from Weda\, and they look at both. That mode split without any transportation demand management. And then with implementation of transportation demand management strategies. Okay. \nYerba Buena SX80: good. Thank you. Gary\, please go ahead. Clarifying questions. I don’t have any questions right now. Thank you. \nYerba Buena SX80: Kristen. Thank you so much for the presentation very informative. \nYerba Buena SX80: I have a sort of a big picture question \nYerba Buena SX80: about the waterfront specific plan and the status of that\, and the kind of uses that are being contemplated. And specifically\, it was my understanding that \nYerba Buena SX80: some of the parking lots were being looked at as opportunities for like housing or other uses is there? How does that fit into this work? Yeah\, great question just to clarify the waterfront specific plan does not include any housing elements\, because since this is public tide lands. Private housing would never be allowed by the trust agreement. Excuse me. \nYerba Buena SX80: The waterfront specific plan was published in draft. I believe the most recent draft update was in the fall of \nYerba Buena SX80: 2023. Since then City Council has directed staff to redirect the funding that existed to finalize the waterfront specific plan to instead expand the scope of the waterfront specific plan to look at Cesar Chavez Park. \nYerba Buena SX80: That work is happening now. But what that means is that there is no longer funding to finalize the waterfront specific plan\, including to do any of the environmental impact. So future scheduling or funding for finalization of the waterfront specific plan\, including sequel analysis\, for it is not identified at this time. \nYerba Buena SX80: Okay\, thank you for that. \nYerba Buena SX80: I also just had a few sort of questions about \nYerba Buena SX80: the ferry. Would this be? I know a number of the ferry terminals have parking for ferries overnight. Is that something that would happen here? Or is this just a stop? And they go park somewhere else\, just to stop and go ferries would not be birthing overnight in this location. Okay? And then \nYerba Buena SX80: just curious about the one time dredging. I don’t know the ins and outs of how the permit works with dredging\, but it seems \nYerba Buena SX80: I’m curious. Why\, you only think it would be one time\, and if you wouldn’t want \nYerba Buena SX80: to be able to do more dredging if it was important for ferry operations. Yeah. So Weda generally has been moving away from maintenance dredging. They don’t want to have to do maintenance dredging. It’s expensive\, as you can imagine. And so our goal with the initial dredge design is to conduct the dredging in such a way that they do not have future maintenance dredging. Now \nYerba Buena SX80: will we be successful? That remains to be seen. And so there is the chance that in the long term future additional maintenance stretching would be required. If that is the case\, that is something that Weda would approach as a separate project. It is not part of this project. \nYerba Buena SX80: and then \nYerba Buena SX80: in terms of the parking that maybe this is like way too detailed of a question. But \nYerba Buena SX80: do you have thoughts on how you would separate the ferry parking from the recreation parking like. Is there \nYerba Buena SX80: a a payment\, you know? Do you have to pay to park there now\, would you have to pay that park there in the future. How how do you sort of \nYerba Buena SX80: anticipate that those would be \nYerba Buena SX80: controlled or separated? Or\, if if at all\, maybe not\, that’s a great question. And and the short answer is\, we haven’t gotten there yet. So what our parking study has done is identified \nYerba Buena SX80: where specifically\, we have the capacity for this shared use. The next question\, of course\, is\, well\, how do we ensure that full day ferry commuters? Only park in those locations that we have determined\, and for that. We’re going to need an overhaul of our parking regulations at the waterfront we’ve presented to our public at our parks recreation and Waterfront Commission meeting a very preliminary range of \nYerba Buena SX80: alternatives to get high level public feedback on that. In general\, we’ve heard support for paid parking \nYerba Buena SX80: for ferry riders while also hearing a real priority to make sure that parking for recreation users remains free\, or at least very\, very low cost. But our next step in that is to continue to refine and iterate on those parking regulations\, and figure out not only what the regulations are\, but what that means from signage and layout of parking lots\, etc\, to make sure that we have very clear communication to all of our users \nYerba Buena SX80: where they can and cannot park \nYerba Buena SX80: and then I. It sounds like the \nYerba Buena SX80: waterfront. Specific plan is not moving forward. So \nYerba Buena SX80: is there any related redevelopment that we should be understanding that may happen in this area in the future. \nYerba Buena SX80: Sounds like not housing \nYerba Buena SX80: more kind of hotel and commercial uses. Or do you have a sense of that at all\, just so that we can have that in our minds as we’re sort of thinking about. Yeah\, it’s a great question. I think that within our project area that we showed in yellow. There are no other meaningful \nYerba Buena SX80: developments or redevelopments on the horizon. We are actively working on getting a new leaseholder into the 1 99 seawall restaurant building. So that certainly\, if we are successful\, you know\, bringing that restaurant back online is probably the most \nYerba Buena SX80: nearest term redevelopment type project that would happen otherwise. A lot of the efforts at the Berkeley waterfront really are to maintain and replace in kind our current infrastructure. \nYerba Buena SX80: Thank you. \nYerba Buena SX80: Okay\, thanks. Kristen. Bob\, clarifying questions. Yes\, I have a couple. So \nYerba Buena SX80: do you think the conceptual design is sufficient for environmental review? \nYerba Buena SX80: Often more recently\, in my experience\, I’m a design engineer retired\, but we often have to go beyond a conceptual design to what we would consider \nYerba Buena SX80: preliminary design. \nYerba Buena SX80: Yeah. So I think what we showed you today as the conceptual diner design is certainly not sufficient for for the environmental review. And so what what we’re working on is making sure that our environmental team has the level of detail that they need. So the 30% design development and the sequel document development are happening together to make sure I didn’t see that on your bar chart. Although I guess there was some overlap. But \nYerba Buena SX80: But I I think I made my point. So okay\, thank you. That’s good. \nYerba Buena SX80: will. Alternative locations for the ferry terminal terminal be considered in the Eir\, or has it been scoped yet. \nYerba Buena SX80: The full scope of what alternatives will be studied in the air has not been finalized. There’s no discussion on what those alternatives might be or \nYerba Buena SX80: not\, we haven’t settled on what those alternatives might be. That’s part of the scoping process is getting feedback from the public. \nYerba Buena SX80: Will the project go before the Engineering Criteria Review Board. I think that’s a question for it will. Okay\, yeah\, I’m an engineer. So I’m asking things that you know are different than \nYerba Buena SX80: the other kind of design \nYerba Buena SX80: So I just. I haven’t looked at the public comments. And how is it that with all the public access. I get the impression that there are some people that feel that they weren’t re reached\, or they\, you know\, and these people seem to be \nYerba Buena SX80: primarily swimmers\, or you know\, people that maybe aren’t organized as much as the bay trail\, or or whatever \nYerba Buena SX80: do you have any thoughts on that? \nYerba Buena SX80: I think the city has conducted a really extensive public outreach. Now I will say that in our our 2025 efforts we’ve really been focused on getting to some of our less represented users. So not our existing waterfront users\, but some of our communities who may not be as aware of the opportunities in the Berkeley waterfront. Yeah\, it might be a little bit of a cultural issue\, you know. I’m a surfer\, obviously not in the bay. \nYerba Buena SX80: but the windsurfers and swimmers and fishermen. They’re kind of like a different group or groups\, and so they don’t necessarily I didn’t see them in your list \nYerba Buena SX80: of people necessarily. So I think it’s something that you might. Wanna anyway\, I think that’s enough of that. Thank you. I made my point and I appreciate that you will reach out to others. \nYerba Buena SX80: I am also skeptical about dredging once\, and not having to dredge again\, especially given how short that is\, and I also have looking at the design. I I have a lot of questions as a \nYerba Buena SX80: as an engineer that’s worked on ferry facilities and the like. So I think. You probably do need a little more detailed analysis. It’s just my gut feeling not to criticize anyone. \nYerba Buena SX80: I think I had a bunch of other questions\, but I think oh\, I see. Oh. \nYerba Buena SX80: have you in this analysis that you’ve done so far? Have you studied the the wake production and wash\, prop\, wash\, or jet wash from these facilities\, either from the ferries and how they affect \nYerba Buena SX80: other surrounding features and activities. \nYerba Buena SX80: So our Coe\, our design engineers are currently looking at the the shoreline kind of wave action\, and how that is impacted by both the ferry operations and the breakwater itself. That report hasn’t there? It’s in work right now. We haven’t received a draft of that yet\, but that is something that they’re looking at. Yeah\, that’s great\, because that’s a big deal in a lot of places\, even though there is \nYerba Buena SX80: some conception that catamarans don’t produce waves and don’t have wake wash. But in fact. \nYerba Buena SX80: I think we’ve observed it\, even though they’re not as bad as the monoholes. The old Golden Gate Ferry monoholes\, but they they do have an effect which needs to be looked at\, I think carefully. \nYerba Buena SX80: Thanks. \nYerba Buena SX80: Thank you. Appreciate it. Thanks\, Bob. You know I just have one clarifying question which I meant to ask before the illustration just reminded me \nYerba Buena SX80: just to check. So public access on the new pier extends beyond the breakwater out a further 200 feet\, or something like that is that correct? Yes\, that’s correct. So there’s an extension of the pier beyond the breakwater that is purely for additional recreation\, right? And then it terminates at a point where there’ll be some demolition\, partial demolition to be determined of the correct. Okay. \nYerba Buena SX80: thanks for that good. \nYerba Buena SX80: Can I? Can I ask a question now\, now that I’ve had time to listen in a little bit. What is I just trying to get a sense of the magnitude of \nYerba Buena SX80: Berkeley Parks project versus the Weda project. Is there like a percentage? Or are you dividing them by scope areas or by by financial responsibility? Or and yeah\, it’s a great question\, and it’s largely Tbd\, so what the city and Weda established in our 1st memorandum of understanding is that we would essentially develop cost\, sharing agreements for the future phases as needed. \nYerba Buena SX80: This phase that we’re in now\, the city was able to obtain 100% of the funding. And so we didn’t need to get into the cost sharing for construction\, or we didn’t need to get into the cost\, sharing for design and environmental quite yet\, depending on where the construction funding comes from at a very high level. Conceptually the city and we have agreed to a cost sharing model where the \nYerba Buena SX80: Weda pays for those elements that are for the ferry. The city pays for those elements that are purely for recreation\, and that we come up with a cost sharing for those those facilities that are both. \nYerba Buena SX80: But any details related to that future cost sharing have yet to be determined\, and will really be influenced by where that funding is coming from\, and and how we need to separate it\, based on the limits of the funding. \nYerba Buena SX80: is there\, like an estimated total project costs at build out\, or any anything to kind of establish\, like\, how big is it? Yeah. And I should have had a slide for that. I apologize. If I’m I’m the the rough number is\, I believe\, about 86 million dollars for all of it. Now\, that’s from the feasibility study. And so we’re in the process right now of updating that based on the updated conceptual \nYerba Buena SX80: study. So the number will change based on the updated design. But that gives you the order of magnitude of what they estimated\, based on the feasibility study. \nYerba Buena SX80: Okay\, thank you. And do you do you think I mean\, it seems like the Wida part is probably much more. They have much more responsibility\, for all the marine construction is must be much more expensive than landscape improvements\, is there? Yeah. And the slide I have\, for that does break it out. And again I’m going to have to sort of \nYerba Buena SX80: do my best to remember. But if\, at a rough order of magnitude. I believe it was about 65 million was the pure. The ferry related infrastructure\, and 14 ish 1 million was the land side improvements. I will say that of that waterside improvement. Some of that is\, of course\, dual use. Right? It’s it’s both both for Weda and for public recreation. So that doesn’t necessarily equate to a 1 for one when it comes to cost sharing \nYerba Buena SX80: great. Thank you. Seems like a very fortuitous partnership. \nYerba Buena SX80: Okay\, well\, I think \nYerba Buena SX80: that that concludes the board\, clarifying questions. And before we move to public comment\, I meant to say this earlier\, but \nYerba Buena SX80: this really is a spectacular site. So \nYerba Buena SX80: we see a lot of very spectacular places around the bay. But this this is really quite special. So I’m glad you guys are giving it a lot of attention\, and I’m glad that the outreach process will continue. And on that vein let’s move to public comment \nYerba Buena SX80: and \nYerba Buena SX80: I’m just going to remind people of the Protocols again. So any member of the public attending the meeting in person. You can notify the Board Secretary if you want to make a comment. And I think there are some already there. And we’ve talked about the procedure for online making public comments\, raise virtual hand. Or if you’re joining by phone press. Star 9 to make a comment. \nYerba Buena SX80: okay. So Ashley\, I’m gonna hand to you\, I think\, just to summarize some of the feedback received already. If you could do that\, thank you. \nYerba Buena SX80: I’m actually would request that we have the comments in the room 1st and then online\, and then I’ll summarize because some of the names are the same\, and I’d rather the \nYerba Buena SX80: comments come from them. Then the individuals\, by summarizing their own comments. Excellent! Okay\, so if you could lead with public comment. \nYerba Buena SX80: Alright. 1st up is Jim Mcgrath. \nYerba Buena SX80: Good evening. My name is Jim Mcgrath. I’m the founder of a group called save the Berkeley Pier. I’ve been working on public access for 50 years or so \nYerba Buena SX80: Coastal Commission since 76. So \nYerba Buena SX80: I I’ve got a presentation. But I’m gonna start with Saturday. I was at a fundraiser at \nYerba Buena SX80: Sylvia Mclaughlin’s old house for save the Bay\, and it reminded me of how important \nYerba Buena SX80: Bcdc. And Bcdc. Design Review Board is in all of this. You are the protectors of the bay from unnecessary fill. \nYerba Buena SX80: So you have a responsibility to consider alternatives\, and you have the responsibility to make sure that does that design a public access works\, and we don’t lose it. \nYerba Buena SX80: And of course I’m worried about that. So this is a typical day in Berkeley\, Marina. You can see that there’s surf skis and the like. \nYerba Buena SX80: and it says\, Where’s the park we were promised now\, why\, why do I say that \nYerba Buena SX80: just to show that they’re not all water users? In fact\, only about 20% of the user people that actually go to the water. This is the Sunday Drum circle. I didn’t bring the Pakistani family\, and like \nYerba Buena SX80: so why am I worried about the park? Well\, this is the pre-fill photo\, and I was surprised by the city’s comments that they don’t know where it was because they got a permit from Bcdc. They know what the jurisdiction is. \nYerba Buena SX80: The bay was filled to create a permanent recreational area\, not a commuter term. \nYerba Buena SX80: no matter how you\, Gussey it up. It was created for this purpose. \nYerba Buena SX80: and that was supported by Sylvia Mclaughlin. \nYerba Buena SX80: What have they done with it? \nYerba Buena SX80: This is the closed parking of that recreational area. \nYerba Buena SX80: There’s a windsurfing access point directly ahead of that. \nYerba Buena SX80: They made it pretty hard to park and reach. \nYerba Buena SX80: This is the east dock used by swimmers wingers\, kiteboards\, these surf\, skis\, and the like \nYerba Buena SX80: closed\, and we just heard from the city that\, despite a recent passage and an increase in the parks tax of 3.5 million dollars\, of which the Council promised a 1.5 million dollars to the Marina. \nYerba Buena SX80: They don’t need funds to repair it this year. \nYerba Buena SX80: This is the marina\, which is the recreational area where kids are taught to sail. Kids are taught to kayak. \nYerba Buena SX80: but not these days. It hasn’t been maintained. \nYerba Buena SX80: This is the path. I made the mistake of trying to ride out to his lordships on the path next to the bay \nYerba Buena SX80: boy. That was a mistake. This is how the city of Berkeley doesn’t maintain it. \nYerba Buena SX80: So I’m gonna go back and invoke. \nYerba Buena SX80: Sylvia Mcglaughlin\, and I’m going to remind you that how we preserve \nYerba Buena SX80: resources is we create emotional value in. You can see the smile on Sylvia’s face. It was on my bucket list\, too. \nYerba Buena SX80: I had her in the bay. \nYerba Buena SX80: It’s nice to have your butt under the water to see what it looks like from that. Do I have a minute because I would like to correct some of the comments that the city made. If if I don’t have the time\, I’ll do it in writing \nYerba Buena SX80: it is at your discretion chair. If you want to give an additional minute\, we we’ve consumed 3 min. \nYerba Buena SX80: Yes\, how many comments have we got? \nYerba Buena SX80: We have \nYerba Buena SX80: sorry. I only ask\, because I want to be fair. And we have we 6 comments in the room? \nYerba Buena SX80: No one online has raised their hand. Yet. Can I ask the okay. \nYerba Buena SX80: please go ahead. Well\, the 1st thing let’s go to the cost. Since it was the last question. The cost estimate is 121 million dollars. For the total cost\, including ferries. That’s the 1920 21 cost estimate. It looks like the ferry cost is doubled. \nYerba Buena SX80: So there’s about maybe another 30 or 40. The city’s proportion of that under the agreement\, is somewhere between 25 and 35 million\, not 14 million \nYerba Buena SX80: as as far as equity. What I want you to know is that just last Friday the city \nYerba Buena SX80: proposed to start initiating\, charging for parking in the Marina\, including on those lands filled that Bcdc. Retains jurisdiction on. Now I worked for many years to try to get the bay trail and the improvements into the into the Marina. They diversified the kinds of users massively. As I said\, only about 20% of us have anything to do with getting to the water. \nYerba Buena SX80: If you start charging for parking. You are going to undiversify Berkeley\, Marina\, and to talk about equity while you’re planning to charge the poor. \nYerba Buena SX80: I find a little offensive. I’ll leave the rest of the comments for later. \nYerba Buena SX80: Thank you very much. Next Speaker \nYerba Buena SX80: Andrew Sullivan. You are up next\, followed by David Davidson. \nYerba Buena SX80: And do they have my documents. \nYerba Buena SX80: Okay? Great. \nYerba Buena SX80: 1st of all\, I’d just like to thank you all for dedicating yourselves to protecting the shoreline. It means a lot to us. \nYerba Buena SX80: I’m the current president of the San Francisco Board Sailing Association\, and we represent about 5\,000 voice board sailors around the Bay area. 250 of our board sailors identify the East Dock and the South Basin specifically as their launch point. That may seem like a small number\, but I want you to keep that number in mind when you’re looking at some of these documents in front of you. Those users launch 3 to 6 times a week \nYerba Buena SX80: from march through September. They’re super users of the bay\, and they use that dock that’s closed as their primary launch point. Okay\, I want to talk about a couple of things here with you. \nYerba Buena SX80: One is\, I want to put Berkeley into the regional access network of the East Bay because it exists as part of a fragile network of access between the kind of Richmond area all the way down through Oakland. Okay? And there’s a limited number of access points that we have to get to the water. \nYerba Buena SX80: I want to talk about the Albany Case study that’s being completely ignored when considering this this group and how there is latent demand out there that’s activated when you simply maintain facilities. And I want to talk about what happens when access is being pinched in these really critical urban areas. Okay\, now with with the parking area. You know\, I was just trying to figure out how many parking spaces do we have in the area. So I looked at Berkeley \nYerba Buena SX80: and the and the parking spaces that give us access to the South Basin. All right. Specifically\, I looked at Albany Beach. Everything there. I looked at Point Isabel and I looked at Marina Bay\, both parking lots of Marina Bay\, Vincent J. Barbara J. Vincent as well as Shamada. Okay of those spots. You have 1\, 63 of the 1 87\, right? I counted them on using Google Maps\, all right. And the shot from Google Maps is on a Monday\, a working Monday at 1030 Am. In February. \nYerba Buena SX80: Those are the Google map photos that I used using those photos\, the 187 spaces in the South Basin\, lot 163 are occupied in the photo. \nYerba Buena SX80: all right. Of the 85 at Albany\, 85 are occupied\, and 3 cars are waiting to park. That’s a common occurrence at Albany\, which I’ll return to. \nYerba Buena SX80: Of the 107 at Point Isabel 62 are occupied\, and of the 68 at Marina Bay 54 were occupied. That’s a Monday morning during the week. Okay\, that’s a really\, because everybody here in the recreational community knows this. We have trouble already accessing some of our sites. And that’s why we’re so worried about what’s happening in Berkeley. It’s not just Berkeley. It’s the regional \nYerba Buena SX80: role that we need you to maintain. Help us maintain to have access to the shoreline right? Not just anything. It’s parking near the shoreline that’s really critical. \nYerba Buena SX80: Just to give you context\, there are already 4\,000 104\,100 shoreline parking spaces dedicated to ferry commuters between Larkspur\, Vallejo\, Richmond\, and and Oakland. \nYerba Buena SX80: 2\,000 in larkspur\, 750 in Vallejo\, 362\, in Richmond and 1\,000 in Oakland. Those are on our shoreline. Okay\, that’s how we’re already prioritizing access to our shoreline. Your time is up. \nYerba Buena SX80: It’s 3 more minutes from allocated. That’s okay. I’ve got 2 more points I’d like to make. \nYerba Buena SX80: Please go ahead. Thank you. The case study of Albany is important because it has real implications for how we’re looking at parking in Berkeley\, right? I contacted Chris Barton\, of the East Bay Regional Park District\, who is a manager of the Bay Trail extension to the Albany Bowl. \nYerba Buena SX80: They tracked 187 daily users to the bulb prior to their renovation. All right\, all they did was formalize access to the beach via the Bay Trail extension that people were already traveling through the parking lot. They formalized it. They upgraded the Porta potties to create permanent structures there\, and they repaved a trail that was already existing on the southern neck of the bulb. \nYerba Buena SX80: They made some minor beach extensions\, but they actually fenced off most of the beach\, and they created a nicer pop out in one section. No new facilities to create new use at that spot you regularly see 250 people at the beach \nYerba Buena SX80: at the same time throughout the day. That’s why you see 85 of the 85 spots taken on a Monday morning. Right? So that beach improvement effort activated latent demand. And they’re not all swimmers and kiters running to the beach. This is what’s what’s happening. There’s a user group that isn’t here. And these are the people that just come to the shoreline to hang out with their family \nYerba Buena SX80: and be by the shoreline. It’s now impacting our ability to use it. We can’t get to the beach anymore. Swimmers don’t come to that beach because of the parking issue. I think Berkeley needs to look at what happens to the space when they actually open up the docks\, open up the pier\, create bay trails that people can walk on. You’ll see much more baseline usage there if you had a park that was properly maintained. So the parking studies that are happening \nYerba Buena SX80: are happening at an age year in the park status. So the Albany Case study\, I think\, should be in your minds when you’re thinking of what real use demand is in the area. Now\, one of the interesting groups out there that’s really hard to organize is the anglers. \nYerba Buena SX80: Right? Anglers are all over the place\, but they don’t have an official representation. Okay\, they’ve lost a couple of critical sites. The pier was a major site loss. The Bay trail extension to Albany Beach\, knocked off another part\, which is the road between Tom Bates\, sports Field\, and Albany Beach was a major fall over for them. They got knocked off that toll plaza got closed by the port authority recently. \nYerba Buena SX80: The result has been a dramatic increase in the number of board sailors being caught in fishing lines. \nYerba Buena SX80: In the past 6 months we had 4 over this weekend \nYerba Buena SX80: right? We had fishermen hanging out in his lordship’s cove\, which is one of our unofficial launches \nYerba Buena SX80: who wouldn’t move and they have a right to be there. The problem is these users now\, because we’re having access pinched from Albany and closure of other sites are moving into and competing territorially with other recreational users. So the anglers are a really good case. Study of the kinds of tensions that arise when we don’t look at the regional impacts of access to our shoreline. \nYerba Buena SX80: And I want to end this with my favorite. You’ll need to wrap up. My favorite quote from Ee. Cummings is always the more beautiful answer\, the more beautiful\, who asked the more beautiful question. And I think we need to ask more beautiful questions about what our shoreline is for than what we’re asking right now in Berkeley. Thank you very much. \nYerba Buena SX80: Madeline King\, followed by Robin Mangini. \nYerba Buena SX80: Thank you. \nYerba Buena SX80: Hello! I’m Madeline King. I’m I’m a member of the San Francisco Board Sailing Association\, and I am a recreational user at the waterfront\, and I just have a very short comment\, which is \nYerba Buena SX80: selfishly\, as a recreational user\, I’m 1 of the people you were speaking about that \nYerba Buena SX80: didn’t feel like I was polled about my feelings on the on the matter. And indeed\, that area is used by so many. \nYerba Buena SX80: as you say\, swimmers and wingers and Windsurfers and fishermen\, and etc. My one of my main concerns is the whole parking situation\, which is\, I know\, a lot of people’s concern. \nYerba Buena SX80: And \nYerba Buena SX80: people are able to park there now for free. And if that changes and there’s parking fees\, and people have less access than they did before\, that’s a concern. I’m also just curious about \nYerba Buena SX80: another large vessel moving regularly through the bay. That’s something that just\, you know. Just seeing your your map of the \nYerba Buena SX80: of the route. Just just having more large vessels moving regularly through the bay\, seems like of \nYerba Buena SX80: something that should be thought about\, which I’m sure it has been. But anyway\, those are just my my brief thoughts\, and thank you very much. \nYerba Buena SX80: Thank you very much. \nYerba Buena SX80: Hi. My name is Robin. Me and Jeannie. I’m 1 of the co-administrators of the queer swimming group called Queer Selfies Gay for the bay. We’re approximately 200 swimmers that swim in the East Bay\, and I’m here today to comment on the development project because the entry point at 1 99 seawall\, where his lordships currently is\, is a rocky train\, but is one of the 2 spots \nYerba Buena SX80: in the East Bay that our swimmers currently use to access regardless of the tide. We are also a group of a lot of floaters and people with people with disabilities. So we can’t access the water necessarily on piers\, and from what I saw from the picture\, it seems like the recreational use is going to be limited to a pier. So our big concern is accessing the water. \nYerba Buena SX80: regardless of the tide\, and\, as previously mentioned by the board sailors. It’s a really impacted area. So the idea of there being more concentration of more people\, more cars needing to park and limiting access really concerns us\, and we also were not consulted or included in the previous conversations around users. So we just want to make ourselves known. There’s also the Odyssey swimming group and the East Bay. Open water swimmers\, groups. We’re not the only ones\, and while there is some \nYerba Buena SX80: overlap\, we are a ragtag bunch. We’re not distant swimmers. We’re not competitive swimmers or people that have in the last 5 years developed this group in order to support our mental health and access the water. So this \nYerba Buena SX80: point at his lordships\, along with the enc boat ramp in Alameda\, are only one of 2 spots we can access\, regardless of the tide. So it’s a really crucial entry point for us. \nYerba Buena SX80: So we just want the Bcdc. To ask the city to conduct a more thorough and accurate analysis of parking waterfront access \nYerba Buena SX80: and commit to protecting the public amenities. Because\, as you’ve heard from my other \nYerba Buena SX80: public commenters\, it’s degraded to a point where we’re all really impacted into one area. \nYerba Buena SX80: Thank you. \nYerba Buena SX80: Thank you very much. \nYerba Buena SX80: Next speaker\, we do have online comments. So Julie Allen\, I’m going to unmute you. And you will have 3 min to speak. \nJulie Allen – swimmer: Thank you. Do you hear me now? \nYerba Buena SX80: Yes. \nJulie Allen – swimmer: All right. I’m Julie Allen. I’m a Berkeley resident and a Marina swimmer. As Robin mentioned the East Bay open water swim group uses the the Berkeley launch. We swim all over including at the Berkeley Marina\, and the \nJulie Allen – swimmer: lordship’s entry is\, as previously mentioned\, the spot where we can watch\, regardless of the tide. This is not true of the sailing basin. Anybody that’s gone down there at low tide understands that you cannot swim \nJulie Allen – swimmer: and I’ve been following this as as best I can. It’s been a little tricky. We we did manage to get a little bit of swimmer representation very\, very\, very late in this process. We’re really glad to be included. For my part\, I think I I would really like to see better parking analysis. The the parking analysis I’ve seen so far seems to exclude peak hours. \nJulie Allen – swimmer: As Andrew is saying\, the parking is very tight at at peak times. \nJulie Allen – swimmer: 1 point that I think\, also deserves a little bit of consideration is the. There are many lots in the marina. \nJulie Allen – swimmer: but many of them are not appropriate for all uses\, and so I I really hope that a lot of attention will be paid to assuring appropriate parking\, preserving\, appropriate parking\, and access for the the recreational users that that launch at that seawall space. \nJulie Allen – swimmer: I submitted some some of these comments already\, so you have them in writing\, too\, but I I thank you for letting me also talk. \nJulie Allen – swimmer: and that’s it. \nYerba Buena SX80: Thank you very much. I appreciate. Appreciate that. Input \nYerba Buena SX80: next speaker\, Erin dime\, I’m going to ask you to unmute. You’ll have 3 min to speak. \nYerba Buena SX80: Oh\, shit. \nErin Diehm: Hi! Board! Can you hear me? \nYerba Buena SX80: Yes. \nErin Diehm: Thank you for taking my comment. My name’s Erin Dean\, and I’m a resident of Berkeley\, and I care deeply about this location\, and I have to say. I’m actually very sad to see that we are discussing bringing in a ferry here\, because this is a place where people like to go to actually escape from Urban all the urban \nErin Diehm: busyness and have a place where it’s quiet. And you can really just enjoy nature. \nErin Diehm: Something that’s been a challenge is that the planning process\, the the waterfront specific plan\, has been bifurcated from the planning from the pier\, and I don’t. I\, as a community member. I simply do not understand that when we’re trying to come up with a vision for what should happen at the waterfront\, how is it that the pier. If the pier and this Wsp. Were not combined. \nErin Diehm: I’m very concerned about the economics of the area. We know that many of our transit organizations are actually struggling right now\, like Bart A/C. Transit and the Mta. And the ferry system is getting around at least a billion dollars of subsidies. I would like to see those kind of monies put into our ground transportation to get people out of their cars. \nErin Diehm: I’ve had real concerns about recreation that you’ve heard from some of the prior speakers\, and that it will bring it in the ferry will actually change the feel of the area. And a comment was made earlier about the potential of actually having parking fees which will actually \nErin Diehm: contribute to undiversifying the area. And the Kittleson parking study actually found that something like 25 to 30% of the visitors at the waterfront are actually low income. And I really worry about what will happen if parking fees are initiated there\, and parking is more restricted\, and I’m also concerned that it will interfere with the access of the windsurfers and swimmers and the wingers\, and all these people who just enjoy \nErin Diehm: access to the water. We know that his lordship\, parking lot\, has 250 spaces\, and right now I think it’s being considered to hand those over to the \nErin Diehm: to the pier. And also my last is around the environment. I care very deeply about the environment\, and I’m very concerned about what’s happening with climate change? I think you all probably have seen the state of the birds that just came out. The annual review that shows that all bird species are actually in decline except for one kind. So right now there are 10 terminals\, and the plan is to have 26\, or 27 terminals. \nErin Diehm: So I’m worried about ship strikes. \nErin Diehm: I’m worried about noise both above and below the water. I’m worried about increased turbidity that the fairy would add\, I’m concerned about light pollution which we know contributes to loss of insects and aquatic life. \nErin Diehm: And I am also concerned because in my experience I’m just a community member\, but that eirs only actually look at listed species. And so many of the species that could be impacted won’t even be considered in the environmental review. And we are on the Pacific flyway. So this is an extremely important location for biodiversity. And these kinds of developments can really just contribute to death by a thousand cuts. So essentially\, they’re creating a new highway on the water. \nErin Diehm: And I’m not. I have. I hear that I’m very concerned. And urge you to look at this very critically. \nYerba Buena SX80: Thank you. Your time is up. \nYerba Buena SX80: Thank you for that comment or comments. I should say \nYerba Buena SX80: we did receive further written submittals. I’ll read what has not already been stated. Tonight we did hear from other open water swimmers as well. There were observations that there’s been a decline in the maintenance of recreational assets\, and that these facilities are utilized by various groups\, including swimmers\, anglers\, and non-motorized recreation vessels. \nYerba Buena SX80: and then also observations that swimmers need a place to park\, a place to enter and exit the water\, and a water area relatively free of fast watercraft\, mentioning also a shower\, would be a nice amenity as well. \nYerba Buena SX80: and then from Lee Huo\, at the Mtc. Bay Trail. Their comment letter included recommendations to complete the Bay trail segment\, 4\,151 and improve segment 4\,154\, as identified in the Bay Trail Gap closure study. \nYerba Buena SX80: They requested that the Drb. Consider the width needed for the proposed Bay trail. Considering the level of demands that will be created by the proposed pier and ferry terminal as well as expected\, future levels of use in the area. They requested a 20 to 30 foot Wide Bay Trail corridor\, with additional trail width to be considered based on the need for greater capacity to accommodate the expected level of Use Bay Trail. \nYerba Buena SX80: They wanted to see the Bay trail extended to the former\, his lordship site requesting that the proposed Bay trail alignment be updated to be consistent with the adopted Bay trail alignment shown in the Bay Trail Gap map \nYerba Buena SX80: and then finally\, consider Bay trail amenities and consult with the Bay trail and active transportation team at Mtcabag to ensure consistency with the Bay trail goals and design needs \nYerba Buena SX80: and we have one more comment from somebody online. \nYerba Buena SX80: Randall Hagen\, I’m going to ask you to unmute. You’ll have 3 min to speak. \nRandahl Hagen: All right. Thank you. \nRandahl Hagen: Just echoing a lot of the comments regarding the board sailors and the swimmers access. The current access is actually great in Berkeley compared to what we have elsewhere\, especially the fake grass and the showers\, is a great amenity \nRandahl Hagen: with adjacent parking it creates a great place to gather\, and we feel a little more protected with our gear and our cars altogether \nRandahl Hagen: from vandalism\, crime\, and whatnot. We do walk barefoot across that parking lot. And to that currently non-functioning dock. \nRandahl Hagen: That dock is only really functional\, as other people said during low tide. And so you were forced to go over to the lordships. If it’s an afternoon low tide when the wind is up\, or if you want to swim. \nRandahl Hagen: I would pressure to formalize an access point with similar amenities\, or even better amenities over at Lordships. \nRandahl Hagen: because that would be a preferred access point\, I think\, for a lot of us. \nRandahl Hagen: What we want is somewhere where we can park Close. We carry gear that is unwieldy\, not easy to carry through parking lots. We’re barefoot. \nRandahl Hagen: We want it to be safe. We would like to have priority access to those amenities for the the activities we’re doing. \nRandahl Hagen: We would like to have deep water access\, and that would be at lordships. So just to echo everything \nRandahl Hagen: that has been said\, we’d love to have this opportunity to really enhance the amenities that are already there\, and protect what we have. Thank you. \nYerba Buena SX80: Thank you very much. \nYerba Buena SX80: No more hands raised. Okay. \nYerba Buena SX80: thank you\, Ashley. And I just want to say thank you to everyone who’s commented the in-person and online comments. \nYerba Buena SX80: I think this is one of \nYerba Buena SX80: the most important periods of our meetings\, because this is a chance where we really get to hear from stakeholders\, and particularly stakeholders who are interested enough to come and speak to their issues. So\, and you’ve provided a lot of detail which is incredibly helpful. \nYerba Buena SX80: So at this stage we will move to the next section of the agenda. \nYerba Buena SX80: and this is going to be a dialogue between the board \nYerba Buena SX80: and which everyone hears. But what we’ll be talking about is key information that we would want to have included for a project review\, and \nYerba Buena SX80: and we were asked by the city\, and we should keep this in mind\, as well\, you know\, as to \nYerba Buena SX80: the type of \nYerba Buena SX80: the type of content\, but also the approach to the materials that they’ll be preparing for us. You know\, what? \nYerba Buena SX80: What do we like to see? And examples of that \nYerba Buena SX80: are typically things like making sure that connection points to the Bay trail are clearly documented\, and we have sufficient context. So that would just be an example. \nYerba Buena SX80: So bored. \nYerba Buena SX80: I mean\, we’ve heard a lot of a lot of detail from the city and from the public comment on \nYerba Buena SX80: issues. Well\, 1st of all\, the proposed scope of the work\, but also issues and concerns and opportunities. \nYerba Buena SX80: And we usually look at our own policies and speak in relation to that. And of course\, I’m just gonna run down a few things and just set this up. And then let’s talk so clearly for us\, access is is a prime sort of central part of what we’re doing\, and that’s land and water access. And so I think we should talk about that\, and not from the standpoint of \nYerba Buena SX80: You know what the answers are\, but what we would want to see \nYerba Buena SX80: developed in relation to that. And I think a subset of that is clearly the relationship between access and and parking \nYerba Buena SX80: and transit and other modes. \nYerba Buena SX80: Then I think we\, you know\, if we just go down our own policies. Views are very critical. \nYerba Buena SX80: The \nYerba Buena SX80: environmental access\, particularly birds\, is something from a policy standpoint\, but also the broader biodiversity aspects. Safety is important \nYerba Buena SX80: the users and consideration of the users. \nYerba Buena SX80: The broader socioeconomic context\, which Staff usually put a lot of effort into that as well in working with the proponents. \nYerba Buena SX80: and then just related to safety. You know\, potential conflict points\, \nYerba Buena SX80: issues associated with. You know\, perhaps the current \nYerba Buena SX80: more decrepit condition of some of the parts of whether it’s the bay trail or access to the water. \nYerba Buena SX80: those sorts of issues. And then we usually talk about planting. If there’s new planting\, we don’t have details of anything like that yet. \nYerba Buena SX80: And there is a proposed plaza\, and we usually talk about signage and orientation. So these are just all of the things that we typically talk about and look for information in the in the packages. But I I just made a list. But \nYerba Buena SX80: I think maybe\, Kristen\, you might like to just sort of build on that from the standpoint of you know. What’s what you would see is critical to. \nYerba Buena SX80: you know\, to help the project proponents and to help all of the constituent stakeholders. As this really important project moves forward. \nYerba Buena SX80: Thank you. \nYerba Buena SX80: Well\, I just wanna echo. It’s really fantastic to see so many people who use the bay come out in support of their activities and hopefully\, to Bob’s earlier point. Maybe this is\, provide an opportunity for you all to kind of know each other and get organized and advocate for the things that you’re interested in. Hopefully\, you’re now plugged into this process. \nYerba Buena SX80: I there’s sort of 3 things that I’m thinking about with this. The 1st is \nYerba Buena SX80: just the ferry\, I think. \nYerba Buena SX80: an interesting question. I I sort of think of bringing a ferry because I in my mind I had the waterfront master plan still for this area in specific plan in my mind that there were going to be more development here\, and to me a ferry service is a major transit node. That kind of unlocks redevelopment opportunities\, and I think it would be interesting to know \nYerba Buena SX80: if the ferry service competes with Bart service\, or does it add another transit benefit like. \nYerba Buena SX80: how does the fairy factor into a regional story? \nYerba Buena SX80: Because I’m sort of surprised to hear from people who are worried about the environment\, but not in favor of ferries\, the 0 emissions ferry service. To me that seems like a you know\, 40% of our emissions come from transportation. \nYerba Buena SX80: And you know this is so close to the freeway where we can just see the cars pumping out gas. And so the opportunity regionally to add a 0 carbon emission connection is a is a major benefit\, potentially. And so I think understanding and maybe quantifying the benefit\, there would be helpful. \nYerba Buena SX80: I also think ferries very bike compatible as a mode. It’s very easy to just ride your bike on and put it. And so I think the idea of these bike connections\, but making sure that they feel really safe to get across the freeway. That’s an important factor\, I think. To look into. \nYerba Buena SX80: I also think. You know\, for this parking question. \nYerba Buena SX80: I think that I like to say design is sort of a tool against these 0 sum conversations. We can’t have that. These ideas compete with each other right? There’s like this analogy of 2 people are arguing over an orange\, and then it turns out one wants the peel for their cake\, and the other one wants the juice\, and everybody got the piece that they wanted. And as I’m listening to the public comment\, it sounds like a lot of the recreational activity is happening towards the southern end. \nYerba Buena SX80: And \nYerba Buena SX80: maybe there’s a way to think about the ferry parking happening in a different place\, such that you aren’t creating competition between these uses\, and I think something interesting for Kittleson to look at would be\, you know. \nYerba Buena SX80: I I’m hearing the concerns around paid parking\, limiting access. I also know that \nYerba Buena SX80: charging for parking is a way to organize \nYerba Buena SX80: access in a more equitable way. So\, for example\, if you have parking passes for\, let’s say\, the queer silkies. If you’re part of the queer silkies\, you get a parking pass\, or if you’re part of you know one of these groups. You get a parking pass which allows you to park there in in a certain zone\, and it’s directing people to park in that zone. And then if you’re a ferry user\, you get a parking pass which only works in this other area\, and maybe it costs a different amount. I do think introducing paid parking actually helps \nYerba Buena SX80: all interested parties get the levers that they’re interested in and sort of organize transportation behavior in a way that is more optimal for all parties. \nYerba Buena SX80: and I think an interesting study would also be\, you know\, parking plans. Often our tem plans are often looking at kind of peak demand times\, which is\, would be relevant to the ferry. But it sounds like there’s a lot of kind of atypical non-peak use here\, and just really doing a real study. To understand what those implications are would be really helpful. \nYerba Buena SX80: And then I think the last piece would be. \nYerba Buena SX80: you know\, looking at what are the zones that the kites? Where are they parking and doing their setup with their equipment? And then where are they? You know\, in the bay\, actually\, what areas are they using? What areas of the fisher folk using what areas of the swimmers using? What would the path of the ferry be? Actually just put these things all on paper together and understand \nYerba Buena SX80: what the conflicts might be. There might actually be less conflicts than anticipated. Or it might be it would help. \nYerba Buena SX80: maybe illuminate the ways of managing and minimizing those conflicts. \nYerba Buena SX80: But I just echo what Jacinta said this\, you know\, this seems like a really important opportunity. The presence of transportation here really unlocks more transit connectedness to this area. For folks who want to come enjoy this place. It unlocks more\, you know\, carbon free or low carbon. I don’t know if it’s I don’t know exactly how it’s 0 carbon. There’s offsets or something\, but low carbon transportation. \nYerba Buena SX80: you know\, that’s a those are very important regional priorities. So that’s my long\, rambling thoughts. \nYerba Buena SX80: If I could just build before we go to the others. Just on that point of\, you know\, a \nYerba Buena SX80: putting some effort into user mapping and lines of movement conflict points. Potentially\, you know\, tying it back to parking could be very helpful. \nYerba Buena SX80: I remember over the years in planning projects. You know\, we would sometimes do this\, you know. Exercise\, you know\, a day in the life of\, you know. But you could imagine\, with the different stakeholder groups to actually map. \nYerba Buena SX80: you know\, when are the swimmers there? And you know\, given. Obviously there are title implications\, for where the optimal points of entry are but you know what? What are the hours of the day\, you know\, fishing. You know. Just sort of really attempt to to map all of these key stakeholder groups. Obviously the sailing and windsurfing\, and all of that is is part of it. \nYerba Buena SX80: because it is a pretty complex area. And you know\, so over there today\, just walking around. And I was reminded of you know\, there are a lot of different user groups. And you’ve made a great effort at outreach\, particularly to understood unserved people. But yeah\, just sometimes diagramming these things start to help everybody understand what a what the real picture is\, you know. And you know\, why is it \nYerba Buena SX80: parking area at 80% capacity on a Monday morning in February. Who are those people there\, you know? Is it all swimmers\, or is it? \nYerba Buena SX80: Do they all go? You know\, if you looked at that same parking lot 2 h later in the middle of winter. Is that empty? Or\, you know\, are they cars that are there overnight? You know\, all of these questions are important\, I think\, to help help us understand the access picture. But I I also think that \nYerba Buena SX80: you know\, as as far as the \nYerba Buena SX80: information we like to see\, you know\, clarification of how people will be oriented. As you move into the design phase\, you know\, if you’re coming in\, you know\, are there lots that are \nYerba Buena SX80: predetermined for different activities that occur adjacent those lots? \nYerba Buena SX80: And how does the signage work. How does the access work? You know\, if there is paid parking\, or. \nYerba Buena SX80: you know\, access \nYerba Buena SX80: cards that guarantee different user groups\, different areas\, you know\, just sort of thinking that through just being able to articulate that strategy would be extremely helpful. \nYerba Buena SX80: I’ll just hold off on that. But\, Gary\, do you want to jump in with informational \nYerba Buena SX80: areas that or or materials that you would like to see in a design presentation. \nYerba Buena SX80: Sure\, maybe. Maybe. I don’t know exactly the materials\, but maybe the the topics more. So I I wanna say\, first\, st I that for the \nYerba Buena SX80: some people who are sort of anti ferry or concerned about the industrialization of the waterfront. I mean\, most people know. I think\, that Wida was started after the 89 earthquake right when the when the bridge was not functioning\, and you know it was a lifeline to the East Bay. So I think that is good context for the discussion about the about the ferry\, and whether it belongs there or not. \nYerba Buena SX80: and it is listening to all the comments I mean. It’s so informative\, and I seems like the key would be in terms of materials. Maybe it’s circulation of all types. You know how. Not just cars. But is there going to be any public transit that would be provided to serve this area better. How do bicycles arrive? \nYerba Buena SX80: You know there’s recreational bikers. And then there’s cyclists who are moving pretty quickly \nYerba Buena SX80: through. If we if you just looked at every type of possible circulation. \nYerba Buena SX80: and and overlaid them\, I think that would be super informative. \nYerba Buena SX80: And then\, obviously\, there’s a \nYerba Buena SX80: competition between\, you know\, more parking\, and\, you know concerns about open space and ecology. \nYerba Buena SX80: So I don’t have any answers for that. But it would be great to if you could figure out how to deal with the circulation in some manner other than cars\, and \nYerba Buena SX80: that kind of raises the issue of the pay parking\, which \nYerba Buena SX80: maybe that’s interesting. That \nYerba Buena SX80: you know\, paying for parking can help to to organize the parking. That’s an interesting concept. \nYerba Buena SX80: Seems like residents of Berkeley\, for example\, could have free parking. You know. I’m thinking about how in San Francisco. You know\, you can show your driver’s license at the Arboretum\, and you can enter for free. So you know\, there\, there might be some kind of program like that\, so that certain people are not\, you know\, affected\, you know. \nYerba Buena SX80: And then beyond that\, I think a phasing plan. You know to what extent you know to the extent that one could be put together to show you know how how the project would proceed\, and how each \nYerba Buena SX80: project could be \nYerba Buena SX80: brought to completion\, so that it can stand alone. Without the completion of the other phases\, because we know there’s gaps between phases and some phases\, you know\, never happened. \nYerba Buena SX80: I think that would be helpful. \nYerba Buena SX80: And then\, finally\, I wanted to address the issue of maintenance \nYerba Buena SX80: or I think that we we would like to address the issue of maintenance\, because \nYerba Buena SX80: it seems like it’s easier to find funding to\, to build things and to make new things. But it’s harder to find funding to maintain things\, and maybe that’s A comment. \nYerba Buena SX80: or it would be great to hear. You know \nYerba Buena SX80: city of Berkeley\, comment on your challenges for maintaining parks\, you know. I think it would be informative for everybody to hear that\, because I’m sure that you have challenges that not\, you know everyone is is aware of\, but I know it’s it’s \nYerba Buena SX80: It’s an issue everywhere. On every project we look at. You know that the you know how to ensure that the maintenance will continue over time\, and should there be an endowment or some kind of a fund\, you know\, to maintain these things once there’s a commitment to build them\, should the maintenance\, you know\, become part of the funding somehow. \nYerba Buena SX80: Those are my comments for now. Thanks. \nYerba Buena SX80: Hello! \nYerba Buena SX80: But \nYerba Buena SX80: thank you. So. Thanks for the presentation that was really useful. I’ve worked on a number of ferry projects and \nYerba Buena SX80: transportation ferry projects commuter ferry and \nYerba Buena SX80: yeah\, I you know. I think they definitely provide a great service. \nYerba Buena SX80: So I’m just gonna talk about\, I think\, answer the question as to what I think might be helpful for \nYerba Buena SX80: moving the design to a resolution that’s easier for the the Drb. And the Ecrb to re review. And this is\, you know\, more of an engineering perspective. \nYerba Buena SX80: I do recommend moving up more detailed analysis as part of the Eir to support the Eir \nYerba Buena SX80: I think clarifying access and recreational zones\, if you will\, similar to what \nYerba Buena SX80: Jacinta said about you know\, you know\, how do users use the site? Where\, how do they transit it. And when are they there? And things like that\, I think\, is really important\, temporal and spatial \nYerba Buena SX80: and \nYerba Buena SX80: I think wake and local traffic issues may be worth taking a look at\, and in particular\, what the operational \nYerba Buena SX80: constraints might be on the on the ferry. \nYerba Buena SX80: both due to environmental as well as traffic\, which includes recreational \nYerba Buena SX80: and I you know it’s I. I do think it would be worth considering the latent demand for \nYerba Buena SX80: this space. Although I recognize that SQL. Often looks at \nYerba Buena SX80: existing conditions which are frequently already degraded. \nYerba Buena SX80: So. But I think I think the city could probably consider through the public outreach. \nYerba Buena SX80: Consider this latent demand for parking and and access that we’ve heard about. \nYerba Buena SX80: So more specifically\, getting into the \nYerba Buena SX80: more detailed analysis on the engineering side. I think a marine analysis engineering criteria needed to inform the environmental \nYerba Buena SX80: process. I think you probably need to go to a preliminary design level \nYerba Buena SX80: to provide more confidence in the facilities\, their effectiveness and effects\, including. \nYerba Buena SX80: a comparison of alternatives\, although it’s not clear what those alternatives would be. But \nYerba Buena SX80: whatever they are\, some analysis of their \nYerba Buena SX80: function and impacts are probably worthwhile \nYerba Buena SX80: before deciding which alternative to to go forward with\, and in particular wave analysis\, including wave reflection and breakwater design \nYerba Buena SX80: obviously current. You know\, tidal currents and winds are important\, too. We mentioned \nYerba Buena SX80: our our skepticism about a 1 time dredging \nYerba Buena SX80: I know the sediment delivery to the bay has been reduced since the \nYerba Buena SX80: 18 fifties. Gold mine slug came through\, but I don’t think it’s that \nYerba Buena SX80: small. I think there’s still a lot of suspended sediment. So I’m a little surprised. \nYerba Buena SX80: I think ferry wake projections is something that needs to be addressed. I’ve seen this not addressed adequately\, and it becomes a problem in the public process with people that are sensitive to it. \nYerba Buena SX80: And that the waves that are generated by the ferries are not just\, you know\, local. \nYerba Buena SX80: They also depend on the pathway that the ferries take as they’re going as they’re planing\, and then they go from planing to displacement and from displacement to planing\, they throw a big wave or a series of bigger waves. So in the past. People have looked at ferry routes and \nYerba Buena SX80: actually have had to restrict path the the path of the ferries and also their speed \nYerba Buena SX80: to avoid throwing waves objectionable waves in certain areas. \nYerba Buena SX80: So that’s an issue with catamarans. But I I think it’s an important thing to that. The Wida should really \nYerba Buena SX80: take to heart. \nYerba Buena SX80: Frequency of operational conditions is something like you. Could I worked on the downtown ferry terminal here in San Francisco\, and there’s like we looked at all this stuff\, and I think there are other examples. But the question is\, how how often will the ferry be functional with different configurations due to things like high tides\, winds\, big waves\, currents\, all those things. So the operational \nYerba Buena SX80: criteria are important. And I think again\, conflicts with existing water dependent uses \nYerba Buena SX80: the last comment I would like to make\, which is \nYerba Buena SX80: You know\, it’s kind of personal to me that I think citizen well-being is important. \nYerba Buena SX80: and there is a demand for access into the water as well as near the water\, and I think\, which I think is arguably not recognized\, commensurate with its importance. \nYerba Buena SX80: So I’ll I’ll leave it at that. \nYerba Buena SX80: Thank you\, Bob. I’d just like to speak to 3 3 areas \nYerba Buena SX80: the 1st is the bay trail itself\, and in the presentation you accurately depicted that it’s in variable condition and the widths are variable. And so what we would like to see when you come back with you know the design \nYerba Buena SX80: advanced would be a clear diagram. \nYerba Buena SX80: showing you know what the width of the trail as proposed\, newly proposed\, and you know\, one of the public comments suggested\, you know\, between 20 and 30 feet. But I suggest\, if Staff could work with the city to determine that\, because the \nYerba Buena SX80: the real I mean the the trail at the moment is much narrower than that\, and I think some locations may prevent the trail being 18\, we would typically see 18 to 20 feet. So. And and I think if you could work through\, you know\, is it a shared use recreational bike pedestrian trail. You know how \nYerba Buena SX80: delineated that is. I noted that you’re going to have a which is great. A separated bike trail or bike path coming down University Avenue\, which is excellent\, but you know just a very clear thought through diagram on the bay trail improvements. \nYerba Buena SX80: The second area I want to comment on is the plaza you mentioned a plaza\, and you know there’s no design yet\, but you know we can all envisage\, you know\, some space there as the as the \nYerba Buena SX80: the new ferry pier meets the land\, and you know\, I \nYerba Buena SX80: plazas become complex points of interaction and cross movements\, and some\, I think\, there was mentioned of potentially programming. But it is an extremely windy area. So I would \nYerba Buena SX80: like to see when you come back with a some developed design\, how the wind would be handled. How open versus protected that space is how functional\, you know\, it can really be because\, \nYerba Buena SX80: but you know a plaza that no one can really stay in\, because it’s not. \nYerba Buena SX80: Maybe there’s not comfortable places to sit\, or \nYerba Buena SX80: you know\, there could be a variety of reasons. But but in this case\, I think the environmental wind factor is is very significant\, so you know\, like to see how that is being handled as well as it says. You know\, there’s a \nYerba Buena SX80: sign\, right? It’s a sign for the one of the restaurants. I think that is right at the entry to the Ferry Wolf. And so you know just how all of how the views you know\, to the the facility will be handled would be important. \nYerba Buena SX80: And then\, you know\, one thing that would help us a lot\, I think\, based on some of the comments we heard. You know. \nYerba Buena SX80: parking lot that’s not open. \nYerba Buena SX80: a access point to the water that isn’t functioning. \nYerba Buena SX80: It would be helpful to understand if there are some items that \nYerba Buena SX80: standard would go into a standard operational maintenance budget for the city where the city might be. \nYerba Buena SX80: Independently of this project going to be able to resolve some of these through maintenance. It would be helpful when you come back to be able to say. \nYerba Buena SX80: You know \nYerba Buena SX80: the city. The current city Ops budget\, you know\, is proposing to undertake these specific repairs. So we don’t have to. \nYerba Buena SX80: You know we don’t have to\, even if that’s to keep it going for a few years until the bigger project happens. That might be helpful for us to understand if there’s any capacity for the city to do that. \nYerba Buena SX80: Okay\, Kristen\, one more thing. Yeah. \nYerba Buena SX80: I know that the Bay area is a region that loves process. We love our process\, and sometimes it can make things so much better. And sometimes it also makes it very challenging to do things that seem like a very good idea\, like 0 emission transportation. And \nYerba Buena SX80: I. I don’t know what kind of activity Berkeley has in Sacramento. But there are some State legislations that are looking at streamlining Ceqa or removing Ceqa requirements entirely for electric trains. I don’t see why ferries couldn’t be added into that ferry projects. \nYerba Buena SX80: I would also say that\, you know\, projects like Mission Rock Pier 70 were able to get exemptions from State lands to be able to do housing. \nYerba Buena SX80: So I think some of these big regional issues\, like housing and carbon free transportation are so critical and imperative to the crisis crises that we have going on right now\, I think it would be maybe good to look at some of those opportunities to streamline some of these things to happen. \nYerba Buena SX80: and I would also say\, I don’t know if this is controversial or not\, but I would say to the extent that you could include any future dredging within the existing permit\, I \nYerba Buena SX80: would say we need to make sure it’s very easy to continue to operate. \nYerba Buena SX80: to start\, to operate and continue to operate 0 emissions. \nYerba Buena SX80: transit systems. And so if you think this might need future dredging\, and you’re not including that as part of the permit\, because you think it makes it more complicated. \nYerba Buena SX80: I would say\, do everything you can right now to set up a system that will work to Jacinda’s point about ongoing operations and maintenance. Do everything you can to make sure that this is a system that will work well in the beginning\, and will continue to work really well into the future. \nYerba Buena SX80: That’s my best advice. \nYerba Buena SX80: So I think that’s it for our feedback. \nYerba Buena SX80: we don’t want to make it sound like there is \nYerba Buena SX80: so much to do that we’ll never get there. But but certain key diagrams\, I think\, will help a lot\, and Staff can work with you on that. \nYerba Buena SX80: And \nYerba Buena SX80: I think just in summary\, I’m very grateful that everyone who spoke tonight took the time to do that. I think\, for the city. It’s very helpful to hear \nYerba Buena SX80: everyone express their concerns and interests and different groups to be able to \nYerba Buena SX80: be heard. And so I just encourage that process of interaction to keep going over the next few months as well\, because\, the more alignment there is\, you know\, when we see you next \nYerba Buena SX80: the more straightforward everything becomes. \nYerba Buena SX80: So thanks for the good work so far and thank you everyone for coming along tonight. Ashley. \nYerba Buena SX80: Let’s see\, there is a project team response. Is that correct? \nYerba Buena SX80: If you would like to provide any closing comments. You are welcome\, to \nYerba Buena SX80: sure. I’d like to provide some commentary on the dredging. \nYerba Buena SX80: we\, from the analysis that’s been done regarding sediment transportation. \nYerba Buena SX80: We do think eventually another dredging episode would be needed. We’re not saying never \nYerba Buena SX80: from a practical standpoint\, though\, the way that \nYerba Buena SX80: Bcdc and other regulatory agencies typically handle maintenance. Dredging is at most a 10 year time horizon \nYerba Buena SX80: and based on the analysis that’s been done. It’s not expected that additional maintenance dredging would be needed for more than 10 years\, therefore we do not expect to be able to include it in the project. There’s a distinction between maintenance dredging and one time dredging efforts. And that’s how the agencies tend to slice it. So that’s the practical reason for why we are not including additional dredging in this permitting effort. It’s not to say it won’t ever be needed. It’s that we kind of can’t \nYerba Buena SX80: thank you for that\, Liz. \nYerba Buena SX80: yeah\, I don’t think I have any other project specific comments to make. There’s a lot here for us to digest. I really appreciate your thoughtful review and consideration\, and we look forward to coming back with you with much greater detail in the future. Well\, thank you very much. We will look forward to seeing the project as it advances. It’s a very important project. So thank you. \nYerba Buena SX80: Okay. \nYerba Buena SX80: So I think with that we’ll adjourn the meeting. \nYerba Buena SX80: Would someone propose a motion? I’d like to make a motion to adjourn. \nYerba Buena SX80: Thank you. Gary. Second\, second\, Kristen. Okay\, all in favour. \nYerba Buena SX80: Hi\, okay. The meeting is closed. Thanks very much. Everyone.\n \n\n \n\nInput the main text content for your module here. \n\n\n\n\n\nState\n\nState:  \nCloseOpen \nChoose whether or not this toggle should start in an open or closed state. \n\n\n\n\n\nLink\n\nModule Link URL:  \n \nWhen clicked the module will link to this URL. \n\n\nModule Link Target:  \nIn The Same WindowIn The New Tab \nHere you can choose whether or not your link opens in a new window \n\n\n\n\n\nBackground\n\nBackground: \n\n\n\n\n				\n			\n\n\n\n				\n			\n\n\n\n				\n				\n				\n				\n			\n\n\n\n				\n				\n			\n\n\n\n\n\n\n\n\n\nBackground Color:  \n\n\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n			\n		\n\n\n\n\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n			\nUse Background Color Gradient:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\n\n\nGradient Stops:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nAdd two or more color stops to your gradient background. Each stop can be dragged to any position on the gradient bar. From each color stop to the next the color is interpolated into a smooth gradient. \n\n\nGradient Type:  \nLinearCircularEllipticalConical \nLinear gradients radiate in a single direction across one axis. Radial gradients radiate from the center of the background in the shape of a circle. \n\n\nGradient Direction:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nChange the direction of the gradient by choosing a starting position within a 360 degree range. \n\n\nGradient Position:  \nCenterTop LeftTopTop RightRightBottom RightBottomBottom LeftLeft \nChange the direction of the gradient by choosing a starting position within a 360 degree range. \n\n\nRepeat Gradient:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\nIf enabled\, defined gradient stops will be repeated until the outer boundary of the background is reached. \n\n\nGradient Unit:  \nPercentPixelsFont Size (em)Root-level Font Size (rem)X-Height (ex)Zero-width (ch)Picas (pc)Points (pt)Centimeters (cm)Millimeters (mm)Inches (in)Viewport Height (vh)Viewport Width (vw)Viewport Minimum (vmin)Viewport Maximum (vmax) \nDefine the units of your gradient stop positions. \n\n\nPlace Gradient Above Background Image:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\nIf enabled\, gradient will be positioned on top of background-image \n\n\n\n\nBackground Image:  \n\n\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n			\n		\n\nUse Parallax Effect:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\nIf enabled\, your background image will stay fixed as your scroll\, creating a fun parallax-like effect. \n\n\nParallax Method:  \nTrue ParallaxCSS \nDefine the method\, used for the parallax effect. \n\n\nBackground Image Size:  \nCoverFitActual SizeStretch to FillCustom Size \nChoosing "Cover" will force the image to fill the entire background area\, clipping the image when necessary. Choosing "Fit" will ensure that the entire image is always visible\, but can result in blank spaces around the image. When set to "Actual Size\," the image will not be resized at all. \n\n\nBackground Image Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nBackground Image Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nBackground Image Position:  \nTop LeftTop CenterTop RightCenter LeftCenterCenter RightBottom LeftBottom CenterBottom Right \nChoose where you would like the background image to be positioned within this element. You may want to position the background based on the the image's focus point. \n\n\nBackground Image Horizontal Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nBackground Image Vertical Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nBackground Image Repeat:  \nRepeatRepeat X (horizontal)Repeat Y (vertical)Repeat with space betweenRepeat and StretchNo Repeat \nIf the background image is smaller than the size of the element\, you may want the image to repeat. This result will result in a background image pattern. \n\n\nBackground Image Blend:  \nNormalMultiplyScreenOverlayDarkenLightenColor DodgeColor BurnHard LightSoft LightDifferenceExclusionHueSaturationColorLuminosity \nBackground images can be blended with the background color\, merging the two and creating unique effects. \n\n\n\n\nBackground Video MP4:  \n\n\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n			\n		 \nAll videos should be uploaded in both .MP4 .WEBM formats to ensure maximum compatibility in all browsers. Upload the .MP4 version here. \n\n\nBackground Video Webm:  \n\n\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n				 \n\n						\n				\n			\n					\n				\n			\n		 \nAll videos should be uploaded in both .MP4 .WEBM formats to ensure maximum compatibility in all browsers. Upload the .WEBM version here. \n\n\nBackground Video Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIn order for videos to be sized correctly\, you must input the exact width (in pixels) of your video here. \n\n\nBackground Video Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIn order for videos to be sized correctly\, you must input the exact height (in pixels) of your video here. \n\n\nPause Video When Another Video Plays:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\nAllow video to be paused by other players when they begin playing \n\n\nPause Video While Not In View:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\nAllow video to be paused while it is not in the visible area. \n\n\n\n\nPattern Style:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nPattern Color:  \nChoose Custom Color \n\n\n\nPattern Transform:  \n\n \n\n\n						\n							Flip Horizontal\n						\n					\n\n						\n							Flip Vertical\n						\n					\n\n						\n							Rotate 90 degree\n						\n					\n\n						\n							Invert\n						\n					\n \n \n\n\nPattern Size:  \nActual SizeCoverFitStretch to FillCustom Size\n\nPattern Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nPattern Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nPattern Repeat Origin:  \nTop LeftTop CenterTop RightCenter LeftCenterCenter RightBottom LeftBottom CenterBottom Right\n\nPattern Horizontal Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nPattern Vertical Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nPattern Repeat:  \nRepeatRepeat X (horizontal)Repeat Y (vertical)Repeat with space betweenRepeat and Stretch\n\nPattern Blend Mode:  \nNormalMultiplyScreenOverlayDarkenLightenColor DodgeColor BurnHard LightSoft LightDifferenceExclusionHueSaturationColorLuminosity\n\n\n\nMask Style:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nMask Color:  \nChoose Custom Color \n\n\n\nMask Transform:  \n\n \n\n\n						\n							Flip Horizontal\n						\n					\n\n						\n							Flip Vertical\n						\n					\n\n						\n							Rotate 90 Degree\n						\n					\n\n						\n							Invert\n						\n					\n \n \n\n\nMask Aspect Ratio:  \n\n \n\n\n						\n							Landscape\n						\n					\n\n						\n							Square\n						\n					\n\n						\n							Portrait\n						\n					\n \n \n\n\nMask Size:  \nStretch to FillCoverFitCustom Size\n\nMask Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nMask Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nMask Position:  \nTop LeftTop CenterTop RightCenter LeftCenterCenter RightBottom LeftBottom CenterBottom Right\n\nMask Horizontal Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nMask Vertical Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		\n\nMask Blend Mode:  \nNormalMultiplyScreenOverlayDarkenLightenColor DodgeColor BurnHard LightSoft LightDifferenceExclusionHueSaturationColorLuminosity\n\n\n\n\n\n\n\nAdmin Label\n\nAdmin Label:  \n \nThis will change the label of the module in the builder for easy identification. \n\n\n\n\n\n\n\nIcon\n\nClosed Icon Color:  \nChoose Custom Color \n\nHere you can define a custom color for the toggle icon. \n\n\nClosed Icon:  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nChoose an icon to display with your blurb. \n\n\nUse Custom Closed Icon Size:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\n \nIf you would like to control the size of the icon\, you must first enable this option. \n\n\nClosed Icon Font Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nControl the size of the icon by increasing or decreasing the font size. \n\n\nOpen Icon Color:  \nChoose Custom Color \n\nHere you can define a custom color for the toggle icon. \n\n\nOpen Icon:  \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nChoose an icon to display with your blurb. \n\n\nUse Custom Open Icon Size:  \n\n\n\n				Yes\n				\n				No\n			\n		NoYes\n \nIf you would like to control the size of the icon\, you must first enable this option. \n\n\nOpen Icon Font Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nControl the size of the icon by increasing or decreasing the font size. \n\n\n\n\n\nToggle\n\nOpen Toggle Background Color:  \nChoose Custom Color \n\nYou can pick unique background colors for toggles when they are in their open and closed states. Choose the open state background color here. \n\n\nClosed Toggle Background Color:  \nChoose Custom Color \n\nYou can pick unique background colors for toggles when they are in their open and closed states. Choose the closed state background color here. \n\n\n\n\n\nText\n\nText Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nThis controls how your text is aligned within the module. \n\n\nText Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nText Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nText Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nText Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nText Shadow Color:  \n \nThe color of the shadow. \n\n\n\n\n\nTitle Text\n\nTitle Text Color:  \nChoose Custom Color \n\nPick a color to be used for the Title text. \n\n\nOpen Title Text Color:  \nChoose Custom Color \n\nYou can pick unique text colors for toggle titles when they are open and closed. Choose the open state title color here. \n\n\nTitle Heading Level:  \n\n \n\n\n						\n							H1\n						\n					\n\n						\n							H2\n						\n					\n\n						\n							H3\n						\n					\n\n						\n							H4\n						\n					\n\n						\n							H5\n						\n					\n\n						\n							H6\n						\n					\n \n \n \nModule Title are created using HTML headings. You can change the heading level for this module by choosing anything from H1 through H6. Higher heading levels are smaller and less significant. \n\n\nTitle Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash Caps\nEmblema One\nEmilys Candy\nEncode Sans\nEncode Sans Condensed\nEncode Sans Expanded\nEncode Sans SC\nEncode Sans Semi Condensed\nEncode Sans Semi Expanded\nEngagement\nEnglebert\nEnriqueta\nEphesis\nEpilogue\nErica One\nEsteban\nEstonia\nEuphoria Script\nEwert\nExo\nExo 2\nExpletus Sans\nExplora\nFahkwang\nFamiljen Grotesk\nFanwood Text\nFarro\nFarsan\nFascinate\nFascinate Inline\nFaster One\nFasthand\nFauna One\nFaustina\nFederant\nFedero\nFelipa\nFenix\nFestive\nFigtree\nFinger Paint\nFinlandica\nFira Code\nFira Mono\nFira Sans\nFira Sans Condensed\nFira Sans Extra Condensed\nFjalla One\nFjord One\nFlamenco\nFlavors\nFleur De Leah\nFlow Block\nFlow Circular\nFlow Rounded\nFondamento\nFontdiner Swanky\nForum\nFrancois One\nFrank Ruhl Libre\nFraunces\nFreckle Face\nFredericka the Great\nFredoka\nFredoka One\nFreehand\nFresca\nFrijole\nFruktur\nFugaz One\nFuggles\nFuzzy Bubbles\nGFS Didot\nGFS Neohellenic\nGabriela\nGaegu\nGafata\nGalada\nGaldeano\nGalindo\nGamja Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Title. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nTitle Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Title to the left\, right\, center or justify. \n\n\nTitle Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Title text. \n\n\nTitle Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Title. \n\n\nTitle Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Title text. This becomes noticeable if the Title is long and wraps onto multiple lines. \n\n\nTitle Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nTitle Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nTitle Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nTitle Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nTitle Text Shadow Color:  \n \nThe color of the shadow. \n\n\n\n\n\nClosed Title Text\n\nClosed Title Text Color:  \nChoose Custom Color \n\nYou can pick unique text colors for toggle titles when they are open and closed. Choose the closed state title color here. \n\n\nClosed Title Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash Caps\nEmblema One\nEmilys Candy\nEncode Sans\nEncode Sans Condensed\nEncode Sans Expanded\nEncode Sans SC\nEncode Sans Semi Condensed\nEncode Sans Semi Expanded\nEngagement\nEnglebert\nEnriqueta\nEphesis\nEpilogue\nErica One\nEsteban\nEstonia\nEuphoria Script\nEwert\nExo\nExo 2\nExpletus Sans\nExplora\nFahkwang\nFamiljen Grotesk\nFanwood Text\nFarro\nFarsan\nFascinate\nFascinate Inline\nFaster One\nFasthand\nFauna One\nFaustina\nFederant\nFedero\nFelipa\nFenix\nFestive\nFigtree\nFinger Paint\nFinlandica\nFira Code\nFira Mono\nFira Sans\nFira Sans Condensed\nFira Sans Extra Condensed\nFjalla One\nFjord One\nFlamenco\nFlavors\nFleur De Leah\nFlow Block\nFlow Circular\nFlow Rounded\nFondamento\nFontdiner Swanky\nForum\nFrancois One\nFrank Ruhl Libre\nFraunces\nFreckle Face\nFredericka the Great\nFredoka\nFredoka One\nFreehand\nFresca\nFrijole\nFruktur\nFugaz One\nFuggles\nFuzzy Bubbles\nGFS Didot\nGFS Neohellenic\nGabriela\nGaegu\nGafata\nGalada\nGaldeano\nGalindo\nGamja Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Closed Title. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nClosed Title Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Closed Title to the left\, right\, center or justify. \n\n\nClosed Title Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Closed Title text. \n\n\nClosed Title Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Closed Title. \n\n\nClosed Title Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Closed Title text. This becomes noticeable if the Closed Title is long and wraps onto multiple lines. \n\n\nClosed Title Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nClosed Title Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nClosed Title Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nClosed Title Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nClosed Title Text Shadow Color:  \n \nThe color of the shadow. \n\n\n\n\n\nBody Text\n\n\n\n\n\n\n\n\n\nBody Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash Caps\nEmblema One\nEmilys Candy\nEncode Sans\nEncode Sans Condensed\nEncode Sans Expanded\nEncode Sans SC\nEncode Sans Semi Condensed\nEncode Sans Semi Expanded\nEngagement\nEnglebert\nEnriqueta\nEphesis\nEpilogue\nErica One\nEsteban\nEstonia\nEuphoria Script\nEwert\nExo\nExo 2\nExpletus Sans\nExplora\nFahkwang\nFamiljen Grotesk\nFanwood Text\nFarro\nFarsan\nFascinate\nFascinate Inline\nFaster One\nFasthand\nFauna One\nFaustina\nFederant\nFedero\nFelipa\nFenix\nFestive\nFigtree\nFinger Paint\nFinlandica\nFira Code\nFira Mono\nFira Sans\nFira Sans Condensed\nFira Sans Extra Condensed\nFjalla One\nFjord One\nFlamenco\nFlavors\nFleur De Leah\nFlow Block\nFlow Circular\nFlow Rounded\nFondamento\nFontdiner Swanky\nForum\nFrancois One\nFrank Ruhl Libre\nFraunces\nFreckle Face\nFredericka the Great\nFredoka\nFredoka One\nFreehand\nFresca\nFrijole\nFruktur\nFugaz One\nFuggles\nFuzzy Bubbles\nGFS Didot\nGFS Neohellenic\nGabriela\nGaegu\nGafata\nGalada\nGaldeano\nGalindo\nGamja Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Body. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nBody Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Body to the left\, right\, center or justify. \n\n\nBody Text Color:  \nChoose Custom Color \n\nPick a color to be used for the Body text. \n\n\nBody Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Body text. \n\n\nBody Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Body. \n\n\nBody Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Body text. This becomes noticeable if the Body is long and wraps onto multiple lines. \n\n\nBody Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nBody Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nBody Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nBody Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nBody Text Shadow Color:  \n \nThe color of the shadow. \n\n\n\n\nLink Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash Caps\nEmblema One\nEmilys Candy\nEncode Sans\nEncode Sans Condensed\nEncode Sans Expanded\nEncode Sans SC\nEncode Sans Semi Condensed\nEncode Sans Semi Expanded\nEngagement\nEnglebert\nEnriqueta\nEphesis\nEpilogue\nErica One\nEsteban\nEstonia\nEuphoria Script\nEwert\nExo\nExo 2\nExpletus Sans\nExplora\nFahkwang\nFamiljen Grotesk\nFanwood Text\nFarro\nFarsan\nFascinate\nFascinate Inline\nFaster One\nFasthand\nFauna One\nFaustina\nFederant\nFedero\nFelipa\nFenix\nFestive\nFigtree\nFinger Paint\nFinlandica\nFira Code\nFira Mono\nFira Sans\nFira Sans Condensed\nFira Sans Extra Condensed\nFjalla One\nFjord One\nFlamenco\nFlavors\nFleur De Leah\nFlow Block\nFlow Circular\nFlow Rounded\nFondamento\nFontdiner Swanky\nForum\nFrancois One\nFrank Ruhl Libre\nFraunces\nFreckle Face\nFredericka the Great\nFredoka\nFredoka One\nFreehand\nFresca\nFrijole\nFruktur\nFugaz One\nFuggles\nFuzzy Bubbles\nGFS Didot\nGFS Neohellenic\nGabriela\nGaegu\nGafata\nGalada\nGaldeano\nGalindo\nGamja Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira 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Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Unordered List. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nUnordered List Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Unordered List to the left\, right\, center or justify. \n\n\nUnordered List Text Color:  \nChoose Custom Color \n\nPick a color to be used for the Unordered List text. \n\n\nUnordered List Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Unordered List text. \n\n\nUnordered List Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Unordered List. \n\n\nUnordered List Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Unordered List text. This becomes noticeable if the Unordered List is long and wraps onto multiple lines. \n\n\nUnordered List Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nUnordered List Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nUnordered List Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nUnordered List Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nUnordered List Text Shadow Color:  \n \nThe color of the shadow. \n\n\nUnordered List Style Type:  \nDiscCircleSquareNone \nThis setting adjusts the shape of the bullet point that begins each list item. \n\n\nUnordered List Style Position:  \nOutsideInside \nThe bullet point that begins each list item can be placed either inside or outside the parent list wrapper. Placing list items inside will indent them further within the list. \n\n\nUnordered List Item Indent:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing indentation will push list items further towards the center of the text content\, giving the list more visible separation from the the rest of the text. \n\n\n\n\nOrdered List Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash 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Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto 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Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto 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Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple 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Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Ordered List. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nOrdered List Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Ordered List to the left\, right\, center or justify. \n\n\nOrdered List Text Color:  \nChoose Custom Color \n\nPick a color to be used for the Ordered List text. \n\n\nOrdered List Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Ordered List text. \n\n\nOrdered List Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Ordered List. \n\n\nOrdered List Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Ordered List text. This becomes noticeable if the Ordered List is long and wraps onto multiple lines. \n\n\nOrdered List Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nOrdered List Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nOrdered List Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nOrdered List Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nOrdered List Text Shadow Color:  \n \nThe color of the shadow. \n\n\nOrdered List Style Type:  \ndecimalarmeniancjk-ideographicdecimal-leading-zerogeorgianhebrewhiraganahiragana-irohakatakanakatakana-irohalower-alphalower-greeklower-latinlower-romanupper-alphaupper-greekupper-latinupper-romannone \nHere you can choose which types of characters are used to distinguish between each item in the ordered list. \n\n\nOrdered List Style Position:  \nInsideOutside \nThe characters that begins each list item can be placed either inside or outside the parent list wrapper. Placing list items inside will indent them further within the list. \n\n\nOrdered List Item Indent:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing indentation will push list items further towards the center of the text content\, giving the list more visible separation from the the rest of the text. \n\n\n\n\nBlockquote Font:  \n\n\n\n\n\n\n\n\nRecent \n\n\n\nUploaded \n\n\n				\n			\nDefault\nABeeZee\nAbel\nAbhaya Libre\nAboreto\nAbril Fatface\nAbyssinica SIL\nAclonica\nAcme\nActor\nAdamina\nAdvent Pro\nAguafina Script\nAkaya Kanadaka\nAkaya Telivigala\nAkronim\nAkshar\nAladin\nAlata\nAlatsi\nAlbert Sans\nAldrich\nAlef\nAlegreya\nAlegreya SC\nAlegreya Sans\nAlegreya Sans SC\nAleo\nAlex Brush\nAlfa Slab One\nAlice\nAlike\nAlike Angular\nAlkalami\nAllan\nAllerta\nAllerta Stencil\nAllison\nAllura\nAlmarai\nAlmendra\nAlmendra Display\nAlmendra SC\nAlumni Sans\nAlumni Sans Collegiate One\nAlumni Sans Inline One\nAlumni Sans Pinstripe\nAmarante\nAmaranth\nAmatic SC\nAmethysta\nAmiko\nAmiri\nAmiri Quran\nAmita\nAnaheim\nAndada Pro\nAndika\nAnek Bangla\nAnek Devanagari\nAnek Gujarati\nAnek Gurmukhi\nAnek Kannada\nAnek Latin\nAnek Malayalam\nAnek Odia\nAnek Tamil\nAnek Telugu\nAngkor\nAnnie Use Your Telescope\nAnonymous Pro\nAntic\nAntic Didone\nAntic Slab\nAnton\nAntonio\nAnybody\nArapey\nArbutus\nArbutus Slab\nArchitects Daughter\nArchivo\nArchivo Black\nArchivo Narrow\nAre You Serious\nAref Ruqaa\nAref Ruqaa Ink\nArial\nArima\nArima Madurai\nArimo\nArizonia\nArmata\nArsenal\nArtifika\nArvo\nArya\nAsap\nAsap Condensed\nAsar\nAsset\nAssistant\nAstloch\nAsul\nAthiti\nAtkinson Hyperlegible\nAtma\nAtomic Age\nAubrey\nAudiowide\nAutour One\nAverage\nAverage Sans\nAveria Gruesa Libre\nAveria Libre\nAveria Sans Libre\nAveria Serif Libre\nAzeret Mono\nB612\nB612 Mono\nBIZ UDGothic\nBIZ UDMincho\nBIZ UDPGothic\nBIZ UDPMincho\nBabylonica\nBad Script\nBahiana\nBahianita\nBai Jamjuree\nBakbak One\nBallet\nBaloo 2\nBaloo Bhai 2\nBaloo Bhaijaan 2\nBaloo Bhaina 2\nBaloo Chettan 2\nBaloo Da 2\nBaloo Paaji 2\nBaloo Tamma 2\nBaloo Tammudu 2\nBaloo Thambi 2\nBalsamiq Sans\nBalthazar\nBangers\nBarlow\nBarlow Condensed\nBarlow Semi Condensed\nBarriecito\nBarrio\nBasic\nBaskervville\nBattambang\nBaumans\nBayon\nBe Vietnam Pro\nBeau Rivage\nBebas Neue\nBelgrano\nBellefair\nBelleza\nBellota\nBellota Text\nBenchNine\nBenne\nBentham\nBerkshire Swash\nBesley\nBeth Ellen\nBevan\nBhuTuka Expanded One\nBig Shoulders Display\nBig Shoulders Inline Display\nBig Shoulders Inline Text\nBig Shoulders Stencil Display\nBig Shoulders Stencil Text\nBig Shoulders Text\nBigelow Rules\nBigshot One\nBilbo\nBilbo Swash Caps\nBioRhyme\nBioRhyme Expanded\nBirthstone\nBirthstone Bounce\nBiryani\nBitter\nBlack And White Picture\nBlack Han Sans\nBlack Ops One\nBlaka\nBlaka Hollow\nBlaka Ink\nBlinker\nBodoni Moda\nBokor\nBona Nova\nBonbon\nBonheur Royale\nBoogaloo\nBowlby One\nBowlby One SC\nBrawler\nBree Serif\nBrygada 1918\nBubblegum Sans\nBubbler One\nBuda\nBuenard\nBungee\nBungee Hairline\nBungee Inline\nBungee Outline\nBungee Shade\nBungee Spice\nButcherman\nButterfly Kids\nCabin\nCabin Condensed\nCabin Sketch\nCaesar Dressing\nCagliostro\nCairo\nCairo Play\nCaladea\nCalistoga\nCalligraffitti\nCambay\nCambo\nCandal\nCantarell\nCantata One\nCantora One\nCapriola\nCaramel\nCarattere\nCardo\nCarme\nCarrois Gothic\nCarrois Gothic SC\nCarter One\nCastoro\nCatamaran\nCaudex\nCaveat\nCaveat Brush\nCedarville Cursive\nCeviche One\nChakra Petch\nChanga\nChanga One\nChango\nCharis SIL\nCharm\nCharmonman\nChathura\nChau Philomene One\nChela One\nChelsea Market\nChenla\nCherish\nCherry Cream Soda\nCherry Swash\nChewy\nChicle\nChilanka\nChivo\nChonburi\nCinzel\nCinzel Decorative\nClicker Script\nCoda\nCoda Caption\nCodystar\nCoiny\nCombo\nComfortaa\nComforter\nComforter Brush\nComic Neue\nComing Soon\nCommissioner\nConcert One\nCondiment\nContent\nContrail One\nConvergence\nCookie\nCopse\nCorben\nCorinthia\nCormorant\nCormorant Garamond\nCormorant Infant\nCormorant SC\nCormorant Unicase\nCormorant Upright\nCourgette\nCourier Prime\nCousine\nCoustard\nCovered By Your Grace\nCrafty Girls\nCreepster\nCrete Round\nCrimson Pro\nCrimson Text\nCroissant One\nCrushed\nCuprum\nCute Font\nCutive\nCutive Mono\nDM Mono\nDM Sans\nDM Serif Display\nDM Serif Text\nDamion\nDancing Script\nDangrek\nDarker Grotesque\nDavid Libre\nDawning of a New Day\nDays One\nDekko\nDela Gothic One\nDelius\nDelius Swash Caps\nDelius Unicase\nDella Respira\nDenk One\nDevonshire\nDhurjati\nDidact Gothic\nDiplomata\nDiplomata SC\nDo Hyeon\nDokdo\nDomine\nDonegal One\nDongle\nDoppio One\nDorsa\nDosis\nDotGothic16\nDr Sugiyama\nDuru Sans\nDynaPuff\nDynalight\nEB Garamond\nEagle Lake\nEast Sea Dokdo\nEater\nEconomica\nEczar\nEdu NSW ACT Foundation\nEdu QLD Beginner\nEdu SA Beginner\nEdu TAS Beginner\nEdu VIC WA NT Beginner\nEl Messiri\nElectrolize\nElsie\nElsie Swash Caps\nEmblema One\nEmilys Candy\nEncode Sans\nEncode Sans Condensed\nEncode Sans Expanded\nEncode Sans SC\nEncode Sans Semi Condensed\nEncode Sans Semi Expanded\nEngagement\nEnglebert\nEnriqueta\nEphesis\nEpilogue\nErica One\nEsteban\nEstonia\nEuphoria Script\nEwert\nExo\nExo 2\nExpletus Sans\nExplora\nFahkwang\nFamiljen Grotesk\nFanwood Text\nFarro\nFarsan\nFascinate\nFascinate Inline\nFaster One\nFasthand\nFauna One\nFaustina\nFederant\nFedero\nFelipa\nFenix\nFestive\nFigtree\nFinger Paint\nFinlandica\nFira Code\nFira Mono\nFira Sans\nFira Sans Condensed\nFira Sans Extra Condensed\nFjalla One\nFjord One\nFlamenco\nFlavors\nFleur De Leah\nFlow Block\nFlow Circular\nFlow Rounded\nFondamento\nFontdiner Swanky\nForum\nFrancois One\nFrank Ruhl Libre\nFraunces\nFreckle Face\nFredericka the Great\nFredoka\nFredoka One\nFreehand\nFresca\nFrijole\nFruktur\nFugaz One\nFuggles\nFuzzy Bubbles\nGFS Didot\nGFS Neohellenic\nGabriela\nGaegu\nGafata\nGalada\nGaldeano\nGalindo\nGamja Flower\nGantari\nGayathri\nGelasio\nGemunu Libre\nGenos\nGentium Book Basic\nGentium Book Plus\nGentium Plus\nGeo\nGeorama\nGeorgia\nGeostar\nGeostar Fill\nGermania One\nGideon Roman\nGidugu\nGilda Display\nGirassol\nGive You Glory\nGlass Antiqua\nGlegoo\nGloria Hallelujah\nGlory\nGluten\nGoblin One\nGochi Hand\nGoldman\nGorditas\nGothic A1\nGotu\nGoudy Bookletter 1911\nGowun Batang\nGowun Dodum\nGraduate\nGrand Hotel\nGrandstander\nGrape Nuts\nGravitas One\nGreat Vibes\nGrechen Fuemen\nGrenze\nGrenze Gotisch\nGrey Qo\nGriffy\nGruppo\nGudea\nGugi\nGulzar\nGupter\nGurajada\nGwendolyn\nHabibi\nHachi Maru Pop\nHahmlet\nHalant\nHammersmith One\nHanalei\nHanalei Fill\nHandlee\nHanuman\nHappy Monkey\nHarmattan\nHeadland One\nHeebo\nHenny Penny\nHepta Slab\nHerr Von Muellerhoff\nHi Melody\nHina Mincho\nHind\nHind Guntur\nHind Madurai\nHind Siliguri\nHind Vadodara\nHoltwood One SC\nHomemade Apple\nHomenaje\nHubballi\nHurricane\nIBM Plex Mono\nIBM Plex Sans\nIBM Plex Sans Arabic\nIBM Plex Sans Condensed\nIBM Plex Sans Devanagari\nIBM Plex Sans Hebrew\nIBM Plex Sans KR\nIBM Plex Sans Thai\nIBM Plex Sans Thai Looped\nIBM Plex Serif\nIM Fell DW Pica\nIM Fell DW Pica SC\nIM Fell Double Pica\nIM Fell Double Pica SC\nIM Fell English\nIM Fell English SC\nIM Fell French Canon\nIM Fell French Canon SC\nIM Fell Great Primer\nIM Fell Great Primer SC\nIbarra Real Nova\nIceberg\nIceland\nImbue\nImperial Script\nImprima\nInconsolata\nInder\nIndie Flower\nIngrid Darling\nInika\nInknut Antiqua\nInria Sans\nInria Serif\nInspiration\nInter\nInter Tight\nIrish Grover\nIsland Moments\nIstok Web\nItaliana\nItalianno\nItim\nJacques Francois\nJacques Francois Shadow\nJaldi\nJetBrains Mono\nJim Nightshade\nJoan\nJockey One\nJolly Lodger\nJomhuria\nJomolhari\nJosefin Sans\nJosefin Slab\nJost\nJoti One\nJua\nJudson\nJulee\nJulius Sans One\nJunge\nJura\nJust Another Hand\nJust Me Again Down Here\nK2D\nKadwa\nKaisei Decol\nKaisei HarunoUmi\nKaisei Opti\nKaisei Tokumin\nKalam\nKameron\nKanit\nKantumruy\nKantumruy Pro\nKarantina\nKarla\nKarma\nKatibeh\nKaushan Script\nKavivanar\nKavoon\nKdam Thmor Pro\nKeania One\nKelly Slab\nKenia\nKhand\nKhmer\nKhula\nKings\nKirang Haerang\nKite One\nKiwi Maru\nKlee One\nKnewave\nKoHo\nKodchasan\nKoh Santepheap\nKolker Brush\nKosugi\nKosugi Maru\nKotta One\nKoulen\nKranky\nKreon\nKristi\nKrona One\nKrub\nKufam\nKulim Park\nKumar One\nKumar One Outline\nKumbh Sans\nKurale\nLa Belle Aurore\nLacquer\nLaila\nLakki Reddy\nLalezar\nLancelot\nLangar\nLateef\nLato\nLavishly Yours\nLeague Gothic\nLeague Script\nLeague Spartan\nLeckerli One\nLedger\nLekton\nLemon\nLemonada\nLexend\nLexend Deca\nLexend Exa\nLexend Giga\nLexend Mega\nLexend Peta\nLexend Tera\nLexend Zetta\nLibre Barcode 128\nLibre Barcode 128 Text\nLibre Barcode 39\nLibre Barcode 39 Extended\nLibre Barcode 39 Extended Text\nLibre Barcode 39 Text\nLibre Barcode EAN13 Text\nLibre Baskerville\nLibre Bodoni\nLibre Caslon Display\nLibre Caslon Text\nLibre Franklin\nLicorice\nLife Savers\nLilita One\nLily Script One\nLimelight\nLinden Hill\nLiterata\nLiu Jian Mao Cao\nLivvic\nLobster\nLobster Two\nLondrina Outline\nLondrina Shadow\nLondrina Sketch\nLondrina Solid\nLong Cang\nLora\nLove Light\nLove Ya Like A Sister\nLoved by the King\nLovers Quarrel\nLuckiest Guy\nLusitana\nLustria\nLuxurious Roman\nLuxurious Script\nM PLUS 1\nM PLUS 1 Code\nM PLUS 1p\nM PLUS 2\nM PLUS Code Latin\nM PLUS Rounded 1c\nMa Shan Zheng\nMacondo\nMacondo Swash Caps\nMada\nMagra\nMaiden Orange\nMaitree\nMajor Mono Display\nMako\nMali\nMallanna\nMandali\nManjari\nManrope\nMansalva\nManuale\nMarcellus\nMarcellus SC\nMarck Script\nMargarine\nMarkazi Text\nMarko One\nMarmelad\nMartel\nMartel Sans\nMarvel\nMate\nMate SC\nMaven Pro\nMcLaren\nMea Culpa\nMeddon\nMedievalSharp\nMedula One\nMeera Inimai\nMegrim\nMeie Script\nMeow Script\nMerienda\nMerienda One\nMerriweather\nMerriweather Sans\nMetal\nMetal Mania\nMetamorphous\nMetrophobic\nMichroma\nMilonga\nMiltonian\nMiltonian Tattoo\nMina\nMingzat\nMiniver\nMiriam Libre\nMirza\nMiss Fajardose\nMitr\nMochiy Pop One\nMochiy Pop P One\nModak\nModern Antiqua\nMogra\nMohave\nMolengo\nMolle\nMonda\nMonofett\nMonoton\nMonsieur La Doulaise\nMontaga\nMontagu Slab\nMonteCarlo\nMontez\nMontserrat\nMontserrat Alternates\nMontserrat Subrayada\nMoo Lah Lah\nMoon Dance\nMoul\nMoulpali\nMountains of Christmas\nMouse Memoirs\nMr Bedfort\nMr Dafoe\nMr De Haviland\nMrs Saint Delafield\nMrs Sheppards\nMs Madi\nMukta\nMukta Mahee\nMukta Malar\nMukta Vaani\nMulish\nMurecho\nMuseoModerno\nMy Soul\nMystery Quest\nNTR\nNabla\nNanum Brush Script\nNanum Gothic\nNanum Gothic Coding\nNanum Myeongjo\nNanum Pen Script\nNeonderthaw\nNerko One\nNeucha\nNeuton\nNew Rocker\nNew Tegomin\nNews Cycle\nNewsreader\nNiconne\nNiramit\nNixie One\nNobile\nNokora\nNorican\nNosifer\nNotable\nNothing You Could Do\nNoticia Text\nNoto Color Emoji\nNoto Emoji\nNoto Kufi Arabic\nNoto Music\nNoto Naskh Arabic\nNoto Nastaliq Urdu\nNoto Rashi Hebrew\nNoto Sans\nNoto Sans Adlam\nNoto Sans Adlam Unjoined\nNoto Sans Anatolian Hieroglyphs\nNoto Sans Arabic\nNoto Sans Armenian\nNoto Sans Avestan\nNoto Sans Balinese\nNoto Sans Bamum\nNoto Sans Bassa Vah\nNoto Sans Batak\nNoto Sans Bengali\nNoto Sans Bhaiksuki\nNoto Sans Brahmi\nNoto Sans Buginese\nNoto Sans Buhid\nNoto Sans Canadian Aboriginal\nNoto Sans Carian\nNoto Sans Caucasian Albanian\nNoto Sans Chakma\nNoto Sans Cham\nNoto Sans Cherokee\nNoto Sans Coptic\nNoto Sans Cuneiform\nNoto Sans Cypriot\nNoto Sans Deseret\nNoto Sans Devanagari\nNoto Sans Display\nNoto Sans Duployan\nNoto Sans Egyptian Hieroglyphs\nNoto Sans Elbasan\nNoto Sans Elymaic\nNoto Sans Ethiopic\nNoto Sans Georgian\nNoto Sans Glagolitic\nNoto Sans Gothic\nNoto Sans Grantha\nNoto Sans Gujarati\nNoto Sans Gunjala Gondi\nNoto Sans Gurmukhi\nNoto Sans HK\nNoto Sans Hanifi Rohingya\nNoto Sans Hanunoo\nNoto Sans Hatran\nNoto Sans Hebrew\nNoto Sans Imperial Aramaic\nNoto Sans Indic Siyaq Numbers\nNoto Sans Inscriptional Pahlavi\nNoto Sans Inscriptional Parthian\nNoto Sans JP\nNoto Sans Javanese\nNoto Sans KR\nNoto Sans Kaithi\nNoto Sans Kannada\nNoto Sans Kayah Li\nNoto Sans Kharoshthi\nNoto Sans Khmer\nNoto Sans Khojki\nNoto Sans Khudawadi\nNoto Sans Lao\nNoto Sans Lepcha\nNoto Sans Limbu\nNoto Sans Linear A\nNoto Sans Linear B\nNoto Sans Lisu\nNoto Sans Lycian\nNoto Sans Lydian\nNoto Sans Mahajani\nNoto Sans Malayalam\nNoto Sans Mandaic\nNoto Sans Manichaean\nNoto Sans Marchen\nNoto Sans Masaram Gondi\nNoto Sans Math\nNoto Sans Mayan Numerals\nNoto Sans Medefaidrin\nNoto Sans Meetei Mayek\nNoto Sans Meroitic\nNoto Sans Miao\nNoto Sans Modi\nNoto Sans Mongolian\nNoto Sans Mono\nNoto Sans Mro\nNoto Sans Multani\nNoto Sans Myanmar\nNoto Sans N Ko\nNoto Sans Nabataean\nNoto Sans New Tai Lue\nNoto Sans Newa\nNoto Sans Nushu\nNoto Sans Ogham\nNoto Sans Ol Chiki\nNoto Sans Old Hungarian\nNoto Sans Old Italic\nNoto Sans Old North Arabian\nNoto Sans Old Permic\nNoto Sans Old Persian\nNoto Sans Old Sogdian\nNoto Sans Old South Arabian\nNoto Sans Old Turkic\nNoto Sans Oriya\nNoto Sans Osage\nNoto Sans Osmanya\nNoto Sans Pahawh Hmong\nNoto Sans Palmyrene\nNoto Sans Pau Cin Hau\nNoto Sans Phags Pa\nNoto Sans Phoenician\nNoto Sans Psalter Pahlavi\nNoto Sans Rejang\nNoto Sans Runic\nNoto Sans SC\nNoto Sans Samaritan\nNoto Sans Saurashtra\nNoto Sans Sharada\nNoto Sans Shavian\nNoto Sans Siddham\nNoto Sans Sinhala\nNoto Sans Sogdian\nNoto Sans Sora Sompeng\nNoto Sans Soyombo\nNoto Sans Sundanese\nNoto Sans Syloti Nagri\nNoto Sans Symbols\nNoto Sans Symbols 2\nNoto Sans Syriac\nNoto Sans TC\nNoto Sans Tagalog\nNoto Sans Tagbanwa\nNoto Sans Tai Le\nNoto Sans Tai Tham\nNoto Sans Tai Viet\nNoto Sans Takri\nNoto Sans Tamil\nNoto Sans Tamil Supplement\nNoto Sans Telugu\nNoto Sans Thaana\nNoto Sans Thai\nNoto Sans Thai Looped\nNoto Sans Tifinagh\nNoto Sans Tirhuta\nNoto Sans Ugaritic\nNoto Sans Vai\nNoto Sans Wancho\nNoto Sans Warang Citi\nNoto Sans Yi\nNoto Sans Zanabazar Square\nNoto Serif\nNoto Serif Ahom\nNoto Serif Armenian\nNoto Serif Balinese\nNoto Serif Bengali\nNoto Serif Devanagari\nNoto Serif Display\nNoto Serif Dogra\nNoto Serif Ethiopic\nNoto Serif Georgian\nNoto Serif Grantha\nNoto Serif Gujarati\nNoto Serif Gurmukhi\nNoto Serif HK\nNoto Serif Hebrew\nNoto Serif JP\nNoto Serif KR\nNoto Serif Kannada\nNoto Serif Khmer\nNoto Serif Lao\nNoto Serif Malayalam\nNoto Serif Myanmar\nNoto Serif Nyiakeng Puachue Hmong\nNoto Serif SC\nNoto Serif Sinhala\nNoto Serif TC\nNoto Serif Tamil\nNoto Serif Tangut\nNoto Serif Telugu\nNoto Serif Thai\nNoto Serif Tibetan\nNoto Serif Yezidi\nNoto Traditional Nushu\nNova Cut\nNova Flat\nNova Mono\nNova Oval\nNova Round\nNova Script\nNova Slim\nNova Square\nNumans\nNunito\nNunito Sans\nNuosu SIL\nOdibee Sans\nOdor Mean Chey\nOffside\nOi\nOld Standard TT\nOldenburg\nOle\nOleo Script\nOleo Script Swash Caps\nOooh Baby\nOpen Sans\nOranienbaum\nOrbitron\nOregano\nOrelega One\nOrienta\nOriginal Surfer\nOswald\nOutfit\nOver the Rainbow\nOverlock\nOverlock SC\nOverpass\nOverpass Mono\nOvo\nOxanium\nOxygen\nOxygen Mono\nPT Mono\nPT Sans\nPT Sans Caption\nPT Sans Narrow\nPT Serif\nPT Serif Caption\nPacifico\nPadauk\nPalanquin\nPalanquin Dark\nPangolin\nPaprika\nParisienne\nPassero One\nPassion One\nPassions Conflict\nPathway Gothic One\nPatrick Hand\nPatrick Hand SC\nPattaya\nPatua One\nPavanam\nPaytone One\nPeddana\nPeralta\nPermanent Marker\nPetemoss\nPetit Formal Script\nPetrona\nPhilosopher\nPiazzolla\nPiedra\nPinyon Script\nPirata One\nPlaster\nPlay\nPlayball\nPlayfair Display\nPlayfair Display SC\nPlus Jakarta Sans\nPodkova\nPoiret One\nPoller One\nPoly\nPompiere\nPontano Sans\nPoor Story\nPoppins\nPort Lligat Sans\nPort Lligat Slab\nPotta One\nPragati Narrow\nPraise\nPrata\nPreahvihear\nPress Start 2P\nPridi\nPrincess Sofia\nProciono\nPrompt\nProsto One\nProza Libre\nPublic Sans\nPuppies Play\nPuritan\nPurple Purse\nQahiri\nQuando\nQuantico\nQuattrocento\nQuattrocento Sans\nQuestrial\nQuicksand\nQuintessential\nQwigley\nQwitcher Grypen\nRacing Sans One\nRadio Canada\nRadley\nRajdhani\nRakkas\nRaleway\nRaleway Dots\nRamabhadra\nRamaraja\nRambla\nRammetto One\nRampart One\nRanchers\nRancho\nRanga\nRasa\nRationale\nRavi Prakash\nReadex Pro\nRecursive\nRed Hat Display\nRed Hat Mono\nRed Hat Text\nRed Rose\nRedacted\nRedacted Script\nRedressed\nReem Kufi\nReem Kufi Fun\nReem Kufi Ink\nReenie Beanie\nReggae One\nRevalia\nRhodium Libre\nRibeye\nRibeye Marrow\nRighteous\nRisque\nRoad Rage\nRoboto\nRoboto Condensed\nRoboto Flex\nRoboto Mono\nRoboto Serif\nRoboto Slab\nRochester\nRock Salt\nRocknRoll One\nRokkitt\nRomanesco\nRopa Sans\nRosario\nRosarivo\nRouge Script\nRowdies\nRozha One\nRubik\nRubik Beastly\nRubik Bubbles\nRubik Burned\nRubik Dirt\nRubik Distressed\nRubik Glitch\nRubik Iso\nRubik Marker Hatch\nRubik Maze\nRubik Microbe\nRubik Mono One\nRubik Moonrocks\nRubik Puddles\nRubik Wet Paint\nRuda\nRufina\nRuge Boogie\nRuluko\nRum Raisin\nRuslan Display\nRusso One\nRuthie\nRye\nSTIX Two Text\nSacramento\nSahitya\nSail\nSaira\nSaira Condensed\nSaira Extra Condensed\nSaira Semi Condensed\nSaira Stencil One\nSalsa\nSanchez\nSancreek\nSansita\nSansita Swashed\nSarabun\nSarala\nSarina\nSarpanch\nSassy Frass\nSatisfy\nSawarabi Gothic\nSawarabi Mincho\nScada\nScheherazade New\nSchoolbell\nScope One\nSeaweed Script\nSecular One\nSedgwick Ave\nSedgwick Ave Display\nSen\nSend Flowers\nSevillana\nSeymour One\nShadows Into Light\nShadows Into Light Two\nShalimar\nShanti\nShare\nShare Tech\nShare Tech Mono\nShippori Antique\nShippori Antique B1\nShippori Mincho\nShippori Mincho B1\nShojumaru\nShort Stack\nShrikhand\nSiemreap\nSigmar One\nSignika\nSignika Negative\nSilkscreen\nSimonetta\nSingle Day\nSintony\nSirin Stencil\nSix Caps\nSkranji\nSlabo 13px\nSlabo 27px\nSlackey\nSmokum\nSmooch\nSmooch Sans\nSmythe\nSniglet\nSnippet\nSnowburst One\nSofadi One\nSofia\nSolway\nSong Myung\nSonsie One\nSora\nSorts Mill Goudy\nSource Code Pro\nSource Sans 3\nSource Sans Pro\nSource Serif 4\nSource Serif Pro\nSpace Grotesk\nSpace Mono\nSpecial Elite\nSpectral\nSpectral SC\nSpicy Rice\nSpinnaker\nSpirax\nSplash\nSpline Sans\nSpline Sans Mono\nSquada One\nSquare Peg\nSree Krushnadevaraya\nSriracha\nSrisakdi\nStaatliches\nStalemate\nStalinist One\nStardos Stencil\nStick\nStick No Bills\nStint Ultra Condensed\nStint Ultra Expanded\nStoke\nStrait\nStyle Script\nStylish\nSue Ellen Francisco\nSuez One\nSulphur Point\nSumana\nSunflower\nSunshiney\nSupermercado One\nSura\nSuranna\nSuravaram\nSuwannaphum\nSwanky and Moo Moo\nSyncopate\nSyne\nSyne Mono\nSyne Tactile\nTai Heritage Pro\nTajawal\nTangerine\nTapestry\nTaprom\nTauri\nTaviraj\nTeko\nTelex\nTenali Ramakrishna\nTenor Sans\nText Me One\nTexturina\nThasadith\nThe Girl Next Door\nThe Nautigal\nTienne\nTillana\nTimes New Roman\nTimmana\nTinos\nTiro Bangla\nTiro Devanagari Hindi\nTiro Devanagari Marathi\nTiro Devanagari Sanskrit\nTiro Gurmukhi\nTiro Kannada\nTiro Tamil\nTiro Telugu\nTitan One\nTitillium Web\nTomorrow\nTourney\nTrade Winds\nTrain One\nTrebuchet\nTrirong\nTrispace\nTrocchi\nTrochut\nTruculenta\nTrykker\nTulpen One\nTurret Road\nTwinkle Star\nUbuntu\nUbuntu Condensed\nUbuntu Mono\nUchen\nUltra\nUncial Antiqua\nUnderdog\nUnica One\nUnifrakturCook\nUnifrakturMaguntia\nUnkempt\nUnlock\nUnna\nUpdock\nUrbanist\nVT323\nVampiro One\nVarela\nVarela Round\nVarta\nVast Shadow\nVazirmatn\nVerdana\nVesper Libre\nViaoda Libre\nVibes\nVibur\nVidaloka\nViga\nVoces\nVolkhov\nVollkorn\nVollkorn SC\nVoltaire\nVujahday Script\nWaiting for the Sunrise\nWallpoet\nWalter Turncoat\nWarnes\nWater Brush\nWaterfall\nWellfleet\nWendy One\nWhisper\nWindSong\nWire One\nWork Sans\nXanh Mono\nYaldevi\nYanone Kaffeesatz\nYantramanav\nYatra One\nYellowtail\nYeon Sung\nYeseva One\nYesteryear\nYomogi\nYrsa\nYuji Boku\nYuji Mai\nYuji Syuku\nYusei Magic\nZCOOL KuaiLe\nZCOOL QingKe HuangYou\nZCOOL XiaoWei\nZen Antique\nZen Antique Soft\nZen Dots\nZen Kaku Gothic Antique\nZen Kaku Gothic New\nZen Kurenaido\nZen Loop\nZen Maru Gothic\nZen Old Mincho\nZen Tokyo Zoo\nZeyada\nZhi Mang Xing\nZilla Slab\nZilla Slab Highlight\n\n\n\n\n				Font Weight:\n				ThinUltra LightLightRegularMediumSemi BoldBoldUltra BoldHeavy\n			\n\n\n				Font Style: \n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n\n						\n							\n						\n					\n \n \n\n\n					Line Color: \n					Choose Custom Color \n\n						\n						\n					\n \n\n					Line Style:\n					soliddoubledotteddashedwavy\n				\n \n		 \nChoose a custom font to use for the Blockquote. All Google web fonts are available\, or you can upload your own custom font files. \n\n\nBlockquote Text Alignment:  \nLeftCenterRightJustified \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the Blockquote to the left\, right\, center or justify. \n\n\nBlockquote Text Color:  \nChoose Custom Color \n\nPick a color to be used for the Blockquote text. \n\n\nBlockquote Text Size:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncrease or decrease the size of the Blockquote text. \n\n\nBlockquote Letter Spacing:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLetter spacing adjusts the distance between each letter in the Blockquote. \n\n\nBlockquote Line Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nLine height adjusts the distance between each line of the Blockquote text. This becomes noticeable if the Blockquote is long and wraps onto multiple lines. \n\n\nBlockquote Text Shadow:  \n\n\n \n\n\naA\naA\naA\naA\naA\n\n \nPick a text shadow style to enable text shadow for this element. Once enabled\, you will be able to customize your text shadow style further. To disable custom text shadow style\, choose the None option. \n\n\nBlockquote Text Shadow Horizontal Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the text. A negative value places the shadow to the left of the text. \n\n\nBlockquote Text Shadow Vertical Length:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the text. A negative value places the shadow above the text. \n\n\nBlockquote Text Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nBlockquote Text Shadow Color:  \n \nThe color of the shadow. \n\n\nBlockquote Border Weight:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nBlock quotes are given a border to separate them from normal text. You can increase or decrease the size of that border using this setting. \n\n\nBlockquote Border Color:  \nChoose Custom Color \n\nBlock quotes are given a border to separate them from normal text. Pick a color to use for that border. \n\n\n\n\n\n\nSizing\n\nWidth:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nBy default\, elements will extend the full width of their parent element. If you would like to set a custom static width\, you can do so using this option. \n\n\nMax Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nSetting a maximum width will prevent your element from ever surpassing the defined width value. Maximum width can be used in combination with the standard width setting. Maximum width supersedes the normal width value. \n\n\nModule Alignment:  \nLeftCenterRight \n\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n\n					\n						\n					\n				\n \n \nAlign the module to the left\, right or center. \n\n\nMin Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nWhen a minimum height is set\, the element will always have a height of at least the amount defined. This supersedes smaller static height values. Unlike height\, minimum height does not result in content overflow and will allow the height of your element to remain dynamic. \n\n\nHeight:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThis sets a static height value for your element. Once set\, the height of the element will no longer be determined by its inner content. Content that exceeds the static height of the element will overflow the element wrapper. \n\n\nMax Height:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nSetting a maximum height will prevent your element from ever surpassing the defined height value. As your module content increases and surpasses the maximum height\, it will overflow the element wrapper. \n\n\n\n\n\nSpacing\n\nMargin:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n\n			\n				Top\n				 \n					\n					 \n			 \n			\n				Right\n				 \n					\n					 \n			 \n			\n				Bottom\n				 \n					\n					 \n			 \n			\n				Left\n				 \n					\n					 \n			\n		\n \nMargin adds extra space to the outside of the element\, increasing the distance between the element and other items on the page. \n\n\nPadding:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n\n			\n				Top\n				 \n					\n					 \n			 \n			\n				Right\n				 \n					\n					 \n			 \n			\n				Bottom\n				 \n					\n					 \n			 \n			\n				Left\n				 \n					\n					 \n			\n		\n \nPadding adds extra space to the inside of the element\, increasing the distance between the edge of the element and its inner contents. \n\n\n\n\n\nBorder\n\nRounded Corners:  \n\n\n\n\n\n\n\n\n \n\n 				\n 				\n 			\n\n\n\n\n\n\n\n\n \nHere you can control the corner radius of this element. Enable the link icon to control all four corners at once\, or disable to define custom values for each. \n\n\nBorder Styles:  \n\n\n\n\n\n\n\n 				\n 			\n\n\n\n 				\n 			\n\n\n\n 				\n 			\n\n\n\n 				\n 			\n\n\n\n 				\n 			\n\n\n\n\n\n\n\n\nBorder Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the width of the border will increase its size/thickness. \n\n\nBorder Color:  \n \nPick a color to be used for the border. \n\n\nBorder Style:  \nSolidDashedDottedDoubleGrooveRidgeInsetOutsetNone \nBorders support various different styles\, each of which will change the shape of the border element. \n\n\n\n\n\n\n\n\n\nTop Border Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the width of the border will increase its size/thickness. \n\n\nTop Border Color:  \n \nPick a color to be used for the border. \n\n\nTop Border Style:  \nSolidDashedDottedDoubleGrooveRidgeInsetOutsetNone \nBorders support various different styles\, each of which will change the shape of the border element. \n\n\n\n\n\n\n\n\n\nRight Border Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the width of the border will increase its size/thickness. \n\n\nRight Border Color:  \n \nPick a color to be used for the border. \n\n\nRight Border Style:  \nSolidDashedDottedDoubleGrooveRidgeInsetOutsetNone \nBorders support various different styles\, each of which will change the shape of the border element. \n\n\n\n\n\n\n\n\n\nBottom Border Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the width of the border will increase its size/thickness. \n\n\nBottom Border Color:  \n \nPick a color to be used for the border. \n\n\nBottom Border Style:  \nSolidDashedDottedDoubleGrooveRidgeInsetOutsetNone \nBorders support various different styles\, each of which will change the shape of the border element. \n\n\n\n\n\n\n\n\n\nLeft Border Width:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the width of the border will increase its size/thickness. \n\n\nLeft Border Color:  \n \nPick a color to be used for the border. \n\n\nLeft Border Style:  \nSolidDashedDottedDoubleGrooveRidgeInsetOutsetNone \nBorders support various different styles\, each of which will change the shape of the border element. \n\n\n\n\n\n \nYou can add borders to any element\, customize their appearance and assign unique styles to each edge. \n\n\n\n\n\nBox Shadow\n\nBox Shadow:  \n\n\n \n\n\n\n\n\n\n\n\n\n\n \nPick a box shadow style to enable box shadow for this element. Once enabled\, you will be able to customize your box shadow style further. To disable custom box shadow style\, choose the None option. \n\n\nBox Shadow Horizontal Position:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's horizontal distance from the element. A negative value places the shadow to the left of the element. \n\n\nBox Shadow Vertical Position:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShadow's vertical distance from the element. A negative value places the shadow above the element. \n\n\nBox Shadow Blur Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThe higher the value\, the bigger the blur\, the shadow becomes wider and lighter. \n\n\nBox Shadow Spread Strength:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIncreasing the spread strength will increase the density of the box shadow. Higher density results in a more intense shadow. \n\n\nShadow Color:  \n \nThe color of the shadow. \n\n\nBox Shadow Position:  \nOuter ShadowInner Shadow \nChoose whether you would like the shadow to appear outside your module\, lifting the module up from the page\, or inside the module\, setting the module downwards within the page. \n\n\n\n\n\nFilters\n\nHue:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nShift all colors by this amount. \n\n\nSaturation:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nDefine how intense the color saturation should be. \n\n\nBrightness:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nDefine how bright the colors should be. \n\n\nContrast:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nDefine how distinct bright and dark areas should be. \n\n\nInvert:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nInvert the hue\, saturation\, and brightness by this amount. \n\n\nSepia:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nTravel back in time by this amount. \n\n\nOpacity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nDefine how transparent or opaque this should be. \n\n\nBlur:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nBlur by this amount. \n\n\nBlend Mode:  \nNormalMultiplyScreenOverlayDarkenLightenColor DodgeColor BurnHard LightSoft LightDifferenceExclusionHueSaturationColorLuminosity \nModify how this element blends with any layers beneath it. To reset\, choose the "Normal" option. \n\n\n\n\n\nAnimation\n\nAnimation Style:  \n\n\n\n\n						\n							None\n							 \n\n									\n				\n			\n								\n							\n						\n					\n\n						\n							Fade\n							 \n\n									\n				\n				\n				\n				\n				\n				\n			\n								\n							\n						\n					\n\n						\n							Slide\n							 \n\n									\n				\n				\n				\n			\n								\n							\n						\n					\n\n						\n							Bounce\n							 \n\n									\n				\n				\n				\n				\n				\n				\n				\n			\n								\n							\n						\n					\n\n						\n							Zoom\n							 \n\n									\n				\n			\n								\n							\n						\n					\n\n						\n							Flip\n							 \n\n									\n				\n			\n								\n							\n						\n					\n\n						\n							Fold\n							 \n\n									\n				\n			\n								\n							\n						\n					\n\n						\n							Roll\n							 \n\n									\n				\n			\n								\n							\n						\n					\n \n		\n \nPick an animation style to enable animations for this element. Once enabled\, you will be able to customize your animation style further. To disable animations\, choose the None option. \n\n\nAnimation Direction:  \nCenterRightLeftUpDown \nPick from up to five different animation directions\, each of which will adjust the starting and ending position of your animated element. \n\n\nAnimation Duration:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nSpeed up or slow down your animation by adjusting the animation duration. Units are in milliseconds and the default animation duration is one second. \n\n\nAnimation Delay:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIf you would like to add a delay before your animation runs you can designate that delay here in milliseconds. This can be useful when using multiple animated modules together. \n\n\nAnimation Intensity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIntensity effects how subtle or aggressive your animation will be. Lowering the intensity will create a smoother and more subtle animation while increasing the intensity will create a snappier more aggressive animation. \n\n\nAnimation Intensity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIntensity effects how subtle or aggressive your animation will be. Lowering the intensity will create a smoother and more subtle animation while increasing the intensity will create a snappier more aggressive animation. \n\n\nAnimation Intensity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIntensity effects how subtle or aggressive your animation will be. Lowering the intensity will create a smoother and more subtle animation while increasing the intensity will create a snappier more aggressive animation. \n\n\nAnimation Intensity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIntensity effects how subtle or aggressive your animation will be. Lowering the intensity will create a smoother and more subtle animation while increasing the intensity will create a snappier more aggressive animation. \n\n\nAnimation Intensity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nIntensity effects how subtle or aggressive your animation will be. Lowering the intensity will create a smoother and more subtle animation while increasing the intensity will create a snappier more aggressive animation. \n\n\nAnimation Starting Opacity:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nBy increasing the starting opacity\, you can reduce or remove the fade effect that is applied to all animation styles. \n\n\nAnimation Speed Curve:  \nEase-In-OutEaseEase-InEase-OutLinear \nHere you can adjust the easing method of your animation. Easing your animation in and out will create a smoother effect when compared to a linear speed curve. \n\n\nAnimation Repeat:  \nOnceLoop \nBy default\, animations will only play once. If you would like to loop your animation continuously you can choose the Loop option here. \n\n\n\n\n\n\n\nCSS ID & Classes\n\nCSS ID:  \n \nAssign a unique CSS ID to the element which can be used to assign custom CSS styles from within your child theme or from within Divi's custom CSS inputs. \n\n\nCSS Class:  \n \nAssign any number of CSS Classes to the element\, separated by spaces\, which can be used to assign custom CSS styles from within your child theme or from within Divi's custom CSS inputs. \n\n\n\n\n\nCustom CSS\n\nBefore:.et_pb_toggle_1.et_pb_toggle:before  \n\n\nMain Element:.et_pb_toggle_1.et_pb_toggle  \n\n\nAfter:.et_pb_toggle_1.et_pb_toggle:after  \n\n\nCSS:.et_pb_toggle_1.et_pb_toggle  \n\n\nOpen Toggle:.et_pb_toggle_1.et_pb_toggle.et_pb_toggle.et_pb_toggle_open  \n\n\nToggle Title:.et_pb_toggle_1.et_pb_toggle .et_pb_toggle_title  \n\n\nToggle Icon:.et_pb_toggle_1.et_pb_toggle .et_pb_toggle_title:before  \n\n\nToggle Content:.et_pb_toggle_1.et_pb_toggle .et_pb_toggle_content  \n\n\n\n\n\nConditions\n\nDisplay Conditions:  \n \nChoose when to display this element based on a set of conditions. Multiple conditions can be added. Date & Time condition is based on your timezone settings in your WordPress General Settings \n\n\n\n\n\nVisibility\n\nDisable on:  \n\n Phone Tablet Desktop\nThis will disable the module on selected devices \n\n\nHorizontal Overflow:  \nDefaultVisibleScrollHiddenAuto \nHere you can control element overflow on the X axis. If set to scroll\, content that overflows static widths or heights will trigger a browser scrollbar. If set to hidden\, content overflow will be clipped. \n\n\nVertical Overflow:  \nDefaultVisibleScrollHiddenAuto \nHere you can control element overflow on the Y axis. If set to scroll\, content that overflows static widths or heights will trigger a browser scrollbar. If set to hidden\, content overflow will be clipped. \n\n\n\n\n\nTransitions\n\nTransition Duration:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThis controls the transition duration of the hover animation. \n\n\nTransition Delay:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nThis controls the transition delay of the hover animation. \n\n\nTransition Speed Curve:  \nEase-In-OutEaseEase-InEase-OutLinear \nThis controls the transition speed curve of the hover animation. \n\n\n\n\n\nPosition\n\nVertical Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nHere you can adjust the element's position upwards or downwards from its starting location\, which may differ based on its offset origin. \n\n\nHorizontal Offset:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nHere you can adjust the element's position left or right from its starting location\, which may differ based on its offset origin. \n\n\nZ Index:  \n\n\n				\n					Desktop\n				\n				\n					Tablet\n				\n				\n					Smartphone\n				\n			\n		 \nHere you can control element position on the z axis. Elements with higher z-index values will sit atop elements with lower z-index values. \n\n\n\n\n\n\n\n\n \n			\n				\n				\n				\n				\n				Learn How to Participate\n				Bagley-Keene Open Meeting Act\nAs a state agency\, the Commission is governed by the Bagley-Keene Open Meeting Act which requires the Commission to: (1) publish an agenda at least ten days in advance of any meeting; and (2) describe specifically in that agenda the items to be transacted or discussed. Public notices of Commission meetings and staff reports (as applicable) dealing with matters on the meeting agendas can be found on BCDC’s website. Simply access Commission Meetings under the “Public Meetings” tab on the website and select the date of the meeting. \nHow to Provide Comments and Comment Time Limits\nPursuant to state law\, the Commission is currently conducting its public meetings in a “hybrid” fashion. Each meeting notice will specify (1) where the meeting is being primarily held physically\, (2) all teleconference locations\, which will be publicly-accessible\, and (3) the ZOOM virtual meeting link. If you would like to comment at the beginning of the meeting or on an item scheduled for public discussion\, you may do so in one of three ways: (1) being present at the primary physical or a teleconference meeting location; (2) emailing comments in advance to public comment until 10 a.m. on the day of the meeting; and (3) participating via ZOOM during the meeting. \nIf you plan to participate through ZOOM\, please use your ZOOM-enabled device and click on the “raise your hand” button\, and then wait to speak until called upon. If you are using a telephone to call into the meeting\, select *6 to unmute your phone and you will then be able to speak. We ask that everyone use the mute button when not speaking. It is also important that you not put your phone on hold. Each speaker may be limited to a maximum of three minutes or less at the discretion of the Chair during the public comment period depending on the volume of persons intending to provide public comment. Any speakers who exceed the time limits or interfere with the meeting may be muted by the Chair. It is strongly recommended that public comments be submitted in writing so they can be distributed to all Commission members in advance of the meeting for review. You are encouraged to submit written comments of any length and detailed information to the staff prior to the meeting at the email address above\, which will be distributed to the Commission members. \nQuestions and Staff Reports\nIf you have any questions concerning an item on the agenda\, would like to receive notice of future hearings\, or access staff reports related to the item\, please contact the staff member whose name\, email address and direct phone number are indicated in parenthesis at the end of the agenda item. \nCampaign Contributions\nState law requires Commissioners to disqualify themselves from voting on any matter if they have received a campaign contribution from an interested party within the past 12 months. If you intend to speak on any hearing item\, please indicate in your testimony if you have made campaign contributions in excess of $250 to any Commissioner within the last year\, and if so\, to which Commissioner(s) you have contributed. Other legal requirements govern contributions by applicants and other interested parties and establish criteria for Commissioner conflicts of interest. Please consult with the staff counsel if you have any questions about the rules that pertain to campaign contributions or conflicts of interest. \nAccess to Meetings\nMeetings are physically held in venues that are accessible to persons with disabilities. If you require special assistance or have technical questions\, please contact staff at least three days prior to the meeting via email. We will attempt to make the virtual meeting accessible via ZOOM accessibility capabilities\, as well.
URL:https://www.bcdc.ca.gov/event/may-12-2025-design-review-board-meeting/
CATEGORIES:Design Review Board
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